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D singer Caroline use racial slurs? Netizens comment on Twitter. Let’s find out what really happened.
Caroline Elizabeth Polachek was born on June 20, 1985 in the United States. Polachek is an American singer and songwriter from Connecticut.
While attending the University of Colorado, she co-founded the indie pop band Chairlift. The couple rose out of the Brooklyn music scene in the late 2000s with the sleeper smash “Bruises.”
During her time with Chairlift, she worked on solo projects Ramona Lisa and CEP before embarking on a solo career after the band broke up in 2017.
What D Caroline Polachek Say? Her Racist Slur Twitter Reaction
According to many tweets, Caroline Polachek used the N-word in 2018. She shared a snippet of lyrics from Kanye West’s song Violent Crimes.
She typed out the word and posted it to her Instagram story.
A singer named Kelela then approached Polachek and called her out. Caroline was then wely chastised by fans and received much backlash.
Since then, the singer’s choice of words has not caused any problems. Caroline doesn’t seem to be a racist since she transcribed and published the lyrics of Kanye West’s songs.
However, when she uttered this word, many were outraged and mistook her for one.
Despite the fact that the event happened in 2018, users on Twitter are still angry about the tweet.
Many netizens oppose Caroline, while others support her, claiming that it was never her intention to hurt anyone’s feelings.
Is Caroline Polachek Married? Husband Details
Caroline is married to musician Ian Drennan. The couple married in 2015 and had a quality time together.
Unfortunately for the couple, they divorced in 2018. The romance ended, and the news frightened all admirers and well-wishers.
However, her friends and followers continue to worship her.
According to abct.ng, Caroline is currently dating Matt Copson. The couple seems happy with each other.
However, there is still no news that the couple will get married anytime soon.
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Bishop’s Lace, Cirsium and Titan Arum are among Ian’s most well-known tunes. “The Wonderful World” and “Flower of Love” are two of his most popular albums among his fans.
Matt Copson, Caroline Polachek’s boyfriend, works as a visual artist. Caroline’s surreal music videos were primarily directed by him.
Matt Copson was born in 1992 in the city of Oxford. He is a British post-war and contemporary artist working from his London studio.
However, no other facts about the artist are currently available in the media.
A South African Woman is Imprisoned for Racism – Between the Scenes | The Daily Show
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Caroline Polachek N Word Drama – Did She Use … – 650.org
Netizens on Twitter are angry as singer Caroline Polachek used the N-word in her Instagram posts. D she use the racist slur? Continue reading this.
Source: www.650.org
Date Published: 11/8/2022
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hunting ezra miller on Twitter: “ok i’m sorry but caroline …
ok i’m sorry but caroline polachek is not racist. y’all saying she “sa the n word” when she literally just quoted a kanye lyric and even …
Source: twitter.com
Date Published: 6/25/2021
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Did Caroline Polachek Use The N Word? Is She Racist …
Arcadia singer Caroline Polachek has been accused of using the N-word. Am that, netizens are keen to find out if she is a racist.
Source: showbizcorner.com
Date Published: 11/28/2022
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Singer: Caroline Polachek N Word Drama – Did She Use The …
Caroline Polachek allegedly sa the N-word, according to numerous tweets. Many folks are perplexed as to why she made racial slurs in an …
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Date Published: 2/17/2022
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Singer Caroline Polachek N Word Drama
Twitter users were outraged when singer Caroline Polachek used the N-word in one of her Instagram pics. Is it true that she used a racial slur? To find out the answer, keep reading this article.
Caroline Elizabeth Polachek is an American singer and songwriter from the United States. On June 20, 1985 she was born in the United States. Polachek
While attending the University of Colorado, she co-founded the indie pop band Chairlift. The duo emerged from the Brooklyn music scene in the late 2000s with the sleeper smash Bruises.
During her time with Chairlift, she worked on solo projects for Ramona Lisa and CEP before launching her solo career after the band broke up in 2017.
Caroline Polachek: Did she use racist slurs? A singer’s N-word drama is debunked
According to numerous tweets, Caroline Polachek is said to have said the N-word. Many people are at a loss as to why she made racial slurs in an Instagram post.
As a result, the incident happened in 2018. In her tweet, she tried to share a line from Kanye West’s song Violent Crimes.
She used her phone to write the N-word and uploaded it to her Instagram story. She just uploaded a song and had no intention of hurting anyone’s feelings.
Kelela, on the other hand, contacted Polachek and called her out. Caroline received a lot of backlash after being severely chastised by fans.
The singer’s name has not appeared in any litigation since. Her choice of words caused no problems.
According to many internet users, Caroline is not a racist because she only transcribed and uploaded the lyrics of Kanye West’s songs.
When she said this word, many people got angry and mistook her for one.
The post continues to anger Twitter users even though the incident happened in 2018.
Many people online are against Caroline, while others defend her, claiming that she never intended to hurt anyone’s feelings.
Caroline Polachek is a married woman. Her husband’s personal information is revealed
Caroline is married to musician Ian Drennan. The couple married in 2015 and had a great time together.
They had to split up in 2018, which was awful for them. All admirers and well-wishers were surprised when the affair came to an end.
Her followers and friends, on the other hand, continue to worship her.
Bishop’s Lace, Cirsium and Titan Arum are some of Ian’s most well-known tunes. “The Wonderful World” and “Flower of Love” are two of his most popular albums among his fans.
According to abct.ng, Caroline is now dating Matt Copson.
Caroline Polachek’s friend Matt Copson is a visual artist. Caroline’s weird music videos were mostly directed by him.
Matt was born in 1992 in the city of Oxford. From his London studio he works as a British post-war and contemporary artist.
However, no further information about the artist is currently available in the media.
Slayyyter Pop star apologises for ‘appalling’ racist tweets after old account resurfaces
Pop star Slayyyter has apologized after historically racist tweets sent by her secret fan account Camila Cabello resurfaced on Twitter.
Slayyyter, 22, was described as “the future of pop music” in 2018 and has worked with Charli XCX and Kim Petras. She has repeatedly cited Britney Spears, Paris Hilton and Timbaland as sonic inspirations.
Tweets from 2012 published by the @camilkacowbello account resurfaced this week, along with screenshots confirming the account was once owned by the singer.
Screenshots also show the account repeatedly tweeting racial slurs alongside supporting Cabello’s former band Fifth Harmony.
Slayyyter, real name Catherine Slater, has now apologized for “those appalling tweets”.
The 50 Best Albums of 2019 See all 50 1 /50 The 50 Best Albums of 2019 The 50 Best Albums of 2019 50) Kim Gordon – No Home Record The art-punk pioneer’s debut solo album was never predictable, just listen. No Home Record channels the dissonance and avant-garde vibe of New York’s experimental no-wave movement in a genre-bending nine-song collection that hops between industrial, minimal electro-rock and aggressive art punk. Bringing the tracks together is their creator’s restlessly searching, non-conformist spirit. It’s great to have her back. (EB) Natalia Mantini The 50 best albums of 2019 49) Nilüfer Yanya – Miss Universe Nilüfer Yanya has nothing to do with the “wellness” industry. On her debut album, Miss Universe, the singer-songwriter makes this perfectly clear, tearing up all those better-yourself schemes that are strewn about social media and channeling that angst as cerebral, warped alt-rock. Synth and saxophone play their part on the softer, soulful “Paradise” and “Baby Blu”. Meanwhile, listen to the driving groove of “Heat Rises” and you’ll be immediately reminded of Kelis and Andre 3000’s “Millionaire.” Nevertheless, Yanya is her own artist: original and bold. (PS) Molly Daniel The 50 Best Albums of 2019 48) The Black Keys – Let’s Rock Five years after their last album, the duo from Ohio have returned to their roots. Gone are the subtle hues and varnished psychedelics of Turn Blue; Let’s Rock is all about simple hooks and nagging choruses, “a homage,” as drummer Patrick Carney calls it, “to the electric guitar.” Once you get past the awful title, you’re rewarded with a deeply entertaining album that never lingers more than four minutes per song. If this is a genre pastiche, then it’s a genre pastiche made with skill and skill. (PS) The 50 Best Albums of 2019 47) Bat for Lashes – Lost Girls Musically, Lost Girls couldn’t be more 80’s if it played a Commodore 64 while eating Angel Delight. As with Stranger Things, everything is unashamedly nostalgic: the power drums, the moody atmosphere, the arpeggiated synths. Close your eyes and you can practically see Jason Patric walking the Santa Cruz boardwalk in The Lost Boys. Yes, nostalgia is a pretty general formula. But heard as a whole, the album rumbles with sonic invention and manages to feel both fresh and full of intrigue. Khan once again demonstrates a knack for eerie storytelling. (PS) Jen Ewbank Top 50 Albums of 2019 46) Collard – Unholy On his debut album, the 24-year-old mixes sultry jams reminiscent of MGMT’s electronic funk with nods to the all-time greats: Prince, James Brown, Led Zeppelin and Marvin Gaye. Throughout, Collard displays his extraordinary voice, rising to a devilishly low murmur or an ecstatic falsetto. In the lustful “Hell Song” he sings “less is more… but more is good”. You tend to agree with him. (RO) Top 50 Albums of 2019 45) Angel Olsen – All Mirrors When the Missouri singer broke out in 2014, she became known for her lo-fi, introspective sound and the stunning range and power of her voice. On ‘All Mirrors’ she goes even further than 2016’s ’60s-tinged ‘My Woman’ and turns her focus outward – it’s an album, she says, ‘about the loss of empathy, trust and love for destructive people” and “admitting to his”. darkest side”. It’s also balletic and haywire, refusing to follow traditional rules of song structure. It feels like accidentally pressing play on two songs at once and finding the combination oddly intoxicating. (AP) Cameron McCool The 50 Best Albums of 2019 44) Lizzo – Cuz I Love You This is a polished, playful album, although it has a DIY touch: “S**t, f**k, I did’ I didn’t know it ended right there,” she chuckles in the final moments of “Like a Girl.” “Girl, run this s**t back,” she says after a lively flute solo on “Tempo” — a song that features a guest verse from Missy Elliott, the person who, according to Lizzo on Twitter, is “this chubby, weird, black girl.” believe that EVERYTHING was possible”. (AP) Top 50 Albums of 2019 43) Skepta – Ignorance is Bliss No attempt is made here to chase someone else’s wave; no token drill, afroswing, or trap beats to satisfy playlist algorithms. Instead, his cold grime sounds are stripped down to the essentials – brutalist blocks of sad, edgy melodies and hard, spacious drums. The result is a quintessentially London record that’s as dark and moody as it is bold and innovative. “We used to play young and dumb,” Skepta concludes on Gangsta. “Now we’ve grown.” (IM) Boy Better Know The 50 Greatest Albums of 2019 42) Ariana Grande – Thank U, Next lacks a centerpiece to match the captivating depth and space of Sweetener’s “God Is A Woman.” , but Grande handles its shifting moods and line-ups with producers (including pop machines Max Martin and Tommy Brown) with engaging class and dynamism. One minute you’re sauntering over to the party horns of “Bloodline”; the next floats into the semi-detached, heartbreaking “Ghostin’,” which seems to address Grande’s guilt over being with Davidson while pining for Miller. She sings of the late rapper as an “angel without wings” with feathery high notes that make the sternest of jaws drop. (HB) Youtube / Ariana Grande The 50 Best Albums of 2019 41) Ezra Furman – Twelve Nudes The Chicago-born singer’s ninth album is an angry response to the social and political events of 2018 – over 11 breathless tracks he turns that anger into an outcry of resistance. Each song feels personal yet relatable – the ingrained despair one feels on “Trauma” at seeing wealthy tyrants rise to power is universal, as is the sense of release of just letting go on ” What Can You Do But Rock n Roll”. Twelve Nudes is Furman’s most haunting and cathartic album. (RO) Jessica Lehrman The 50 Best Albums of 2019 40) YBN Cordae – The Lost Boy Making his studio debut, YBN shows his versatility, but not as much so much so that it detracts from the underlying message of each song.They have the menacing “Broke as F***” where the beats and gritty piano hooks contrast with Cordae’s rags-to-riches rap.The 21-year-old North Carolina artists bring an endearing nonchalance to songs like “RNP,” starring Anderson. Paak wonders how Corretta Scott King, al s she learned that Martin Luther had betrayed her. It’s by no means a perfect album in the broader sense of the word, but it’s a perfect demonstration of what Cordae is capable of. (RO) Top 50 Albums of 2019 39) Big Thief – UFOF Big Thief’s frontwoman Adrianne Lenker has an uncanny ability to make you feel like you know a secret. Her whispers, spectral performance and deeply personal lyrics are key. Even on the band’s third album, UFOF, with an audience that has grown exponentially in recent years, the songs are still immensely intimate. The album’s deadly intrigue springs from her own personal traumas, which she successfully transforms into something that feels universal. But you don’t walk away from this record feeling down. It’s more of a reminder of how fleeting yet beautiful life is and an appeal to make the most of it. (RO) The 50 Best Albums of 2019 38) Jenny Lewis – On the Line Here, Lewis does what she does best: infused melancholy and nostalgia with the lustrous Hollywood sheen and a sunny Californian tinge, in her most lavishly orchestrated album to date. Even when she sings, “I’ve waste my youth,” it’s in that sweet voice, with a carefree “doo doo doo doo doo doos,” and at a tempo so upbeat it drowns out the mood. It’s a bittersweet mourning for her past. (EB) The 50 Best Albums of 2019 37) Billie Eilish – When We All Fall Asleep Where Do We Go? Few people have had a year as big as Billie Eilish. As the first – and currently only – artist born in the ’00s to have a number one single in the US, she also released her double-platinum debut album, the innovative and diverse, if irksome, track When We All Fall Asleep Where Do We Go? There are some missteps – “Wish You Were Gay” is one of them – but for the most part this is an album as full of charm and bite as Eilish herself. And with a melody that ducks and dives between beats like a laser-dodging bank robber, the dark, dank pop-trap masterpiece “Bad Guy” is certainly a contender for song of the year. (AP) Top 50 Albums of 2019 36) AJ Tracey – AJ Tracey One of the biggest new rap stars of 2019, AJ Tracey’s diversity and the scale of his ambition on this album is breathtaking. Fans may be surprised to discover that he sings almost as much as he raps, in pleasantly gruff tones. Every track is outstanding, no more than “Ladbroke Grove,” a hat tip to classic Garage, in which Tracey changes his flow to emulate a Nineties MC. It’s exciting work. (RO) The 50 Best Albums of 2019 35) Caroline Polachek – Pang The former Chairlift frontwoman’s solo debut (her first under her own name, at least) is an eccentric, experimental delight – PC music turned classic pop. The product of a divorce and a series of adrenaline rushes she describes as “pangs,” the album is musically agile and often lyrically strong: Sometimes I wonder/ Did I love you too much? Then I’m like, ‘Caroline, shut up,'” she sings on “Caroline Shut Up.” Polachek’s voice is her secret weapon — so jerky and springy that she had to prove in an amazing Twitter video that it wasn’t autotuned. (AP) Top 50 Albums of 2019 34) Sturgill Simpson – Sound & Fury Simpson recently said he wanted Sound & Fury “to hit like a Wu Tang record,” so each intro is like a double whammy full of brilliant hooks . Then there’s the rollicking “A Good Look” and “Last Man Standing” – it’s pure rock ‘n’ roll: dingy, slick and lots of fun. Sound & Fury marks another milestone for a remarkable artist. (RO) Semi Song The 50 Best Albums of 2019 33) Fontaines DC – Dogrel Of all the excellent bands to emerge from Dublin’s booming music scene in recent years, Fontaines DC stand as the best of them all. Maybe it’s because they’re technically misfits, having grown up on the city’s borders (or, in the case of their guitarist Carlos O’Connell, between there and Spain). Frontman Grian Chatten eschews the punk tradition of prioritizing shock value over songcraft and instead offers sharp, literary observations of a city he has a love-hate relationship with. (RO) Top 50 Albums of 2019 32) Vampire Weekend – Father of the Bride Already subject to maniacal changes in style and tempo, this hour-long LP rambles from deadhead jams to zombie-catchy hooks in lounge pants, infectiously cheesy Prog, highlife samples and – on “Sunflower” – a scat glitch. An unfashionable record, then, and that’s perhaps its biggest advantage. With such low stakes and barely any emotional intensity, Father of the Bride will not cement Vampire Weekend’s legacy. But after a very strained decade on the indie rock A-list, it gives them breathing room. (JM) The 50 Best Albums of 2019 31) FKA twigs – MAGDALENE “Making this album enabled me for the first time to find compassion when I was at my most rude, confused and broken,” writes FKA twigs in the press release of the album. “I stopped judging myself and found hope in MAGDALENE in that moment.” At times, MAGDALENE is just as rude, confused and broken as its creator – a frenzy of baroque electronics, industrial noises, opera, synths, autotune and precarious falsetto. The follow-up to 2014’s LP1 is the sound of a woman on the brink of collapse, pulling herself together and then bursting into a kind of defiance. (AP) Top 50 Albums of 2019 30) Bill Callahan – Shepherd in a Sheepskin Vest Bill Callahan returns after six years with this homely, career-best album singing of his own contentment. “The panic room is now a child’s room,” he states on “Son of the Sea”. Death still looms – often in the form of a black dog following Callahan on various trails – but its inevitability seems more of a comfort than something to be feared: “Everybody must walk the lonesome valley,” he sings firmly. “Yes, you have to go it alone.” (RO) Top 50 Albums of 2019 29) Shura – Forevher Three years after the release of her debut Nothing’s Real, Shura’s excellent second album is combative and theatrical, oscillating between a big poppy sensibility and a minimalist lo-fi one – sometimes on the same track. Lead single “Religion (U Can Lay Your Hands On Me)” is a snuggly shoulder roll of a song rife with impassioned blasphemy: “I want to consecrate your body, turn the water to wine, I know you’re thinking about kissing, too.” It’s also laced with piano — an instrument she’s always been “allergic” to prior to this record — and opulent orchestral strings. (AP) Hollie Fernando The 50 Best Albums of 2019 28) Cage the Elephant – Social Cues On the fifth Cage the Elephant’s album Social Cues sees frontman Matt Shultz respond to the breakup of his marriage and the loss of three close friends, and through the 13 tracks he goes through a Jekyll and Hyde transition of sorts, the result of which is the band’s best work to date The single “Ready to Let Go” is by far the most explicit — a moody swamp rock jam in which Shultz comes to terms with his impending divorce, baring his soul on social cues while shaking ansche inend a few demons off. (RO) Top 50 Albums of 2019 27) Brittany Howard – Jaime Howard was listening to Brazilian artist Jorge Ben – “where there’s literally 18 different things happening in the song” – while she was making the album, and it shows. “13th Century Metal” builds up like an alarm clock, while “Baby” is scratchy and scattered, like something out of The Miseducation of Lauryn Hill. Sometimes one instrument is too many, but usually the components go well together. (AP) Brantley Gutierrez The 50 Best Albums of 2019 26) Sharon Van Etten – Remind Me Tomorrow Written during her recent pregnancy and the birth of her first child, Remind Me Tomorrow shows Van Etten dimming her spotlight on toxicity and a warm one instead Shine emanates from behind the psychic overview of the record. Not only does it undermine what is expected of religious singers, but it also undermines folk music’s focus on sober songwriting. But the most dainty composition, “Stay,” is her most perfect rendition yet, over music box bells and heel-clicking percussion, she coos “You won’t let me go astray/ You will let me find my way.” After years of making peace with drift and uncertainty , she never sounded so sure. (JM) Ryan Pfluger Top 50 Albums of 2019 25) Floating Points – Crush Inspired by the improvisations he created while on tour with The xx in 2017, Sam Shepherd found he made “some of the most mind-numbing and aggressive music ever.” I’ve ever had was ever made.” That newfound drive can be heard on singles like “LesAlpx,” a breathtaking track that breathlessly builds to its peak, with a pounding bass beat and high, whistling chirps punctuating the tension. It’s a glimpse into his brilliant mind and – the album is so diverse – a way to fire your imagination.(RO) The 50 Best Albums of 2019 24) Stormzy – Heavy is the Head There are three themes that overlap running through the album: his defiance in the face of doubt, the pressure of high expectations, and his efforts to uplift others as his success continues to grow Under the shine that fame has brought, he reminisces constantly remembering who he is: he’s “Rachael’s little brother”, “Big Michael”, a guy who likes to watch Avengers and Game of Thrones. All of his best qualities are there and right: sincerity, a smooth flow, and a forensic analysis of societal ills laced with pathos and humor. The lasting impression is that of an artist whose only way is up. (RO) Mark Mattock The 50 Best Albums of 2019 23) Marika Hackman – Any Human Friend A blunt, gutsy album that sees Hackman’s blissful voice perched atop methodically chaotic instruments. Songs like “All Night” are so honestly sensual that it feels inappropriate to hear them in public; Notes of riot grrrl, pop and rock combine throughout the album for something that is quite noticeable at times. (AP) The 50 Greatest Albums of 2019 22) Solange – When I Get Home The second great Solange album of the decade twists several deformed, jazzy aesthetics – including Brainfeeder’s dingy electro-funk and DJ Screw’s mixes – into a glossy cloud from R&B. The result is reminiscent of seventies soul travelers like Stevie Wonder, but retains its future shock and celebrates Houston futurism without flattering fans of its explicitly political predecessor. (JM) Top 50 Albums of 2019 21) Cate Le Bon – Reward For her fifth studio album, Cate Le Bon moved to a secluded cottage in the Lake District, where she sang to an empty house and took woodwork lessons. Carving. Yet her compositions on Reward are lush, warm and whimsical; The opener “Miami” shines with stately brass and percussion reminiscent of childhood. There’s also a fantastic sense of space spun by diaphanous arrangements like “The Light,” where it meanders delightfully from a clear, lilting call to a deep vocal rumble. It is the album of an artist who aims to rearrange her relationship with her own existence. (RO) The 50 Best Albums of 2019 20) Sam Fender – Hypersonic Missiles Fender drew many early comparisons to Bruce Springsteen – on Hypersonic Missiles they are totally justified, both for the instrumentation and for the lyricism and its vignettes of working-class combat. There are sax solos (more than one) and pounding rhythms that make you want to hop in a car and drive down a freeway at sunset, and searing electric guitars alongside classic troubadour acoustics. He has Springsteen’s infectious roar and the early signs of someone who could be the voice of a generation – not because he wants to be, but because he sees things and understands them. (RO) The 50 Best Albums of 2019 19) Taylor Swift – Lover Swift’s sixth album Reputation was combative and melodramatic, killing “old Taylor” and waging war on anyone and everyone who dared criticize her. It was sincerity cloaked in self-parody, insecurity cloaked in frivolity—and all the better for that awkward paradox. But Lover, her new seventh album, feels like a partial resurrection of the Swift of old: dark romance and serious catchy tunes abound. It’s the sound of a singer excited to be serious again. Taylor Swift is dead. Long live Taylor Swift. (AP) The 50 Greatest Albums of 2019 18) Michael Kiwanuka – Kiwanuka The record is an introspective mix of psychey soul, blues, rock and funk that bounces and strolls and struts through its 13 tracks — but it’s not just one exercise nostalgia. His influences span decades; Gil Scott-Heron, Fela Kuti, Kendrick Lamar and Bobby Womack are all recalled. “I’m not going to have an alter ego or become Sasha Fierce or Ziggy Stardust,” says Kiwanuka. “I can just be Michael Kiwanuka.” With an album this good, that’s hard to argue with. (AP) Top 50 Albums of 2019 17) Kano – Hoodies All Summer On his sixth album, Kano’s powers of observation are at their peak. Home has always been at the heart of his music, so he keeps the close-up perspective of his 2005 debut Home Sweet Home; However, this record’s swaggering confidence is replaced with a more thoughtful seriousness. He’s an elder statesman of filth, and you can almost see his frown and headshake on “Trouble,” while the frenetic “Class of Deja,” featuring fellow veterans D Double E and Ghetts, reminds the listener how he lights the fire has way for future generations. (RO) The 50 Best Albums of 2019 16) Hot Chip – A Bath Full of Ecstasy Lyrically, the band offers some of their most poignant lines on this – their seventh and best album. The second single, “Hungry Child,” a trance-like floor-filler, features the plaintive “dreaming never felt so bad/Lonely never felt so wrong” while Alexis Taylor sings over the shuffling beats of “Echo” of Yours regrets leaving while she seems to understand the effort required to make it happen. For all its shimmering synths and the robotic pathos of Taylor’s idiosyncratic vocals, this is a record with heart and soul. (RO) The 50 Best Albums of 2019 15) MUNA – Saves the World Saves the World should add MUNA to the ranks of those who have brazenly borrowed their sound. Lead single “Number One Fan” banishes intrusive thoughts – “No one likes me and I’m going to die” – just in time for a lavish, self-celebratory chorus, part serious, part tongue-in-cheek. Elsewhere they are downright defeatist, lamenting the inevitable retreat to a recent ex (“Stayaway”) or reflecting on a lover’s resemblance to an adulterous father (“Taken”). “Hands Off,” on the other hand, plays with temptation before slamming the door. It’s intense and direct. (AP) Top 50 Albums of 2019 14) Slipknot – We Are Not Your Kind Fans have already drawn comparisons between We Are Not Your Kind and Slipknot’s groundbreaking 2001 album Iowa. While the latter was even heavier (it would be difficult, if not impossible, to top it), the sheer ambition of We Are Not Your Kind is just as overwhelming. If anything, the dynamics created by an increased emphasis on the melody allows you to view everything without being engulfed in noise. Critics may be wondering how relevant Slipknot are in 2019. The punching power of We Are Not Your Kind should be enough to silence them – this may be one of the band’s most personal records, but the fury they capture is felt universally. (RO) Top 50 Albums of 2019 13) Rapsody – Eve Each song is titled after a black woman who admires Rapsody: Serena Williams, Sojourner Truth, Maya Angelou, Aaliyah, Oprah Winfrey… and for each she explores the characteristics and Successes of these women and strife. As on Laila’s Wisdom, Eve conveys Rapsody’s natural flair for funk – “Michelle” (Obama) springs in with a snappy piano riff – but other tracks, like “Afeni,” are pure soul. Nina Simone said that an artist’s duty is “for me to reflect on the times”. That’s exactly what Rapsody did in the most resonant way. (RO) Top 50 Albums of 2019 12) Julia Jacklin – Crushing There is a deeper sense of personal connection that anchors Julia Jacklin’s lyrical and melodic intelligence. The snare drum on “Pressure to Party” maintains a relentless, unnerving pulse throughout, while “Don’t Know How to Keep Loving You” nails a depth of intimacy while acknowledging the tedium of relationships. Grunge flushed, feminist flipped, upcycled ’50s guitar and all: Crushing is a triumph. (HB) The 50 Best Albums of 2019 11) Foals – Everything Not Saved Will Be Lost Part 1 Philippakis’ voice is shrouded in the smoke of society’s debris. Lead single “Exits,” six scintillating minutes of ’80s “sledgehammer” pop that rumbles into view like a sequin-covered heavy artillery vehicle, addresses the One Percent believers who are building underground cities to escape global warming . On “Syrups,” Yannis howls an impassioned post-apocalyptic vision of robotic invasions and sand-clogged cities over a corroded Gorillaz dub that builds into a motor charge as panic sets in worldwide. An inspired album of scorched earth music. (MB) The 50 Best Albums of 2019 10) Dave – Psychodrama A talented pianist, rapper and singer, Dave often spits out dissonant chords to reinforce the urgency of his chosen subject, or raps in gruff, confident tones over an emotional sequence that is his added stoic intensity. In “Environment,” he talks about the conflict between what people see of his seemingly glamorous life and the reality behind the scenes where his blood and sweat is being drained. He put everything into this album. (RO) The 50 best albums of 2019 9) Weyes Blood – Titanic Rising Weyes Blood, whose real name is Natalie Mering, accompanies her instrumental peculiarities with strong, lush melodies and straightforward lyrics. “No one is ever going to give you a trophy for all the pain and things you’ve been through,” she sings on “Mirror Forever.” “Nobody knows but you.” And then there’s that voice – simultaneously warm and haunting, controlled and unbound. No wonder she’s lent it to the likes of Perfume Genius, Drugdealer and Ariel Pink: it adds a touch of depth to everything it hits. (AP) Top 50 Albums of 2019 8) James Blake – Assume Form The warm piano splashes slopping across this song also broke through the anxious rattle of dancebeats in the album’s eponymous opener, the singer so regularly described as “steaming” referred to as. promises to “leave the ether, take form” and “be touchable, be reachable”. He is his own harshest critic, winking at the journalists who have called him stone cold as he drops from a distant, icy falsetto to a richly grained, lower tone to ask, “Doesn’t it seem much warmer?” (HB ) Top 50 Albums of 2019 7) Nick Cave – Ghosteen Following the traumatized mayhem of 2016’s ‘Skeleton Tree’, ‘Ghosteen’ is a warm cloud of comfort – a sonic evocation of the community he forges through his newly porous relationship experienced to his audience . He sounds strengthened, not weakened, exposing his wounds. (HB) Top 50 Albums of 2019 6) Tyler, the Creator – IGOR The production here is outstanding. Tyler has never been one for traditional song structures, but on IGOR, which is undoubtedly a break-up album, he’s like the Minotaur – luring you through a maze that winds around seemingly impossible corners and pulls you into the exciting unknown . Its lack of resolution at the end – surely the most tantalizing element of lost love – makes it all the more powerful. (RO) Die 50 besten Alben des Jahres 2019 5) Big Thief – Two Hands Das zweite Album der Indie-Rock-Band innerhalb von fünf Monaten (das erste war UFOF) wurde als „Erdzwilling“ bezeichnet und sie klingen tatsächlich völlig geerdet – miteinander und mit ihrer Umgebung in der trockenen Chihuahuan-Wüste von Texas, nahe der mexikanischen Grenze. Im Gegensatz zu ihrer zerbrechlichen Performance auf UFOF singt Adrianne Lenker hier in lustvollen Jubelrufen und Rufen bei „Forgotten Eyes“, während „Not“, der düstere, grüblerische Soul der Platte, mit Rückkopplungskreischen und einem gnadenlosen, zweiminütigen Gitarrensolo darüber brüllt lässt Sie gleichzeitig am Boden zerstört und gefesselt zurück. (RO) Die 50 besten Alben des Jahres 2019 4) Bruce Springsteen – Westernstars Bruce Springsteen scheint fast jede Geschichte im großen alten Märchenbuch der amerikanischen Mythologien erzählt zu haben, außer vielleicht einer: Ein kalifornischer Träumer mit großen Augen stellt fest, dass der Golden State sauer wird und flieht zurück nach Osten, in ein romantisches Fleckchen einer Stadt, um sich zu erholen und zu rehabilitieren. Es ist die klassische Pop-Handlung von Bacharach und Davids „Kennst du den Weg nach San Jose? (MB) Die 50 besten Alben des Jahres 2019 3) Little Simz – GREY Area Nur wenige Alben im Jahr 2019 waren so vielseitig oder mit einer so einzigartigen Vision wie Simz’ GREY Area. Sie wechselt zwischen zwei Tönen: beeindruckend und nachdenklich. Auf Tracks wie „Offence“ und „Boss“ trieft sie vor Gift; Sie liefern Linien in einem tiefen, tödlichen Summen über Killer-Bass-Hooks und Punk-Verzerrung. Auf „Elfish“ und „Flowers“ ist sie sanfter – sie erlaubt sich, verletzlich zu sein, weil sie weiß, dass sie nicht alle Gefühle aufgeben muss, um mit ihren männlichen Kollegen zu konkurrieren. Sie ist besser, weil sie jede Facette ihrer selbst umfasst und sie dem Zuhörer in einer möglichst klaren Aussage anbietet. (RO) Jen Ewbank Die 50 besten Alben des Jahres 2019 2) Lana Del Rey – Norman F***ing Rockwell! Lana Del Rey war schon immer von der Vergangenheit besessen. Ihr Sound ist in Nostalgie verwurzelt, ein Loblied auf alles, was sie zu spät geboren wurde, um es zu erleben: altes Hollywood, Sinatra, Beat-Poesie, Sylvia Plath und Americana der fünfziger Jahre. In Bestform schöpft sie aus allem etwas Frisches. Im schlimmsten Fall wälzt sie sich darin. Ihr neues Album Norman F**king Rockwell!, benannt nach einem amerikanischen Künstler des 20. Jahrhunderts, tut beides. (AP) Die 50 besten Alben des Jahres 2019 1) Aldous Harding – Designer Als Aldous Harding diesen Monat in London auftrat, schrie ein verliebter Fan, dass sie sie liebten. „Das weiß ich zu schätzen“, erwiderte sie sanft. “Aber ich bin beschäftigt.” Die Antwort ist Harding to a T – ironisch, seltsam, introspektiv, fokussiert. Ihr spektakuläres, einzigartiges drittes Album „Designer“ ist all das. Die Neuseeländerin nimmt den Left-Field-Folk, der ihr einen Namen gemacht hat, und spritzt Post-Psych-Pop und nervöse Orchesterschnörkel auf die Leinwand, birgt Geheimnisse, während sie Sie hereinwinkt das richtig?“ fragt sie auf „Fixture Picture“, bevor sie müde feststellt, dass „man nicht rein und verliebt sein kann“. Bei „Zoo Eyes“, bei dem ihre Stimme in die tiefste Tonlage absinkt, stellt sie zwei gleichrangige Fragen hintereinander: „Was mache ich in Dubai in der Blüte meines Lebens? Liebst du mich?” Es ist eine exquisite, rätselhafte Aufzeichnung. (AP) Claire Shilland
In einer Erklärung schrieb der Popstar: „Vor 7-8 Jahren hatte ich einen ‚Sass‘-Account von One Direction/Fifth Harmony (so hießen sie, bevor das Wort ‚Stan‘ ein Ding wurde). Ich war extrem nervig und zuckte zusammen und benutzte Beleidigungen und sagte andere Dinge online, weil ich dachte, ich wäre nervös oder lustig. As I matured, I realised it is never funny or cool to use those words under any circumstances. Very shortly after this period of time I realised the way I was tweeting was disgusting and ignorant and I stopped.”
She continued, “I have grown and changed so much in the past eight years and the person I am today is not who I was at age 15. Eight years is a lot of time to reflect, grow, mature and better yourself as a human being. And I know that being young or uneducated about the matter also does not excuse any of these things, but please know that people do change.
She added: “This apology is not going to matter to some people and [that’s] okay. Just please know that I feel so sick to let so many of you down when you have done nothing but love and support me. I never really deserved any of this support in the first place but thank you for supporting me anyway. I am not asking anyone to forgive me in any way shape or form, but thank you for hearing me out. I will have nothing but love for u all till the day I die.”
Slayyyter, best known for tracks including “Mine” and “All I Want for XXXMas”, this year released her debut EP.
Cabello, whose name inspired Slayyyter’s first Twitter handle, earlier this month issued a similar apology after racist messages posted to a secret Tumblr account she once had resurfaced on Twitter.
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