Gregg Rolie Biography, Journey, Net Worth, Sonic Ranch, Santana And Wife? The 75 Detailed Answer

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Gregg Rolie Biography and Wiki

Gregg Rolie is an acclaimed American singer-songwriter, keyboardist, and organist who was born and raised in Seattle, Washington, United States. He is the co-founder and lead singer of the bands Santana, Journey and Abraxas Pool.

He also contributed to American rock band The Storm while forming his own Gregg Rolie Band. He currently works with the Ringo Starr & His All-Starr Band, from where he performs alongse his band.

He was inducted into the Rock and Roll Hall of Fame in 1998, after which he was twice inducted as a member of Santana and in 2017 as a member of Journey.

Gregg Rolie Age and Birthday

Rolie is 73 years old in 2020, he was born on June 17, 1947 in Seattle, Washington, USA. He celebrates his birthday every year on June 17th. His zodiac sign is Gemini.

Gregg Rolie Height and Weight

Gregg is a man of average build, he also appears to be quite tall in his photos. He stands at a descent height of 5 feet 10 inches (1.77 meters). He also weighs a massive 176 lbs (80 kg).

Gregg Rolie Family

According to our research, details about his parents are not known to the public and it is also not known if he has any siblings. Rolle was born in Seattle, Washington, USA to American parents.

He spent part of his childhood in Palo Alto, California, where he finished his elementary school. He attended Ohlone Elementary School and later attended Cubberley High School in Palo Alto, California.

Gregg Rolie Wife

Rolie is happily married to author Lori Rolie. The couple is blessed with a daughter named Ashley and a son named Sean. Much information about his family is currently being researched. We’ll update if we get any helpful information about his marriage.

Gregg Rolie Net Worth

Gregg has had a career in the music industry that has spanned nearly five decades. Through the income from his work as a singer-songwriter, keyboardist and organist, he was able to amass a huge fortune. He is estimated to have a net worth of around $5 million.

Gregg Rolie Measurements and Facts

Here are some interesting facts and body measurements you should know about him;

Gregg Rolie Bio and Wiki

Full Names: Gregg Alan Rolie Popular as: Gregg Rolie Gender: Male Occupation: Singer-Songwriter, Keyboardist and Organist Nationality: American Race/Ethnicity: Not Available Religion: Unknown Sexual Orientation: Hetero

Gregg Rolie Birthday

Age/How old?: 73 years (2020) Zodiac Sign: Gemini Date of Birth: June 17, 1947 Place of Birth: Seattle, Washington, United States Birthday: June 17th

Gregg Rolie Body Measurements

Height/How tall?: 5’10” (1.77 meters) Weight: 176 lbs (80 kg) Eye Color: Brown Hair Color: Dyed Blonde Shoe Size: Not available

Gregg Rolie Family and Relationship

Father (Father): Unknown Mother: Unknown Siblings (Brothers and Sisters): Unknown Marital Status: Married Wife/Spouse: Married to Lori Rolie Children: Sons (Sean) Daughter (Ashley)

Gregg Rolie Net worth and Salary

Net Worth: $5 million Salary: To be verified Source of Income: Singer-songwriter, keyboardist and organist

Gregg Rolie House and Cars

Resence: Dripping Springs, Texas, USA Cars: Updating car make

Gregg Rolie Santana

Gregg is one of the founders of the Santana band and it was his first band he was involved with. In 1966 he joined other guys like Carlos Santana and formed the Santana Blue Band.

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He was involved in their initial success, allowing them to perform at the Woodstock Music and Art Festival alongse other hit albums. Over time, they developed differences about their band’s motives and goals, which led to his departure in late 1971. He is inducted into the Rock and Roll Hall of Fame as a member of Santana.

Gregg Rolie Journey

Rollie was involved in the formation of the Journey band. The band was formed after he left the Santana band in 1973 with one of Santana’s former guitarists, Neal Schon.

There were other members within the band including Ross Valory, Steve Smith, Ashley Dumba and Steve Perry. With them he produced several albums for the band, including Infinity, Capture, Journey, Evolution, Departure, Look into the Future.

Initially he was the band’s lead vocalist and keyboardist, later becoming backup vocalist and keyboardist when Steve Perry took over. They shared vocals on many of Journey’s songs and in 1980 he left the group.

Gregg Rolie Sonic Ranch

Sonic Ranch is a 2019 solo album by Rollie. It consists of the following songs;

Give me tomorrowBreak my heartWhat about loveThat’s how it goesOnly youYou want it allLift me upUsYouLooking aheadRockitIf I went homeDon’t be cruel

Gregg Rolie Band

Gregg has been involved in the following bands;

Santana BandJourney BandThe Storm BandAbraxas Pool BandGregg Rolie BandRingo Starr BandHis All-Starr Band

Gregg Rolie Journey Songs

The following is the list of albums he recorded with the Journey band;

1975 – Journey 1976 – Looking into the future 1977 – Next 1978 – Infinity 1979 – Evolution 1980 – Departure 1980 – Dream, After Dream 1981 – Captured

Frequently Asked Questions about Gregg Rolie

Who is Gregg Rolie?

Gregg Rolie is an acclaimed American singer-songwriter, keyboardist, and organist who was born and raised in Seattle, Washington, United States. He is the co-founder and lead singer of the bands Santana, Journey and Abraxas Pool.

How old is Gregg Rolie?

Rolie is 73 years old in 2020, he was born on June 17, 1947 in Seattle, Washington, USA. His zodiac sign is Gemini.

How tall is Gregg Rolie?

He stands at a descent height of 5 feet 10 inches (1.77 meters). It also weighs a whopping 176 lbs (80 kg).

Is Gregg Rolie married?

Yes, he is married to Lori Rolie, an author. The couple is blessed with a daughter named Ashley and a son named Sean.

How much is Gregg Rolie worth?

He has an approximate net worth of $5 million. This amount comes from his leading roles in the music industry.

Where does Gregg live?

He lives in Dripping Springs, Texas, USA, we will upload pictures of his house as soon as we have them.

Is Rolie dead or alive?

He is alive and in good health. There were no reports that he was ill or had any health problems.

Gregg Rolie Social Media Contacts

InstagramTwitterFacebookYoutubeWebsite

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Is Gregg Rolie married?

Why did Greg Rolie leave Santana?

I left because I didn’t like my life anymore. I’ve said this a million times and I know there’s people that say, “That’s not the reason.” But I left because I was unhappy with what I was doing in my own life. I loved the management. I loved the music.

Where does Gregg Rolie live?

Personal life. Rolie and his wife, Lori, reside near Austin, Texas.

How old is Gregg Rolie?

How old is Santana?

How much money does Arnel Pineda make?

Arnel Pineda Net Worth: Arnel Pineda is a Filipino musician who has a net worth of $20 million. Known as one of the most popular Filipino musicians of all time, Arnel Pineda has gained an impressive following around the world.

Arnel Pineda Net Worth.
Net Worth: $20 Million
Profession: Singer, Singer-songwriter
Nationality: Philippines

What is the net worth of Santana?

Carlos Santana Net Worth
Net Worth: $120 Million
Date of Birth: Jul 20, 1947 (74 years old)
Gender: Male
Height: 5 ft 9 in (1.77 m)
Profession: Musician, Songwriter, Guitarist, Artist, Bandleader, Film Score Composer, Music artist

Where is Gregg Rolie from?

What nationality is Gregg Rolie?

What is Neal schons net worth?

Neal Schon Net Worth
Net Worth: $40 Million
Gender: Male
Height: 5 ft 4 in (1.65 m)
Profession: Guitarist, Songwriter, Musician, Singer
Nationality: United States of America

How long has Gregg Rolie been married?

Gregg is a member of the Rock and Roll Hall of Fame. He is also a member of Ringo Starr’s All Starr Band. They have been married for 33 years and have two children, who were Lori’s inspiration for Meem’s Little World.

When did Gregg Rolie leave Santana?

Dissatisfied with a change in Santana’s musical direction, Rolie left the group in late 1971, and subsequently teamed with former Santana bandmate Neal Schon to form Journey. His eight-year tenure with Journey ended in 1980, just as the group was entering its greatest period of commercial success.

What is Greg Rolie doing now?

Gregg Rolie Returns With His First Full-Length Studio Album in 18 Years, Sonic Ranch. LOS ANGELES (August 23, 2019) – When you’re a two-time Rock and Roll Hall of Fame inductee, you don’t have a lot to prove.

Who plays Santana organ?

The five-member line-up consisted of Santana on lead guitar, Marcus Malone on percussion, Rod Harper on drums, Sergio “Gus” Rodriguez on bass, and Gregg Rolie on lead vocals and organ.

What band was Gregg Rolie in?

Gregg Rolie/Music groups

Gregg Rolie Recruits Santana, Journey, Ringo Bandmates on New Album

Gregg Rolie Recruits Santana, Journey, Ringo Bandmates on New Album
Gregg Rolie Recruits Santana, Journey, Ringo Bandmates on New Album

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Gregg Rolie Recruits Santana, Journey, Ringo Bandmates On New Album
Gregg Rolie Recruits Santana, Journey, Ringo Bandmates On New Album

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Gregg Rolie – Wikipedia

Gregg Alan Rolie (born June 17, 1947) is an American singer and keyboardist. Rolie served as lead singer of the bands Santana and Journey – both of … Rain Dance (Live) – 2007; Five Days EP – 2011; Sonic Ranch – 2019 …

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Gregg Rolie Looks Back on His Days With Santana, Journey, and Ringo Starr

You may not know the name Gregg Rolie, but you definitely know his music. Not only did he sing “Black Magic Woman,” “Evil Ways,” “Oye Como Va,” and all the other early Santana classics as the group’s original lead singer, but he co-founded Journey with Santana guitarist Neal Schon. He was their keyboardist and lead singer on the first three albums before Steve Perry took over as frontman in 1978. He then stayed on for the next two years, playing keyboards on big hits like “Lights,” “Wheel in the Sky,” and “Love, Touch, Squeeze.”

Rolie has twice made it into the Rock & Roll Hall of Fame for his key roles in the story of Journey and Santana, and for the past six years he has toured with Ringo Starr in his All Starr Band. He’s also just released new solo CD Sonic Ranch and called Rolling Stone to talk about his long career, the real reason Santana and Journey split and what’s next.

Let’s start at the beginning. How did you meet Carlos Santana?

Carlos and I met in a tomato patch. He was playing at the Fillmore on a Tuesday night when Bill Graham was only letting in the locals. And a friend of mine, Tom Frasier, saw him and said, “I’m going to find this guy.” He came to my house and told me that, and I said, “Alright, cool.” He found him at a hamburger stand named Tick Tock on Columbia Street in San Francisco and said, “You want to go with this guy?”

He came and we played and of course we smoked marijuana and stuff. When the cops came, I said, “We have to get out of here.” And all I could see was his ass and his elbows. He was way ahead of us. I thought, “Great idea.” I ran into a tomato patch and waited for the cops to leave. And that’s how it started for me. I think it was 1968.

How long after that did the band form?

1968 one and a half. It just happened. We had this high school buddy Danny Haro and Gus Rodriguez on drums and bass, and [Michael] Carabello was there. Then it grew. We just kept bringing in new people. The music everyone knows has Mike Shrieve on it and Chepito and David Brown and all the rest of us. That’s it.

How many times in your life do you think you’ve been asked to play Woodstock? Do you think it’s in the thousands now?

[Laughs] I can talk about it. It’s the same old story. In fact, that’s how my career started. It started with all of us. If you were at that concert, you had a career. After that, that’s what you do with it. Musically, we connected to a generation of people we need to connect with. That’s such a thing. And it goes on from there.

When you were playing, did you know how much Carlos stumbled on mescaline?

no I had no idea. In fact, all I could think was, “Man, he’s having a really hard time tuning in.” That was my thought. I didn’t find out about that years later. Then I said, “Oh! OK! Now I understand it!”

Were you totally straight?

Aside from a beer or two, yes.

I think it was really the movie that created the legend of the group that will never die.

It will not. It’s totally amazing. When you look back at what everyone went through, every single one, but especially Carlos. . . . He’s sitting there holding onto his guitar because he was on mescaline. He said, “God, let me get through this. I’ll never do that again.” Well, he lied. And I just play as hard as I can. Carlos said, “We were floating like kites and Gregg was on the ground holding on to the strings.” All I could say to him was, “Yeah, but I caught up with you.” Pretty soon we were all floating everywhere.

After Woodstock, Santana had a couple of big radio hits, and you sang the lead on all of them. Does it bother you that a lot of people think Carlos sang it, or at least don’t even know your name?

Not “irritate” but it confused me. “You’re kidding me? Have you seen anything we did? Have you ever been to a concert?” It is always the same. But look, we chose “Santana” because it was a cool name. It prints well. It emphasized at the time what was going on. It was like The Paul Butterfield Blues Band or the Allman Brothers. All names were blues-based. And he was kind of front and center. So we picked it and that was it. Everyone said he was the leader of the band and he was the guy.

In retrospect, it didn’t happen that way. The band really was a band. That’s why it worked so well. Let’s put it this way: without the 10 percent that this guy put in and the 20 percent that this guy put in – Carlos and I did 40/40 or whatever – without the rest it wouldn’t have been the music, who it is .

After the third album he wanted to go in a different direction musically. Did you have a different opinion?

I had a completely different opinion. If you’re the Beatles and you want to add horns to your music or do rubber soul or whatever, you can because you’re the Beatles. . . . But we’re Santana, and to change the whole direction of the music and lose the people you already have, to go from the music of Santana III to jazz, basically – I thought it was a mistake and I was right .

But you couldn’t prevent it.

no The other point is that personally we were all upside down. Carlos puts it well these days when he says, “We didn’t treat each other too well.” That’s exactly what it is. It was too soon. We had the world by the balls and didn’t realize it. That’s what happened. But are you talking about having a moment in time? I was so proud of what came out of it. So proud.

Tell me about the day you left What was your breaking point where you knew you were done?

I don’t like to talk about it, but Carlos demanded that so and so leave the band. But we all did it together. He made demands and not to say he was completely wrong, but it was the way he did it. I couldn’t live with that. I didn’t sign up for that. We ended up pretty bad. But the music we made was made from all that passion. Without her, it probably wouldn’t have happened. I used to say, “Hey, you want a good Latin rock band? There’s better a Norwegian in there!” [Laughs]

What did you do right after leaving the band?

I left music completely. I just thought, “I’m done. I want to do something different.” So I opened a restaurant with my dad up in Seattle. Not that being in business with my dad was a bad idea, but moving from music to hospitality is like going from the pan to the fryer. Forget it. It’s terrible. In short, you need a thousand percent capacity to make it work because nobody’s going to come every night. It was kind of a disaster. At the same time I learned a lot of things. I was really proud to do it with my dad but it was a bad move. Hey, you win, you lose. That’s how it works.

How did Journey begin?

That started right after that. I got a call from Neal [Schon] and Herbie [Herbert]. And Herbie was the mainstay of why the thing worked. They called me and said, “What are you doing?” I didn’t say anything.” They said they were starting something called the Golden Gate Rhythm Section. It was basically a band that played for artists who were coming to town. They told me that, but within two weeks we did Wrote songs. It was nonsense. They lied [laughs].

Journey toured extensively in those early years and didn’t sell many records. It must have been difficult.

Very much so. By the time you’re young and get that gypsy blood and travel, it’s all forgotten. We had a goal. There was a real purpose behind this success. We didn’t feel it that way. We went out four months straight, two weeks off, four months straight, two weeks off. It was just constant and pretty grueling.

How did you find out they were hiring a second singer?

I thought that was great because I no longer had to play four instruments at the same time, harmonica, sing leads and sing backgrounds. I liked the whole picture of what it could become. When [Steve] Perry first came into the herd, Neal and I were like, ‘I don’t know. This guy kind of hums it.” We wanted to rock. But if you look at the final product, we were wrong. At least in terms of success, he was the guy.

We started writing songs for a singer instead of writing songs for all the solo work and skill of playing. By the way, if Journey had come out 10 years ago, we’d be playing the Jam Circuit. It would be a whole different thing because it was energetic and cool and different with all the rhythms and solos and stuff. Then we started playing it for vocals and it was cool.

A song like “Lights” was something completely different for you back then. Did you mind doing such softer ballads?

no You know what? Let me put it this way. Music is music and it doesn’t matter to me. I could go back to Frank Sinatra and say, “Man, that’s awesome.” What we did with Journey was the same. There was a jam thing to it, but then it got more congruent and more about the vocals and harmonies. I had never done that before. I found it very appealing.

In fact, I still use those ideas in my own music to this day. It might not be as strong or as much harmonies and triples and all that stuff, but it’s the same attitude. I learned a lot about writing music from Journey and his . . . journey [laughs].

So the band takes off. You have huge hits with “Wheel in the Sky” and “Lovin’, Touchin’, Squeezin’,” and then you leave. What happened?

I left because I didn’t like my life anymore. I’ve said that a million times and I know there are people who will say, “That’s not the reason.” But I left because I was dissatisfied with what I was doing in my own life. I loved the administration. i loved the music I loved what we built. I just wasn’t happy so I had to blow the horn and just stop it.

Everyone thinks it was because Perry walked in and started singing all the leads. My God! Again I was so skinny with all those keyboard parts and singing leads that he was a welcome sight to me. And he could sing like a bird! It wasn’t too difficult to find out. I was never against it. I still wanted to sing, but it kind of fell by the wayside [laughs]. That’s a different story. That’s the way it is, man. I loved the fact that we wanted to write something different.

I think these misunderstandings are because Departure came out in 1980 and you didn’t sing much.

It’s totally wrong! It’s all wrong! It doesn’t matter how many times I say that. Maybe you can do it. This is going to be phenomenal. No matter how many times I just tell people, “Here’s the deal. I was unhappy. I drank too much. Bla bla bla. I no longer felt like it was for me. And above all, I wanted to start a family.” And by the way, my family was my best work. It really is. My son and daughter, my wife, it’s exceptional. I did the right thing, but it just doesn’t fit with the guys on Facebook [laughs].

How did you feel when you left and they just got bigger and bigger and had all these hits? Have you ever had a tiny moment of regret?

no I was very proud to have helped build something that was so extreme. I’ve always felt that way. Yes, without me this might never have happened. But it’s not about me. All or nothing. It’s a misunderstanding in this business of who does what. We’ve all done something. I have to tell you, without manager Herbie Herbert this shit wouldn’t have happened.

You were on some Santana albums in the 1980s. It seems like you’ve become friends again.

We’ve always been friends. That’s the best I can say. I love making music with him, but there are some things he does that I say, “No, I disagree.” Then we grow apart.

Tell me about the band you formed in 1997, Abraxas Pool, which was basically Santana minus Santana.

We did this at my home in a tiny cabin with the tiniest amount of gear. We were all crammed into one room like you did when you were a kid. And in two weeks we had this music written.

I’m sure without Carlos it was difficult to get a lot of attention.

Yes. It’s always like that, because the name is Santana. And so it’s hard to see that there were other players in the band that made this music possible. Carlos didn’t do this alone. And I would also say that I didn’t either. It was everyone.

How was the Hall of Famer experience when you got together with Santana?

I got the call that I was going to be added to this and said, “That’s very cool, but I’m building a hot rod. Just send me whatever.” I was building a ’32 Ford and I got a call from my drummer, Ron Wikso, and he said, “Maybe you should think about it. A lot of people get Grammy Awards and this and that, but the Rock & Roll Hall of Fame? It’s here to stay.” So I went and I loved it. I had a ball with me.

You played with Peter Green that night.

Yes! Michael Shrieve drew my attention to Peter Green long before that. He brought me to Black Magic Woman. I thought, “This is so cool. I can really sing that.” It became a number five hit or something. To this day I sing it the same way, expect more balls. I’m just older now.

How was the experience being in Ringo Starr’s All Starr Band?

If it wasn’t for the Beatles, I probably would have become an architect. Back in high school and college, being in a band got really cool. It was always in my background to do it. So I hooked up with these guys to play that. Above all, I always wanted to play the music I wanted to play and not copy it from someone else. That’s because I can’t. I’m terrible at it. “Where does your finger go? Forget it! I don’t know what chord that is, but it sounds better.”

When I got together with Ringo, that’s the first time someone said to me, “We’re doing these songs.” I’m like, “Holy shit. Are you sure you called the right person? I will not do this. I don’t do it!” Seven years later, apparently I do!

How were the first few rehearsals when you played all those Beatles classics with a Beatle?

I’ve been practicing so hard. I said to Mark Rivera, the music director, “Send me that stuff right away. If you don’t send it immediately, I’ll be embarrassed. I don’t know what to do with it. Should I play the organ or the piano? There is no piano here or an organ there. I don’t know what I’m doing!” So ​​they did and I went into the first rehearsal and my first audition and Ringo showed up and I was like, “Holy shit! I play with Ringo Starr! Are you kidding me?”

And for two years I’m like, “Holy shit! I’m playing with Ringo Starr!” Then, one day on the plane, we’re all sitting there relaxed. He’s such a cool man, a beautiful man. I sat next to him and we talked about stuff. I said a few things and he said, “You’re finally loosening up!”

The funny thing is that All Starr bands used to last one summer and then be different people the next time. But he kept you around year after year after year.

Me and Luke [Steve Lukather]. I can’t say enough about Luke, by the way. His talent aside, he’s a really good person. The reason he plays so well is because he has that in him. He’s a great person. And Ringo just said: “That’s really cool. Why should I change that? It really works.” Between me and Luke, we can play pretty much anything. I didn’t know that then.

They can play Toto songs or Men at Work or Todd Rundgren or whatever.

Yes. It’s not exactly what was played on the records. It’s like, “OK, here are the changes. But where does that fit in?” The same goes for Ringo’s things. His attorney, who has been with him for 40 or 50 years, said: “They just stuffed the room with this thing. Sounds amazing.” I say, “I know. If you’re in the back, it fills the whole room. If you’re in the front, it’s an organ band and it’s not that good.”

It must be a nice experience as you are on private planes, staying in nice hotels and not just on your shoulders.

That’s the whole point. He ran the band like I run my own, except she’s on steroids. It’s the best trip, the best food, the best of everything. All are treated well. There are no rules, except that you take care of your gig. And you get paid. It’s like a boys’ club that travels all over the world to play for the people. And they come. It’s the best thing I’ve ever done because there’s no in-between. The way he runs it, there is nothing to complain about.

How was the experience recording the Santana reunion album Santana IV in 2013?

Unbelievable. What Michael Shrieve reminded me of the most was, “Gregg, it doesn’t matter what you do. It’s all right.” Being with these guys and playing with them was like old times. We really wanted it to work for all of us and it did. I find the recordings incredible. That’s what I would have done if I was directing, I would have made Santana IV after Santana III [1971]. And the point is, Carlos was the one who called it that. He said, “I want to call it Santana IV because that’s when the band ended.” I said, “I’m in.”

You guys played Las Vegas and just a few other shows. Why was there no leadership?

I do not know. Management or Carlos pulled the plug on the whole thing. We’ve done three great shows with Journey. Neal played with us. There was something to see. It was great. We had three dates: New York, Allentown [Pennsylvania] and Mohegan Sun [in Connecticut]. Great Coliseums. And then the plug was pulled on the whole thing. I would have wanted to do 30 dates and paid it back to the people who wanted to see it.

You have no idea why it ended?

nope Not until today.

Did you ask Carlos?

nope [Laughs] I might know, but I’m not going to be the type to say that. Do you know what i mean?

Not really, but that’s okay. Earlier this year you played a couple of shows with Neal Schon and former Journey drummer Deen Castronovo under the Journey Through Time moniker. How was this experience?

Also amazing. I had a nice time. First of all, I got to play with Deen and Marco [Mendoza] along with Neal. I really connected with them. They are incredible players. We had so much material. I had to cut it back. What Neal wanted to do was like, “This is impossible. Nobody will be able to do that. That’s too much information.” I had to go back and learn that stuff. But I loved playing it and the crowd reaction was like, “Wow, that’s the journey I remember.”

I assume you haven’t played some of those Journey songs in about 40 years.

Yes. I had to go back. There’s a song called ‘Daydream’ and I asked the keyboardist, ‘What’s the name of the song ‘Daydream’? Where did it come from?” He says, “It’s from evolution.” I went back and listened to it and said, “Oh, I wrote it down.” [Laughs] I didn’t remember writing it have.

What was it like playing songs like “Don’t Stop Believin'” that you never joined?

I had no problem because Deen sang the stuff and it sounded like it was supposed to. We made it a little more earthy because there weren’t any. . . It was real. Everyone really played. I had no problem with the stuff. Indeed, when Jonathan Cain joined the band, he brought with him some songs I couldn’t write in a million days – and he did. And the band became successful because of it. My point is that I helped build that and I know I did. If I had been there, he would not have performed.

You only did a couple of Journey Through Time shows and Neal tweeted that more were coming later in the year, but you haven’t acted since. What happened?

Basically he came back with Journey and they were out this year so it kind of fell apart. We had a few dates that we played together but he moved on to his next thing. And that’s what happened. And that’s okay.

Do you think it might be included again in the future?

I do not know. Right now I owe Neal a debt of gratitude for having Deen and Marco in my own band called New Blood. We’ve already recorded three songs that are totally different from all that stuff. If you heard it, you’d be like, “Holy shit, that’s different.” It’s based on what Neal started. As I said, I owe him a debt of gratitude. These guys are phenomenal musicians. The kicker is that my son plays slide guitar on [my new solo album] Sonic Ranch. And it’s all over the DVD and videos. It’s not just about this nostalgic stuff. I feel like Jack Nicholson. “You haven’t seen anything yet.” That’s how I really feel.

Tell me about Sonic Ranch. I know it’s been years in the works.

I started doing this about 18 years ago. I started and then I got busy. I have with Ringo, Santana IV . . . All these things took up all my time and I couldn’t finish what I started. And all of these things had precedent. I’m sure everyone would understand that.

Tell me about What About Love. It was inspired by Ringo?

The message is inspired by Ringo. I started playing it during our soundchecks with Ringo’s band. It wasn’t quite finished and I found the bass line I wanted and it came together. Mainly it is about his message of peace and love. I pulled it up a bit. I said, “Are people listening? Anyone hear that?”

What made you want to re-record the old Journey song “Look Into the Future”?

It’s very easy. I’ve always loved the song and at the time I didn’t really have any idea what it said. Actually it says tons. But I loved it lyrically and the whole thing. I decided, “Let’s do this. I love that melody.”

It was great that you hired Michael Shrieve as a drummer.

He plays on the song “Only You”. It’s a song I wrote about my wife. She said, “You’ve never written a song about me,” and I said, “Baby, all the songs are about you.” In her own way, she said, “Bullshit.” And I said, “I’m going to write a song about you.” And that’s it. Shrieve was the perfect guy to play drums on because he’s a very lyrical drummer. He plays for the song. Incidentally, so is Deen Castronovo. I’m overwhelmed by it. He plays easily and always in the right places. It’s very difficult to find. Shrieve is the same. It’s about the song. That’s why he was chosen. Also, he’s a great friend. I’ve known him forever.

Tell me about your new band.

It’s called New Blood. We’ve already done three songs. I have four that I wrote. I hope to write more with these guys. It really depends on the guys in the band. It is not about me. When I get awards, that’s great, but I can’t do without them. I have players who really play, who are really exceptional. This is what we do. My son is involved and so is Yayo Sanchez, a 26-year-old guy. He’s the Kiss guy who got 200,000 likes for playing with Dave Grohl. And he’s a friend of my son’s.

Is the band going on tour next year?

As soon as we have everything together. I was asked to visit Sonic Ranch. no I will visit everything. i will break all the rules I’m gonna break every rule there is and make some new ones. I’m going to go out and do the new stuff with Sonic Ranch, Santana, Santana IV and Journey because I have all the people who can do it.

How was the Journey Hall of Fame experience for you?

It was cool. It was the same old thing with these guys. You get up there and do that, take the award. It was cool to receive the award. It was really cool to sit next to Neal and go up there and just hang out and do that. Except for Neal and I, we haven’t been together in years. It was a cool experience. It was good.

You finally played with Arnel.

What I’m aiming for now is a much cooler experience, I can tell you that.

Did you talk to Steve Perry that night?

no Nobody spoke to him! He does everything behind closed doors and I don’t understand it. I don’t understand and I don’t care. I wouldn’t do it like that. Here I am talking to you. And am I not quite easy to talk to? It’s me. All this nonsense he goes through and sneaks out the back door. . . . come on man Will you do this your whole life? Are you kidding? [laughs]

I spent time with him about a year ago when he released his album. He seemed pretty normal and open to me.

I’ll tell you what: he always seems like that. My point is that after knowing this guy for years, he just seems like that. What I’m telling you, you can print any day, any time. Everything is absolute gospel. Sure I screwed up here, they screwed up here and blah, blah, blah. Steve is very protective of himself and his vocal abilities. It’s bloody nonsense. Sooner or later everyone is going to say, “He’s kind of a jerk, huh?” I know I’m right. That will happen. The real people will show up, and those who aren’t will show up too. I’ve lived my life like this.

Gregg Rolie

American musician

musical artist

Gregg Alan Rolie (born June 17, 1947) is an American singer and keyboardist. Rolie was the lead singer of the bands Santana and Journey, both of which he co-founded. He also fronted rock group The Storm, performed in Ringo Starr & His All-Starr Band and currently performs with his Gregg Rolie Band. Rolie has been twice inducted into the Rock and Roll Hall of Fame, having been inducted as a member of both Santana in 1998 and Journey in 2017.

Career [edit]

Rolle was born in Seattle, Washington, USA. Before Santana, he played with a group called William Penn and His Pals while attending Cubberley High School in Palo Alto, California around 1965.

A year after graduating high school in 1965, Rolie joined Carlos Santana and others to form the Santana Blues Band, later shortened to simply Santana. As a co-founder of Santana, Rolie was part of the band’s first wave of successes, including an appearance at the Woodstock Music and Art Festival in 1969[2] and central roles in several hit albums. He was their original lead singer, with his voice being heard on well-known Santana songs such as “Black Magic Woman” (US #4), “Oye Como Va”, “No One To Depend On” and “Evil Ways”. He also became known for his skills on the Hammond B3 organ, with solos on many of the hits mentioned above. He has songwriting credits for many tracks from this period. However, persistent differences with Carlos Santana regarding the band’s musical direction led to Rolie leaving the band in 1972.

In 1973, Rolie joined a new band with ex-Santana guitarist Neal Schon. This became Journey. He played in a line-up with Schon, Aynsley Dunbar, George Tickner and Ross Valory and was keyboardist for the band’s first six albums. He was lead singer on “Journey” and “Look into the Future,” and shared those duties with guitarist Neal Schon on “Next.” After Steve Perry joined the band in 1977, Rolie sang co-lead vocals on several songs on the albums Infinity, Evolution and Departure.

After leaving Journey in 1980, Rolie released several solo albums, including 1985’s eponymous Gregg Rolie. This album included the song “I Wanna Go Back”, which later became a hit for Eddie Money, and featured contributions from Carlos Santana, Peter Wolf, Neal Schon and Craig Chaquico. A second solo work, Gringo, was released in 1987.

Rolie formed The Storm in 1991 with Journey’s Steve Smith and Ross Valory. Similar to his work with Journey and Steve Perry, Rolie played keyboards and co-led vocals on several tracks on the band’s first eponymous album, which spent 17 weeks[3] on the Billboard albums chart and peaked at #133[4]. ] and spawned the hit singles “I’ve Got a Lot to Learn About Love”[5] and “Show Me the Way”[4]. Despite this success, Interscope Records shelved the band’s second album, recorded in 1993. It was eventually released in 1996 on a different label. In 1998, Rolie and other former members of Santana, including Neal Schon, reunited briefly as Abraxas Pool and released an album.

With Schon leading a newly formed Journey later that year, Rolie and Ron Wikso began work on a Gregg Rolie solo CD entitled Roots in 1999, which eventually led to the formation of the Gregg Rolie Band. In addition to Rolie and Wikso, Roots has featured performances by Neal Schon, Alphonso Johnson, Dave Amato, Adrian Areas and Michael Carabello. With the Gregg Rolie Band, Kurt Griffey did the guitar work and Wally Minko was added as second keyboardist. They recorded a live CD called Rain Dance at Sturgis, which was released in 2009.

In 2010, Rolie released Five Days and then formed a duo with Alan Haynes that eventually led to the formation of the Gregg Rolie Quartet, with longtime collaborator/drummer Ron Wikso and bassist Evan “Sticky” Lopez.

From 2012 to 2021 he toured as a member of Ringo Starr and his All Starr Band performing Santana hits “Black Magic Woman”, “Evil Ways” and “Everybody’s Everything”.[6] The band also included Toto guitarist Steve Lukather, Todd Rundgren, Richard Page, Mark Rivera and Gregg Bissonette.

On February 2, 2013, Carlos Santana confirmed that he would be reuniting his classic lineup, most of whom played Woodstock with him in 1969. Santana said of Rolie, “I’m pretty sure Gregg will do it.” Speaking about such a reunion in 2012, Rolie told Radio.com, “It’s just putting it together and going and doing it. I would do it. I think it’s a great idea. people would love it. It could be great! “[7] In 2016, as part of Santana’s original line-up, they released their fourth album entitled Santana IV.[8]

On February 9, 2018, Rolie reunited with Schon for a charity show at The Independent in San Francisco benefiting North Bay Fire Relief. The group also consisted of former Journey drummer Deen Castronovo (who also sang some of the vocals) and bassist Marco Mendoza from The Dead Daisies. In 2019, Rolie reunited for four more concert dates with Schon, Castronovo and Mendoza.[11]

Philanthropy[ edit ]

Rolie is a proponent of music education for children. In 2005, he signed on as an official supporter of Little Kids Rock, a nonprofit organization that provides free musical instruments and tuition to children in underserved public schools across the United States. He sits on the honorary board of the organization.

Personal life[edit]

Rolie and his wife Lori live near Austin, Texas.

Discography[ edit ]

Solo discography [ edit ]

(Also as Gregg Rollie Band)

Gregg Rollie-1985

– 1985 gringo – 1987

– 1987 Rough Tracks – 1997

– 1997 Roots – 2001

– 2001 Rain Dance (Live) – 2007

– 2007 Five Days EP – 2011

– 2011 SonicRanch – 2019

with Santana[ edit ]

with trip[ edit ]

with The Storm[edit]

The Storm – 1991

– 1991 Eye of the Storm – 1995

with Abraxas Pool[ edit ]

Abraxas Pool – 1997

Collaboration[ edit ]

Postcards from Paradise by Ringo Starr (2015) – organ on “Island in the Sun”, a song to which he composed.[12]

References[ edit ]

Bibliography[edit]

Daniels, Neil (2011). The untold story of the journey. London: Omnibus Press. ISBN 978-1-84938-657-9.

Before that, no Journey keyboardist

1973–1980 Successor to Stevie “Keys” Roseman

Gregg Rolie

American musician

musical artist

Gregg Alan Rolie (born June 17, 1947) is an American singer and keyboardist. Rolie was the lead singer of the bands Santana and Journey, both of which he co-founded. He also fronted rock group The Storm, performed in Ringo Starr & His All-Starr Band and currently performs with his Gregg Rolie Band. Rolie has been twice inducted into the Rock and Roll Hall of Fame, having been inducted as a member of both Santana in 1998 and Journey in 2017.

Career [edit]

Rolle was born in Seattle, Washington, USA. Before Santana, he played with a group called William Penn and His Pals while attending Cubberley High School in Palo Alto, California around 1965.

A year after graduating high school in 1965, Rolie joined Carlos Santana and others to form the Santana Blues Band, later shortened to simply Santana. As a co-founder of Santana, Rolie was part of the band’s first wave of successes, including an appearance at the Woodstock Music and Art Festival in 1969[2] and central roles in several hit albums. He was their original lead singer, with his voice being heard on well-known Santana songs such as “Black Magic Woman” (US #4), “Oye Como Va”, “No One To Depend On” and “Evil Ways”. He also became known for his skills on the Hammond B3 organ, with solos on many of the hits mentioned above. He has songwriting credits for many tracks from this period. However, persistent differences with Carlos Santana regarding the band’s musical direction led to Rolie leaving the band in 1972.

In 1973, Rolie joined a new band with ex-Santana guitarist Neal Schon. This became Journey. He played in a line-up with Schon, Aynsley Dunbar, George Tickner and Ross Valory and was keyboardist for the band’s first six albums. He was lead singer on “Journey” and “Look into the Future,” and shared those duties with guitarist Neal Schon on “Next.” After Steve Perry joined the band in 1977, Rolie sang co-lead vocals on several songs on the albums Infinity, Evolution and Departure.

After leaving Journey in 1980, Rolie released several solo albums, including 1985’s eponymous Gregg Rolie. This album included the song “I Wanna Go Back”, which later became a hit for Eddie Money, and featured contributions from Carlos Santana, Peter Wolf, Neal Schon and Craig Chaquico. A second solo work, Gringo, was released in 1987.

Rolie formed The Storm in 1991 with Journey’s Steve Smith and Ross Valory. Similar to his work with Journey and Steve Perry, Rolie played keyboards and co-led vocals on several tracks on the band’s first eponymous album, which spent 17 weeks[3] on the Billboard albums chart and peaked at #133[4]. ] and spawned the hit singles “I’ve Got a Lot to Learn About Love”[5] and “Show Me the Way”[4]. Despite this success, Interscope Records shelved the band’s second album, recorded in 1993. It was eventually released in 1996 on a different label. In 1998, Rolie and other former members of Santana, including Neal Schon, reunited briefly as Abraxas Pool and released an album.

With Schon leading a newly formed Journey later that year, Rolie and Ron Wikso began work on a Gregg Rolie solo CD entitled Roots in 1999, which eventually led to the formation of the Gregg Rolie Band. In addition to Rolie and Wikso, Roots has featured performances by Neal Schon, Alphonso Johnson, Dave Amato, Adrian Areas and Michael Carabello. With the Gregg Rolie Band, Kurt Griffey did the guitar work and Wally Minko was added as second keyboardist. They recorded a live CD called Rain Dance at Sturgis, which was released in 2009.

In 2010, Rolie released Five Days and then formed a duo with Alan Haynes that eventually led to the formation of the Gregg Rolie Quartet, with longtime collaborator/drummer Ron Wikso and bassist Evan “Sticky” Lopez.

From 2012 to 2021 he toured as a member of Ringo Starr and his All Starr Band performing Santana hits “Black Magic Woman”, “Evil Ways” and “Everybody’s Everything”.[6] The band also included Toto guitarist Steve Lukather, Todd Rundgren, Richard Page, Mark Rivera and Gregg Bissonette.

On February 2, 2013, Carlos Santana confirmed that he would be reuniting his classic lineup, most of whom played Woodstock with him in 1969. Santana said of Rolie, “I’m pretty sure Gregg will do it.” Speaking about such a reunion in 2012, Rolie told Radio.com, “It’s just putting it together and going and doing it. I would do it. I think it’s a great idea. people would love it. It could be great! “[7] In 2016, as part of Santana’s original line-up, they released their fourth album entitled Santana IV.[8]

On February 9, 2018, Rolie reunited with Schon for a charity show at The Independent in San Francisco benefiting North Bay Fire Relief. The group also consisted of former Journey drummer Deen Castronovo (who also sang some of the vocals) and bassist Marco Mendoza from The Dead Daisies. In 2019, Rolie reunited for four more concert dates with Schon, Castronovo and Mendoza.[11]

Philanthropy[ edit ]

Rolie is a proponent of music education for children. In 2005, he signed on as an official supporter of Little Kids Rock, a nonprofit organization that provides free musical instruments and tuition to children in underserved public schools across the United States. He sits on the honorary board of the organization.

Personal life[edit]

Rolie and his wife Lori live near Austin, Texas.

Discography[ edit ]

Solo discography [ edit ]

(Also as Gregg Rollie Band)

Gregg Rollie-1985

– 1985 gringo – 1987

– 1987 Rough Tracks – 1997

– 1997 Roots – 2001

– 2001 Rain Dance (Live) – 2007

– 2007 Five Days EP – 2011

– 2011 SonicRanch – 2019

with Santana[ edit ]

with trip[ edit ]

with The Storm[edit]

The Storm – 1991

– 1991 Eye of the Storm – 1995

with Abraxas Pool[ edit ]

Abraxas Pool – 1997

Collaboration[ edit ]

Postcards from Paradise by Ringo Starr (2015) – organ on “Island in the Sun”, a song to which he composed.[12]

References[ edit ]

Bibliography[edit]

Daniels, Neil (2011). The untold story of the journey. London: Omnibus Press. ISBN 978-1-84938-657-9.

Before that, no Journey keyboardist

1973–1980 Successor to Stevie “Keys” Roseman

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