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Fans are wondering if Josh Bryant is related to Luke Bryan. It appears that Josh and Luke are related professionally but do not belong to the same family. Let’s find out more about him below!
Josh Bryant is Kristin Chenoweth’s fiancé.
Kristin Chenoweth is an American actress and singer. Josh and Kristin have been a couple since 2018 and they have been in the news now following their engagement on October 27, 2021.
Apparently, they met at Kristin’s niece’s wedding in 2016, where Bryant performed at the event. The band was later called out to perform at Kristin’s nephew’s wedding in 2018, and they began dating afterward.
Although Kristin was previously engaged to Marc Kudisch and also dated Seth Green, Lane Garrison, Dana Brunetti and Aaron Sonkin, the couple seem happy together. The Tony Award-winning actress made it clear on her social media after declaring that she will never let Bryant go now.
Likewise, Bryant declared that it was the happiest day of his life after Chenoweth sa “Yes!”
Is Josh Bryant Related To Luke Bryan?
Many of the fans have wondered if Josh Bryant is related to Luke Bryan.
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Well the answer is they are professional though. Both are musicians. Josh is the guitarist for the country band Backroad Anthem while Luke is a songwriter and country singer.
Josh Bryant Net Worth
Josh Bryant’s estimated net worth is around $600,000 according to some sources.
He has not yet disclosed his exact earnings to the media. He is a guitarist. In 2012, he and his friends formed a country rock band called Backroad Anthem. The band has opened up to several artists including Josh Turner and Chris Young.
Beses Backroad Anthem, Josh works as a guitarist for two other artists. As a musician, we believe he is making a good living from his music career.
On the other hand, his fiancee Kristin’s net worth is $16 million.
Josh Bryant Family
Speaking of Josh Bryant’s family, he was born to Lamar Bryant (father) and Annie Bryant (mother).
He also has two sisters named Keitha Lovette and Marla Bryant. However, his two sisters are married and have children.
Josh now lives with his fiancée Kristine and her dog Thunder.
Luke Bryan Reveals What Makes Him Country
Images related to the topicLuke Bryan Reveals What Makes Him Country
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Is Josh Bryant Related To Luke Bryan? Relationship Between …
Fans are wondering if Josh Bryant is related to Luke Bryan. It appears that Josh and Luke are professionally related but do not belong to the same family.
Source: 44bars.com
Date Published: 10/30/2021
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Is Josh Bryant Related To Luke Bryan? Relationship History …
Let’s take a glance at the rumors in the following segment. Josh Bryant is a musical artist based in Nashville, Tennessee. He is a lead guitarist and singer of …
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The Case Against Chris Stapleton As Country Music’s Savior
Now that he’s solly in the mainstream, will he start to collaborate with other mainstream artists like Luke Bryan or Flora Georgia Line?
Source: www.savingcountrymusic.com
Date Published: 6/27/2021
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The Case Against Chris Stapleton As Country Music’s Savior
Not everyone is happy with all of this mainstream success and good times that Chris Stapleton and his fans have had, and I’m not talking about Apostles Sam Hunt and Thomas Rhett who were captivated by Stapleton’s victories at the CMAs last Wednesday night. I’m talking to die-hard, tried-and-true country fans who think we’ve all been betrayed by a pop star posing in an outlaw costume who’s nothing more than an industry puppet. Oh, and that’s just the beginning. From conspiracy theories to downright meanness and venom for Stapleton, not everyone is on board, especially when you start talking about him in the context of a “savior of country music.”
And if you take Chris Stapleton’s career, split it in half, pull out the tweezers, and start dissecting, you’re going to find some unsavory things, at least if you’re a traditional country fan. Some of the concerns and criticisms of Chris Stapelton and particularly how he got to this point are warranted. He’s written songs for Luke Bryan and Thomas Rhett, and he’s not straight-forward, traditional country hardcore like Jamey Johnson or even Sturgill Simpson.
For the sake of argument, fairness, and timeliness, let’s take an honest, devilish attorney’s look at Chris Stapleton and see if some of that criticism is worth dimming the luster of his CMA victories and subsequent staggering commercial success.
“He wrote terrible pop-country songs for bad country stars”
On the surface, this criticism is true, and it is a criticism leveled at Stapleton by Saving Country Music in general, as well as by other critics and writers, given the credit of Chris Stapleton, the songwriter. Stapleton’s name has been featured on a string of songs that certainly haven’t done any favors in promoting hopes of substance or country roots resurgent in the mainstream. A strong, dedicated member of the Music Row songwriting community, Stapleton has written songs for Luke Bryan, Jason Aldean and Thomas Rhett — not exactly the resume you’d expect from a country music “savior.”
However, when I really started digging deep into Stapleton’s songwriting catalogue, expecting to fill a long list of songs that Stapleton might be embarrassed to be a part of, I was sorely disappointed. Surprisingly, when I talk about songs that are really disappointments and not just songs that someone doesn’t like for some reason, I can only think of five that fit right into that category.
“Crash & Burn” – Thomas Rhett
“To do something with my hands” – Thomas Rhett
“South Side” – Thomas Rhett
“Have a beer” – Luke Bryan
“Hangover Tonight” – Gary Allan’s “Metro-Bro” song that was bombed.
Granted, if you’re new to the fact that Stapleton received songwriting credit for these songs, you might be quite surprised and question your Stapleton fan base yourself. But are these songs really awful from a songwriting perspective, or do we just hate them more because of who sang them and how they were produced? With a song like “South Side” there are no excuses. It is absolutely unfortunate, and anyone involved in any phase of its creation should hang their heads in shame.
But think of a song like Luke Bryan’s “Drink A Beer.” First off, Stapleton didn’t necessarily write this song specifically for Luke Bryan. He wrote the song, then at one point Bryan put what they call a “hold” on it and finally decided to record it. While “Drink A Beer” might not be great, it’s not particularly offensive. It’s the production, Luke’s involvement, and the way the song was portrayed as “deep” that made it such a focal point. Otherwise it’s harmless.
But take those five songs and even consider that there might be some bad songs lurking out there that might not be so obvious, including the ones he wrote for Jason Aldean and Tim McGraw, and then look at all the good songs that Stapleton wrote, and some of the other artists who edited his songs.
Chris Stapleton has also written songs for and with Jason Eady, Lee Ann Womack, Guy Clark, Will Hoge, Don Williams, George Strait, Anderson East, Lonesome River Band, Ashley Monroe, Kellie Pickler, Julie Roberts, Balasm Range, Alan Jackson, Josh Turner, John Michael Montgomery, Travis Tritt, Patty Loveless and others. Oh, and he wrote or co-wrote virtually all of the songs for the SteelDrivers’ first two albums.
Admittedly, some of these names will still polarize country purists. But those names should prove that Chris Stapleton can, has, and does write country songs of substance, recorded many times by traditional country artists and in a way that’s mind-blowing when you consider his body of work as a whole. Does that completely absolve Stapleton of any criticism of writing songs with Thomas Rhett? No, no it doesn’t. And it shouldn’t. But to say he’s a pop songwriter who suddenly threw a light switch when it came to his own music to fool everyone is a misconception when considering the full breadth of his songwriting work.
“Chris Stapleton is not traditional country”
I suppose by definition Chris Stapleton is not traditional country in the traditional sense. Steel guitar, fiddle, mandolin and banjo are not predominant on Traveler. But that’s partly because the record was cut live and Stapleton plays his own leads. Chris draws many influences from blues, southern rock and R&B/Muscle Shoals into his music, particularly his vocal style.
But to say Chris Stapleton isn’t country is hubris. He is a country artist who plays country music. Willie Nelson, Johnny Cash, and many other country artists over the years have also not had predominant country music instrumentation in their music. Country music isn’t a formula, it’s a feeling, and Chris Stapleton delivers that feeling in bushel baskets. The fact that he can stay country while infusing his music with elements of other influences is an asset and one of the reasons it resonates with so many people.
It is a misconception to think that all country music must sound extremely traditional at all times or it cannot qualify as country at all. This biblical style of traditionalism doesn’t help preserve country traditions, it helps them slip through their fingers because it’s like people like Blake Shelton who say traditional country people just play the exact same songs over and over again want to hear, there’s fuel and don’t want to get ahead at all, because that’s exactly what these hardcore traditionalists condone.
Country must hold on to its roots to survive, but it must also always push itself to remain relevant. An artist like Chris Stapleton embodies this balance of a traditional sound with a relevant approach.
“Just wait, he’ll be cutting pop songs soon enough”
The next big step Chris Stapleton takes is going to be a big one. How will his next record sound like? Now that he’s firmly in the mainstream, will he start collaborating with other mainstream artists like Luke Bryan or Florida Georgia Line? Part of that concern stems from the fact that Stapleton’s big moment came when he shared the stage with Justin Timberlake at the CMAs.
The answer to that question is that we have absolutely no idea where Chris Stapleton will go from here and it’s unfair to assume what Stapleton will do one way or the other in the future. As a country fan, not sitting back and enjoying the success Stapleton has found in the assumption that he will fail you seems like an unnecessary deprivation based only on suspicion. Chris Stapleton had every chance to sell himself with his solo career up until this point, opting instead to record an organic record with traditional leanings with Dave Cobb and a live band. Let’s enjoy these moments instead of inventing reasons to believe they are meant to be fleeting.
Granted, it’s fair to criticize Stapleton for working with Timberlake if the CMAs are supposed to be a country show. Just because Timberlake is more popular than most pop stars in the country and beyond doesn’t change the fact that he’s still a pop star and one who got his start in a boy band.
But Timberlake was also one of the catalysts for all of that success. It’s not ideal, but it’s not the opposite of the traditional country some make it out to be, either. Once again, Willie Nelson, Johnny Cash, Dolly Parton, and so many other traditional country stars have collaborated with pop artists in their day, and some even had their daddies in pop. But let’s focus on the here and now instead of waiting to be disappointed.
When, and it’s a big “IF,” Chris Stapleton comes out with his next album and it’s more in the vein of Thomas Rhett, then there’ll be plenty of time to bash him as the Benedict Arnold of country. Until then, let’s be glad there are signs that country music is moving in the right direction.
“Oh great, now everyone’s doing ‘traditional’ country'”
One concern is that Chris Stapleton’s success will result in really bad stars returning to music similar to Chris Stapleton’s to ride this new craze that’s suddenly taken over country music. Let’s hold our horses again. Chris Stapleton still remains an anomaly, not a complete paradigm shift in country music. We have no idea where this will all lead. If it leads to posers trying to make good country music but failing miserably, then we’ll call those people out and label them crooks and bandwagoners when the time comes. Assuming that this will happen, and blaming it on Chris Stapleton, could become a self-fulfilling prophecy. It’s moments like Chris Stapleton’s victories when we don’t have to rest on our laurels, but rather double the effort to explain the virtues of true country music.
Others with a more selfish perspective never want true country music to be accepted into the mainstream because they built their entire identity on being repressed as a traditional country fan. It makes them feel unique and they don’t want others to influence the reality they have set for themselves. Some are country music warriors who have been fighting this battle for so long they don’t know how to trade their daggers for ploughshares. All they know how to do is fight. Some of them are artists who have been around for a long time.
But simply put, these people are very self-centered. Everyone has the right to good music, just as everyone has the right to good food and water. Many traditional country artists need the support of new fans to maintain or grow their careers. Trying to keep everything small and dingy just to keep it familiar isn’t a way to be a good neighbor or a good fan. Basically, it takes a page out of hipsterism.
“The CMAs have been manipulated. It means nothing”
Undoubtedly, behind many of the awards presented at the CMAs and ACMs are horse trading, block voting and other hijinks, and a speculative eye should always be kept on them. Saving Country Music has acted as a brake and watchdog on this very practice for years, sometimes calling out organizations like the ACM to break their own stated rules.
Some say Stapleton’s victories were all a ploy to lure traditional country fans back into the fold or otherwise anoint a new star whom they can then mold into the next Luke Bryan.
After my many years of reporting these awards ceremonies and intentionally attempting to track down irregularities, issues with the rules, or other issues with the way the CMAs and ACMs are conducting their businesses, I can say with great confidence in my professional opinion that There were no one more shocked at the way the votes broke and allowed Stapleton to walk away with three trophies than the CMA, the CMA voters and the major labels on Music Row. There is absolutely no financial benefit to anyone but Stapleton and his label. The good old boy system that regularly rigs these awards is always working to spread love among multiple artists on multiple labels. And that good old boy system has failed.
Why? Because it underestimated the love and respect Stapleton had garnered in the industry as a songwriter. Where the good ol’ boy’s CMA system failed was in giving Stapleton the nominations in the first place. They figured this would be the red meat to keep the “traditionalists” and independent fans at bay. They never had any inkling that he would actually win.
Still others say, “Hey, that’s an anomaly. Next year the same shitty people are going to win again.” People were saying the same thing when George Strait was named 2013-2014 Entertainer of the Year by both the CMAs and the ACMs. The tide is turning. The industry sees value in keeping traditional country and its fans within the herd. Most people who work in the country music industry know that a lot of the music is trash. They don’t listen to it, they listen to Chris Stapleton. And so they voted.
“Chris Stapleton didn’t get to the top on the right path”
Chris Stapleton didn’t reach the top of the country music ladder by making his way there. There were definitely moments in his career where that was the case when he was out paying dues with the Steel Drivers and the Jompson Brothers. There were times when he played as a solo artist in small venues in front of practically nobody. Stapleton paid fees and don’t let anyone convince you otherwise.
However, the very special way he was able to secure a major label deal and walk away from the 2015 CMA Awards with three trophies was by working as a songwriter for the system. Chris Stapleton played the game. He knew what he wanted and he knew how to get there. He saw Luke Bryan, Brantley Gilbert and many others start out as songwriters and then transform that into arena acts. He worked within the system. He shook hands and chatted with everyone. He worked with Thomas Rhett and others. And his name on Music Row spread to every office.
There are now hundreds of other artists and songwriters doing it right. They never compromised or chatted with the wrong people. Is it fair that Chris Stapleton has to bounce them all?
No, it’s not fair, and there are a large number of artists and songwriters who are just as angry at all the Stapelton love as many fans are, and they probably have a right to be. Some of these artists are more traditional than Stapleton. Some of these artists have paid more contributions. Some of them are just significantly better. And it’s understandable that these artists and their fans are a little bitter about the Stapleton situation.
But there is the forest, and then there are the trees. Whether you’re a country artist doing it right or a fan of those artists, Chris Stapleton’s success bodes well for you. Is Chris Stapleton a prime example for any independent or traditional country fan? Of course not. But he’s damn close and he’s the one who actually broke the system.
Let’s reiterate that Willie Nelson, Waylon Jennings, Johnny Cash and others have also worked within the system. Willie began writing pop country for Patsy Cline. He left RCA but returned to Music Row just two albums later when he signed with Columbia to release Red Headed Stranger. As Tompall Glaser once said, “Damn, the fight isn’t in Austin and it’s not in Los Angeles. It’s right here in Nashville, right here two blocks from Music Row, and if we win, and if our win is ever going to mean anything in the long run, we’ve got to beat them at their own ground.”
“He’s not a savior of country music”
In a way, Chris Stapleton might not be country music’s greatest “savior,” if there ever is such a thing. There’s something about the country music ethos that can’t help our brains to cling to the idea that at some point a traditional country artist will emerge and become a superstar without compromising and helping turn the tide in the turn to country music. The concern with Stapleton is that he has compromised at times in his career. But even then it seems an unfair burden to saddle an artist with such an accolade. Your job is to make music.
But who exactly is proclaiming Chris Stapleton the “savior of country music”? As the owner of a website called Saving Country Music, I can say that the vast majority of people who associate Stapleton with a country music savior are the very same people who complain that he’s not seen as one should be. In other words, even if you have to travel far to find someone who says, “Chris Stapleton is the savior of country music,” you can’t post anything about him on Facebook without hearing hordes of “REAL” country fans Tell them how “he’s doing”. not a savior.” It’s a “straw man,” or painting an extreme point of view and then debunking it when the case isn’t even actually made.
The only case I could find where someone declared Chris Stapleton the “savior of country music” was sports site Deadspin. And are we really going to let Deadspin write the book about Stapleton’s impact on the country?
Maybe Cris Stapleton will save country music. Maybe he won’t. History must decide that.
Damn, be happy
Traditional and independent country fans have been so devastated over the past half decade and beyond that a loser mentality has taken hold. This is ultimately the reason for all the concerns raised above. They’ve become so used to losing that it’s become part of their identity. They are so used to things going wrong that they are suspicious when things are going right.
Chris Stapleton’s success is a victory for country music. It’s a victory for traditional country, for independent country, for alternative country and Americana, and for bluegrass – all embodied in Chris Stapleton’s career and sound.
Damn, be happy and let’s celebrate. That doesn’t mean we should let go of our vigilance, but it does mean things are changing.
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Filmmakers Emily Collins and Nathan Fitch on embracing experience instead of chasing success
Author Maggie Nelson on working with and against limitations
Curator Wendy Yao on channeling your artistic enthusiasm into flexible forms
Note:
Leave a birthday message for Real Snail
Musician and educator King Britt on how goals and expectations change with you
Musician Gia Margaret on the implementation of her ideas
New Media strategist Christine Mai Nguyen on the joy of switching
Musician Louis Carnell on remembering why you do what you do
Illustrator and author Michelle Rial on creating work while living with chronic pain
Musician Jon Mueller on the satisfaction of small audiences and simple ideas
Visual artist and DJ Azikiwe Mohammed on being a steward of art and music
Poet and do-it-yourself gallery owner Sommer Browning on aligning life with the things that matter
Poet Eloisa Amezcua on valuing enthusiasm over perfection
Musician Jasmine White-Gluz on building confidence over time
Book editor and organizer Danny Vazquez on questioning the structure of your creative industry
Author Nicola Maye Goldberg on always listening
Author Alexandra Kleeman on how to make people feel things
Musician Claire Rousay on documenting everything around her
Artist and art manager Shey Rivera Ríos on experimenting, failing and growing
Author Elle Nash on creating a place outside of everyday life
To lead:
A Guide to Co-Creating Access & Inclusion (A Guide by Taeyoon Choi)
Author and critic Daisy Alioto on taking your work out into the world
essay:
An encouraging saying to do it yourself
Musician Beverly Glenn-Copeland on creating community when we are physically apart
Chabalala Self on not being afraid of hard work
Musician Erin Birgy on how friendship fits into the creative process
Musician and artist Lido Pimienta on the discipline and patience it takes to do creative work
Photographer and cultural producer Heryte Tefery Tequame on leaving a mark
Author Kristen Arnett on where to start
The musicians Noah Yoo and Sedona Schat (Cafuné) about doing things you believe in
Author and editor Daniel Lukes on working with openness in a community
Musician Bongeziwe Mabandla on an unconventional path
Journalist Pendarvis Harshaw on creating things that speak to you
Writer and visual artist Larissa Pham on growing an idea
Executive Chef and restaurateur Eric See on running a business with integrity
Author Jackie Ess on creating work that doesn’t exactly fit into categories
Musician Max Collins on not tying your identity to success
Composer and artist Fatima Al Qadiri on the transformative nature of creative work
The portrait artist and filmmaker Catalina Kulczar on the connections
Musician Lucy Dacus on staying true to herself
Writer and entrepreneur Francesca Cavallo on trusting your journey
Amplifier’s Cleo Barnett and Aaron Huey on how they use activist art to bring marginalized voices to life
Music video director Sophie Muller on making the things you want to see
Reframd designers and co-founders, Akeem Ngwenya and Shariff Vreugd on creating what doesn’t exist
Wayne Watts, musician and co-founder of the Dream Create Inspire Tour, on connecting creative communities
Writer Lucy Ives on dedicating herself to her creative work
Painter Malte Fritzlar learning about trust
Musician Taja Cheek on the perks of keeping her job
Musician and author Ned Russin on breaking down the wall between artist and listener
Audio documentarian and artist James T. Green on healthier ways of working
Author Jessica Hopper on continually refining what you do
Podcaster and musician Hrishikesh Hirway on the power of curiosity
Embroiderer Danielle Clough on boredom as a creative force
Author and Editor Gordon Lish on Maintaining Your Focus
Musician Anjimile Chithambo on what inspires you
Author and illustrator Jonny Sun on writing as an act of discovery
Author Ashley C. Ford on being honest about what you have time for
Sculptor Gracelee Lawrence on finding the right balance
Poet Aja Monet on the power of showing yourself and speaking the truth
Filmmaker Natalia Almada explains how to make your vision a reality
Musician Adam Vallely on removing ego from your process
Author and visual artist Leanne Shapton on the balance between private and professional work
Spoken word artist and musician Lydia Lunch on how to make the most of your time
Artist and creative director Xavier Teo on not being one-dimensional
Writer André Aciman on knowing when a project is complete
Visual artist Theresa Chromati on how your work can get you where you need to be
Game developers Tanya DePass and B. Dave Walters on creating your own rules
Comedian Cat Cohen on trying to break away from external validation
Artist Katherine Ball on striving to remain an amateur
Designer, illustrator and Kickstarter CEO Aziz Hasan on finding harmony in your daily life and creative work
Author Sabrina Orah Mark on creating space for the impossible
Entrepreneur and community organizer Zenat Begum on knowing when to slow down
Rapper and writer Cadence Weapon on purpose at work
Chef Woldy Kusina on how to approach your work with honesty
Musician Jlin on learning from failure
Theater maker Modesto Flako Jimenez on not being afraid to challenge your audience
The poet José Olivarez on his compassion for your rough drafts
Writer, teacher and organizer Anjali Enjeti on learning about yourself through your work
Multimedia designer and artist Qiong Li on the value of being alone
Note:
sober 21
PDF:
sober 21
The creative independent
Cartoonist Jeff Smith on letting your imagination run wild
Composer and performer Kamala Sankaram on the benefits of sharing your work
Photojournalist Brenda Ann Kenneally on interacting with the world through her work
Filmmaker Christina Choe on not giving up
Musician Matt Sweeney on maintaining creative relationships
Adult star and author Joanna Angel on not being afraid to challenge yourself creatively
Composer Arooj Aftab on collaboration as an ongoing conversation
Artist and theater maker Kaneza Schaal on creating the things you want to see in the world
Podcast producer and filmmaker Mark Pagán on remembering the first thing that made you proud
Musician Mia Doi Todd on working at your own pace
Artist Nic Annette Miller on listening to your needs
Cartoonist and illustrator Adrian Tomine on his openness to new approaches
Poet Layli Long Soldier on overcoming the fear of creative work
Joel Hodgson, designer and creator of Mystery Science Theater 3000, on staying curious
Visual artist Lita Albuquerque on staying grounded in the moment
Author and performer Andrea Werhun on creating her own platform
Visual artist and healer Tabita Rezaire on the infinite flow of creative energy
Writer Lauren Oyler on being proud of her work
Designer Céline Semaan on how not to waste your skills
Filmmaker Derek Nguyen on knowing when you’re ready
Podcaster and author Katie Dalebout on slowing down and showing up
Chef and artist Yuri Nomura on finding your theme
Musician Buck Meek on healing through the creative process
Musician Tyler Bussey on learning about yourself through collaboration
Filmmaker Sandi Tan on finding resources in unexpected places
Artists and world builders Kahn and Selesnick on the benefits of long-term collaboration
Writer Sarah Gerard on learning to trust your intuition
Artist and designer Serge Mouangue on creating because you really need it
The artist Monica Narula on the creative process as a continuous flow
Artist Sougwen Chung on the collaborative space between humans and non-humans
Author Matthew Salesses on asking questions instead of making suggestions
Sally Wen Mao on why honesty is more important than success
Scent researcher and artist Sissel Tolaas on zooming out to zoom in
Artist Ileen Kaplan on learning to be more free in your work
Novelist R.O. Kwon to push yourself until you get it right
Musician Lee Buford on maximizing your limits
The artist and aquatic ecologist Christina Gruber on caring and listening as a practice
Artist and fantasy architect and builder Lauren Halsey on how she can help you with your creative work
Musician Angélica Negrón on how you view all your work as a unit
Music and film writer Lesley Chow on being inspired to write her first book
Heather Benjamin on the challenge of her work
Comic artist Khary Randolph and comic writer Brandon Thomas on finding the perfect match
Natalie Diaz on the physicality of writing
Visual artist Vibha Galhotra on finding strength in the everyday
Poet and professor Donika Kelly on learning to prioritize your curiosity and joy
Composer Christopher Tin on the role of music in saving the world
Filmmaker Caveh Zahedi on his brutal honesty in his life and work
Visual artist Lukaza Branfman-Verissimo on writing down life
Author and philosopher Senthuran Varatharajah on what writing is and what it does to us
Photographer Paul Sepuya on finding your form
Artist and printmaker Leslie Diuguid on working against the establishment
Visual artist Erika Ranee on what to learn from moments of frustration
Musician Sarah Beth Tomberlin on the joy of doing work you believe in
Publisher and educator Estrella Bonilla on the power of observation
Heather McGhee on creativity and politics
Tattoo artist Jalen Frizzell on checking in with himself
Designer and entrepreneur Humberto Leon on ending something to start something new
Musician and producer Jam City on feeling productive without feeling rushed
writer B.R. Yeager on creating new forms to contain new worlds
Vagabon on building a career through word of mouth
Actress, author and filmmaker Sarah Ramos on fandom as a source of creativity
In conversation: Musicians Meg Duffy and Jenn Wasner on learning to embrace success
Musician Greg Puciato on always being open to new ideas
Visual artist Paula Wilson on paying attention to what we focus on
Saidiya Hartman on working with archives
Musician Simón Mejía on the reflection of your environment in your work
Playwright Tarell Alvin McCraney on redefining your idea of what it means to be successful
Illustrator and Art Director Na Kim on good design, avoiding trends and being creative
Visual artist Chiffon Thomas on learning about yourself and the world through work
Artist and Kickstarter founder Perry Chen on the boundlessness of art
Henry Rollins on the definition of success
Author Mattilda Bernstein Sycamore on writing to stay alive
To lead:
How to Unleash Your Creativity in Your Home and Workplace (A Guide by Stephanie Diamond)
Author Shy Watson on writing what suits your experience
To lead:
How to Balance Full-Time Work with Creative Projects (A Guide by Jeffrey Silverstein)
DJs and label bosses Eris Drew and Octo Octa on the magic of everyday life
Ryuichi Sakamoto on how your work changes as you get older
Filmmaker Desiree Akhavan on working on both sides of the camera
Artists and chefs Hannah Black and Carla Perez-Gallardo on how failure is fluid
Musician and composer William Basinski on the work
Angela Pilgrim on creating works with your own voice
Musician and artist Lillie West on letting things go, learning positivity and taking the opportunity to reset
Eileen Myles on performance, landscape and colloquialism
Mindy Seu on making the things you want to see
essay:
A Gentle Manifesto
Musician, label owner and producer Suzi Analogue on trusting her process
Musician and photographer Felix K. Walworth on private work
Artist Stacy Renee Morrison on using photography to create what cannot be seen
Doreen St. Félix on entering the world of criticism
Label founder Todd Hyman on how he’s kept an indie business going for over 21 years
Patty Yumi Cottrell due to urgency
Musician Jeremy Bolm on encountering life through his art
Poet and musician Elaine Kahn on giving yourself permission
Der multidisziplinäre Künstler Charlie Valentine über das Vertrauen in sich selbst und seine Fähigkeiten
Musiker und Produzent Camilo Lara über keine Angst davor, “Ja” zu sagen
Durga Chew-Bose über die Macht der Ungewissheit
Fotografin Hope Mora über Aufmerksamkeit
Der Musiker Brann Dailor über den Einsatz von Kunst zur Bewältigung schwieriger Zeiten
Die Musikerin und Schriftstellerin Rita Indiana über den eigenen Erfolg
Die Tänzerin und Autorin Marlee Grace darüber, wie man produktiv sein kann, ohne auszubrennen
Erin Markey über das Vertrauen in sich selbst
Die Historikerin und Autorin Edna Bonhomme über das Hinterfragen vorherrschender Erzählungen
Schriftstellerin Esmé Weijun Wang über das Arbeiten mit Einschränkungen
Die Kuratoren Amanda Contrada und Terence Trouillot über die Nützlichkeit einer Online-Ausstellung
Musiker Sen Morimoto über freie Erforschung und Ausdruck
Schauspieler und Autor Brennan Lee Mulligan über die Balance zwischen Kunst und Ausdauer
Die bildende Künstlerin Mariana Castillo Deball über das Nachdenken über Ihren kreativen Prozess wie Detektivarbeit
Musiker Steve Von Till darüber, Ihre Kreativität nicht zu sabotieren
Fotografin Delphine Diallo darüber, wie man seiner Vision treu bleibt
Die Köchin, Unternehmerin und Podcasterin Esther Choi über die Balance zwischen Authentizität und Zugänglichkeit
Musikerin Katie Harkin über das Selbermachen
Der Künstler und Pädagoge Angel Abreu darüber, wie Sie jeden Tag Geschichte schreiben
Die Komponistin und Performerin Meredith Monk über die Verbindung zur Freude und Liebe zum Tun
Visual Engineer Steve Giralt über das Lernen aus allem, was Sie tun
Podcasterin und Drehbuchautorin Sharon Mashihi darüber, sich nicht abzuschalten
Die Journalistin und „professionelle Problemlöserin“ Gabriella Gómez-Mont über einen kreativen Umgang mit der Regierung
Die Filmemacherin Sylvie Weber über die Schönheit, Dinge organisch geschehen zu lassen
Nikki Giovanni über das Vertrauen in die eigene Stimme
Spieldesigner Geoffrey Cullop über die Änderung der Spielregeln
Yumna Al-Arashi darüber, konzentriert zu bleiben
Musiker Domenic Palermo über den Abschluss und die Veröffentlichung kreativer Arbeit in schwierigen Zeiten
Die Musikerin Sarah Davachi über die Verbindung Ihrer Arbeit mit dem, was vor Ihnen war
Naama Tsabar über die Übernahme der Kontrolle über Ihren Prozess
Musiker und Autor Jeff Tweedy über das Lernen, sich selbst zu vertrauen
Bildender Künstler Moshtari Hilal über Kompensation und Sichtbarkeit
Autorin Ashleigh Bryant Phillips über das Schreiben ohne Scham oder Angst
Die bildende Künstlerin Laleh Khorramian darüber, wann man eine Pause macht
Game Designer Allan Cudicio über die Entkolonialisierung der Fantasie
Romanautorin Sigrid Nunez über die Suche nach Ihrem Thema
Schriftsteller Marcus J. Moore über seinen Durchbruch
Musikerin Ela Minus über Ehrlichkeit im Leben und Arbeiten
Musiker Phil Elverum über die Umsetzung der Idee
Die bildende Künstlerin Ana Benaroya über das Zulassen des Unerwarteten
Die bildende Künstlerin Shawna X über die Arbeit für sich selbst
Musiker León Larregui darüber, wie er mit der Zeit immer besser wird
Der Musiker und Schriftsteller René Kladzyk über die Akzeptanz von Verletzlichkeit
Schauspieler, Comedian, Regisseur und Musiker Tim Heidecker über das Unterlaufen von Erwartungen
Aufsatz:
19 Dinge, die ich Leuten sagen würde, die darüber nachdenken, ein Plattenlabel zu gründen (nachdem ich 19 Jahre lang eines geleitet habe)
Die Musikerin Lucinda Williams über das Herausfinden dessen, was wichtig ist
Autorin Lillian Li darüber, wie man Konzentration kultiviert
Emma Kohlmann darüber, sich mit dem Gedanken anzufreunden, Künstlerin zu sein
Schriftsteller Cory Doctorow über das Leben in der Zukunft und den Versuch, eine bessere zu schaffen
Die Künstlerin und Aktivistin Emily Barker über Barrierefreiheit
Musiker Tricky über die Wichtigkeit, ungesunde Muster zu durchbrechen
Die bildende Künstlerin Noelia Towers über den Zwang zum Schaffen
Die bildende Künstlerin LaToya Ruby Fraizer über das Arbeiten mit Würde
Führen:
Wie man einen Low-Budget-Film macht (Eine Anleitung von Jane Applegate)
Bildender Künstler und Pädagoge Syrus Marcus Ware über die Schaffung von Räumen für Freude
Comicautor und Zeichner Matt Kindt über Learning by Doing
PDF:
PRÄSENZ, Ausgabe 1: IM NEBEL
various
Der Musiker und Komponist Owen Pallett darüber, dass Sie bei jeder Entscheidung, die Sie treffen, nachdenklich sind
Der Dichter und Aktivist Donté Clark über das Handeln aus einem liebevollen Raum heraus
Die bildende Künstlerin Tatyana Fazlalizadeh über Geschichtenerzählen als Aktivismus
Schriftstellerin Tina Horn darüber, keine Angst davor zu haben, viele verschiedene Dinge zu tun
Führen:
Wie man eine globale Gemeinschaft entwirft, nährt und aufbaut (Ein Leitfaden von Madeleine Dore)
Musiker und Klangheiler Lavender Suarez über die Kraft der Absicht
Fotograf Simon Harsent über die Wahl Ihres Weges und das Genießen der Reise
Catherine Lacey über das Schreiben für sich selbst
Die Comedians Jeremy Levick und Rajat Suresh darüber, zu wissen, was man zu sagen hat
Die Filmemacherin Miranda Bailey darüber, keine Angst zu haben, Ihre Ideen zu verfolgen
Carmen Maria Machado über das Schreiben über alles, was Sie wollen
Die Klangkünstlerin Maria Chávez über Erinnerungen, Traumata und die Vorstellung einer neuen Welt
Rapper, Podcaster und Comedian Open Mike Eagle darüber, wie man flink ist, während man Ungewissheit überwindet
William Villalongo über die Entdeckung von Materialien, die Ihnen etwas bedeuten
Informatiker, Spieledesigner und Künstler Ramsey Nasser über Programmieren als Aktivismus
Blake Butler über das Schreiben von Dingen, die sonst niemand schreiben kann
Autorin Jenny Zhang über die Geheimsprachen in Ihrem Kopf
Matt Berninger und Phoebe Bridgers darüber, wie sie schreiben, was sie schreiben
Die Künstlerin, Autorin und Musikerin Cristy C. Road über ihre Heimat im Punkrock
Frankie Decaiza Hutchinson über Zugänglichkeit, Gemeinschaftsbildung und Freundlichkeit zu sich selbst
Tontechniker und Produzent Mike Petillo darüber, Teil einer Community zu sein
PDF:
Software für Künstler Buch: Building Better Realities
Various
Fotografin Justine Kurland über Einsamkeit und Gemeinschaft
Der bildende Künstler Brandon Breaux darüber, positiv und inspiriert zu bleiben
Führen:
Wie man ein Traumtagebuch beginnt (und führt) (Eine Anleitung von Charmaine Li)
Der Künstler und Schriftsteller Diamond Stingily über das Teilen Ihrer Macht
Moor Mother über die Schaffung der Zukunft, die Sie sehen möchten
Autor David Turner über die korrekte Identifizierung des Problems, um es zu lösen
Fotograf Drew Brown über Zines und Teenageraufstände
Die Künstlerin und Pädagogin Mandy Harris Williams darüber, wie sie jedem die Liebe gibt, die er verdient
Die Künstlerin und Designerin Leslie Xia über die Schaffung wunderschöner Denkmäler
Environmental activist Jon Leland on finding the words for crisis and making the planet feel personal
Series:
Signs of Change
Rapper and producer Kool Keith on creating your own worlds
Artist and researcher Salome Asega on creating spaces to imagine and dream
PDF:
Urgency Reader 2: Mutual Aid Publishing During Crisis
Paul Soulellis
Essay:
On the power of mutual aid publishing during crisis
Playwright Jeremy O. Harris on shifting the shape of theater
Writer and performer Shanekia McIntosh on the power of creating the story you don’t see
Animator and director Cole Kush on trusting your own sensibilities
Composer and keyboardist Roger O’Donnell on the pleasures of a creative practice that is uniquely your own
Writer and witch Amanda Yates Garcia on choosing your guides
Musician Jarvis Cocker on recognizing your calling, the pleasure of being in a band, and the ways music supports us during terrible times
Artist and writer Rindon Johnson on navigating the tension between physical and digital realms
In Conversation: Jess Williamson and Katie Crutchfield on being the captain of your own ship, comfortable collaborations, and figuring out what works for you along the way
PDF:
Sci-Fi Sundays Selects
Sarah Hotchkiss
Jenny Odell on taking the time you need to notice, think, and grow
Comedian Kurt Braunohler on trying to be funny, collaborative, and productive while quarantined
PDF:
I Trust My Guitar (Etc.), No. 2
Rachel Aggs
PDF:
I Trust My Guitar (Etc.), No. 1
Rachel Aggs
PDF:
DIY Guitar For Beginners
Rachel Aggs
Percussionist William Winant on the tension-defying value of constant practice
Essay:
So, am I a writer yet?
Art writer Lori Waxman on the power and possibility of criticism
PDF:
Midwinter Day Day
Cortney Cassidy
Shoemaker Anne Marika Verploegh Chassé on adapting your practice in difficult times
Multi-disciplinary Performer Guillermo E. Brown on rhythm and balance
Literary translator Emma Ramadan on identity, cultural history, and the power of language
PDF:
Suddenly
Photography by Allen Frame and anonymous found photographs and drawings
Artist, activist, and educator Grayson Earle on using technology to outpace our adversaries
Essay:
On love in confinement
Musician Johanna Warren on music, healing, and taking a moment to reset
PDF:
ScarJo
Christine Smallwood (words), Mark Sussman (words), Chris Santa Maria (art)
Botanical illustrator Wendy Hollender on the meditative power of drawing
Musician Rachel Aggs on the sound of community
Guide:
A guide for financial survival during the COVID crisis (A guide by Lewis Weil)
Artist Jill Magid on using your work to understand systems of power
PDF:
Princess of the Apocalypse
Harmony Tividad
Chef and food artist Jen Monroe on giving people something to chew on
Essay:
On growing through chaos
Musician, festival organizer, and climate activist Holly Rankin on adapting to difficult times
Writer Lidia Yuknavitch on telling stories from the edges
Composer and producer Craig Leon on weaving your own path
Author Paul Lisicky on how to write a memoir
Artist Shannon Finnegan on community, protest, and public space
Grade:
On staying calm and centered
Curator Ekrem Serdar on letting things grow over time
Interdisciplinary artist YATTA on burnout, embarrassment, and having the patience to transform
Essay:
On getting over imposter syndrome
Performer Alexandra Tatarsky on the value of the ridiculous
Producer and drummer Sasu Ripatti on taking a break from music as a way to learn
Guide:
A creative person’s guide to negotiating (A guide by Ashley Hefnawy)
Musician Stephen Malkmus on hobbies, habits, and creative work
Drag queen and intuitive reader Kiki Slugqueen on listening as performance
Poet Lisa Marie Basile on writing as a form of magic
Guide:
How to write a poem (A guide by T. Cole Rachel)
Artist and designer Sonya Sombreuil on evolving a DIY art project into a sustainable business
Musician and producer Dan Snaith on newness versus familiarity
Writer and director Doron Max Hagay on creative compromise and figuring yourself out
Essay:
On responding to negative feedback: Walking with a broken foot
Artist Kent Twitchell on thinking really big
Journalist Rob Harvilla on the value of deadlines and editors
Guide:
How to start a cooperative (A guide by Austin Robey)
Quilter Vivian Tumelson on doing as much as you can for as long as you can
Musician Huey Lewis on gratitude, pop music, and making the best of a bad situation
Executive Director Sarah Williams on establishing a feminist art space and making it sustainable
Artist jackie sumell on working through resistance
Magician and podcaster Alexander Eth on creating a foundational practice
Writer Jorge Carrión on being comfortable in a creative no man’s land
Writer Stephen Dixon on a lifetime of literature
Guide:
How to build the future music industry we want and need (A guide by René Kladzyk)
Astrologer and author Chani Nicholas on writing for the muses
Members of the UK arts community Social Art Network on creating networks as creative practice
Guide:
An artist’s guide to the O-1 visa (A guide by Eric Shaub)
Musician and songwriter Kristian Bush on listening and learning
Filmmaker Brett Story on structure, collaboration, and imagining a better possible future
Musician A.J. Haynes on balancing creative work with advocacy
Comedian Greta Titelman on balance, asking for advice, and the value of a good conversation
Musician Michael Schenker on seeking inspiration strictly from within
Songwriter Allee Willis on building your own joyful universe
Writer Myla Goldberg on inviting criticism, redefining success and how parenting enhances your art
Writer and editor Brandy Jensen on writing, giving advice, and understanding yourself
Approach:
Year End: On growing older Collected by Brandon Stosuy
Approach:
Year End: On moving to the woods Collected by Willa Koerner
Approach:
Year End: What 2019 taught me Collected by T. Cole Rachel
Jubilee on staying true to your own vision and never checking the streams
Musician Ezra Koenig on longevity and community
Poet, publisher, and politician Rebecca Wolff on putting thoughts into action
Artist Thomas Hooper on juggling creative outlets
Writer Deborah Levy on asking yourself interesting questions
Drag queen Trixie Mattel on trusting your instincts, playing to your strengths, and not trying to be the best at every single thing
Artist Grace Rosario Perkins on reassembling cultural narratives
Podcaster, writer, and musician boice-Terrel Allen on learning, listening, and always moving forward
Guide:
How to work within power structures that don’t work for you (A guide by ann haeyoung)
Writer and director Ben Berman on desperation as motivation
Composer and conductor Jaz Coleman on punk rock, the role of the artist, and the importance of ceremony
Approach:
On being grateful Collected by Team TCI
Director Penelope Spheeris on steamrolling bold visions into existence and healing along the way
Singer, author, and activist Judy Collins on doing what you love for as long as you can
Series:
Staff-Published
Guide:
How to tell the story of your creative work (A guide by Katheryn Thayer)
Comedian, writer, and director Whitmer Thomas on success, self-doubt, and learning how to be funny
Musician Angel Marcloid on harnessing the resources within
Writer Kimberly King Parsons on the pleasures of working without a map
Guide:
How to feel like you have enough (A guide by Christine Garvey)
Producer, artist, and archival storyteller Jocelyn Arem on creating structures to support your creative life
Dance troupe Drag Syndrome on the power of agency
Organizing artist Kamra Hakim on moving marginalized bodies from the periphery to the center
Cartoonist and playwright Dean Haspiel on the power of creative communities
Designer Artisans Whitaker Malem on fetishizing your own process
Pianist Christopher Cooley on freelancing, multi-tasking, and keeping an open mind about your work
Editorial manicurist Leanne Woodley on becoming an artist and calling yourself one
Writer and critic Yanyi on the differences between creativity and productivity
Comedian Katie Compa on making people laugh without losing your mind
Actor, entertainer, and writer Nick Offerman on creativity as a design for life
Guide:
How to get your music licensed for films, TV, and beyond (A guide by Josh Briggs)
Musician Mina Caputo on finding your true self, working with others, and touring as a trans woman
Musician Bobby Krlic on horror, inspiration, and taking your time
Filmmaker, DJ, and educator Ephraim Asili on activism, filmmaking, and maintaining balance
Mimi Parker and Alan Sparhawk of Low on keeping things interesting
Journalist and literary critic Molly Young on the value of curiosity
Artist Tanya Aguiñiga on the power of vulnerability and conscientious community building
Artist Jacolby Satterwhite on trusting your own process
Musician Matthew Cooper on getting out of your own way
Flutist and piccoloist Margaret Shin Fischer on the challenges of working as a classically trained musician
Musician, actor, and writer Carlos Dengler on creative liberation
Musician Eva Hendricks on the complicated business of how to be in a band
Series:
Music Industry Investigation
Essay:
Help us build the future music industry we want and need
Musician Michael Berdan on learning how to set yourself free
Guide:
How to recession-proof your creative practice (A guide by Bruce Nussbaum)
Graphic designer and artist Ian Swift on following your instincts
Guide:
How to lose someone (A guide by Joel Kuennen)
Writer and vocalist Eugene Robinson on performance, chasing perfection, and resisting the need to explain your work
PDF:
On feeling healthy
The Creative Independent
Guide:
How to begin designing for diversity (A guide by Project Inkblot)
Illustrator Ronan Lynam on learning how to be a creative entrepreneur
Electronic musician Nicola Cruz on defying convention, working conceptually, and knowing when to move on
Director and actor Justin Chon on the responsibility involved with making films
Artist Alexandra Grant on activating the power of language
Mastering engineer Heba Kadry on music and community
Artist Matthew Day Jackson on the relationship between creation and play
Video director Kathleen Dycaico on world building
Producer Ariel Rechtshaid on the appeal of profound collaboration
Guide:
A creative person’s guide to feeling healthy (A guide by Franziska Eichler)
Artist and curator Mike Calway-Fagen on the possibilities and challenges of being an artist in a small city
Artist Adam Helms on being truly obsessed with your work
Rapper and songwriter Jamall Bufford on letting your work be judged
Guide:
How to get press for your creative work (A guide by Kate Bernyk)
Writer Amitav Ghosh on how climate change continues to turn fiction into reality
Musician and artist Jacob Bannon on multitasking, craftsmanship, and letting go of your work
Musician Hayden Thorpe on the emotional power of songs
Poet Cody-Rose Clevidence on writing, editing, and living in the wilderness
Musician and producer Geoff Barrow on learning to score films
Writer, actor, and activist Ryan O’Connell on creating a space for yourself
Playwright and artist Taylor Mac on not waiting for permission
Musician Lingua Ignota on dismantling systems and processing trauma through art
Author and journalist Robert Wright on the aesthetic appeal of powerful ideas
Musician Mike Watt on staying open and making the most of the time you have
Musician and death doula Emily Cross on the relationship between art and mortality
Guide:
How to reinvent yourself (A guide by Tina Essmaker)
Adult performer Pepper Hart on doing everything yourself
Writer and agent Erin Hosier on working both sides of the professional literary fence
Songwriter JD Souther on songwriting, poetry, and making space for something new
Series:
NEW INC
Writer Halle Butler on being relaxed and hyper-focused
Musician Luwayne Glass on losing yourself in order to find yourself
Painter Phyllis Bramson on trusting your eye and being tested as an artist
Essay:
The Trap
CEO and Editor Min Guhong on introducing your company
Musician Cate Le Bon on rediscovering your passion by temporarily abandoning it
Artist and designer Kim Laughton on technology, social media, and working in 3D
adrienne maree brown on vulnerability, playfulness, and keeping yourself honest
Writer Helen Phillips on success, failure, and working within constraints
Musician Dylan Carlson on refining an idea over a lifetime
Actor and musician Megan Mullally on advocating for your own work and trusting your instincts
Grade:
On taking breaks
Musician Marissa Nadler on hard work, staying healthy, and creating in multiple mediums
Writer Joseph Grantham on how there’s a lot going on and it’s important to write it down
Comedian Patti Harrison on figuring out what success looks like
Creative entrepreneur Alex Turnbull on always evolving
Guide:
How to make the leap to full-time poet (A guide by Sarah Westcott)
Singer and composer iLe on using music to channel your emotions and understand where you came from
Essay:
How to survive being laid off
Writer Melissa Febos on facing your history through your art
In pursuit of a lifelong creativity (Essay by Dorothea Lasky)
Artist Lauren Huret on having a love/hate relationship with technology
Essay:
On the peaks and pitfalls of being a songwriter in a band
Designer, architect, teacher, and learner Dan Taeyoung on growing a cooperative like you’d grow a garden
Musician Holly Herndon on collaborating with machines and humans
Festival director Moni Saldaña on letting your work speak for itself
Writer Juliet Escoria on writing as a way to break up routine
Songwriter and filmmaker Luke Dick on telling stories in a variety of different formats
Music supervisor Lynn Fainchtein on starting by accident and learning on the run
Artist Asif Mian on subverting trauma
Musician Bill Callahan on letting yourself be known
Writer Tommy Pico on not wasting any time
Author and art consultant Beth Pickens on finding funding for artists, but why money won’t save you
Singer and artist Steve Ignorant on creativity, survival, and what success looks like
Writer Carin Besser on composing lyrics for the National
Interaction studio Hyphen-Labs on bringing the future into the present through radical collaboration
Writer Anna Moschovakis on writing your way towards the unknown
Filmmaker Matthew Puccini on being honest about what you are doing and why you are doing it
Poet and artist Robert Glück on authenticity and community
Musician Tashi Wada on honoring a family’s artistic legacy
Poet Shiv Kotecha on the complicated relationship between romantic love and writing
Cinematographer Kirsten Johnson on discovering new ways to see
Musician Tom Warrior on channeling your emotions into art
Visual artist Jane Chang Mi on being surrounded by water
Singer and voice teacher Daisy Press on how to sound like yourself
Series:
Art World Conference
Filmmaker and musician Hannah Lew on figuring out how to do whatever you want
Artist and performer Lindsay Dye on making art through subversion
Visual artist Jesse Draxler on the liberation of working with strict limitations
Thou’s Bryan Funck on criticizing your scene and respecting your limits
Filmmaker Carlen May-Mann on the value of thinking on your feet
Guide:
How to embrace mistakes without romanticizing failure (A guide by Juliana Castro)
Essay:
Ioanna Gika on what she has learned so far from being a professional musician
PDF:
Worksheet: On using the internet mindfully
The Creative Independent
Writer Fiona Alison Duncan on experimenting with togetherness
Composer and pianist Masakatsu Takagi on communicating with nature through your art
Guide:
A smart artist’s guide to income taxes (A guide by Katherine Pomerantz)
Emily Ebba Reynolds and Nando Alvarez-Perez on starting an art and education project in a Rust Belt city
Musician Manuel Gagneux of Zeal & Ardor on rejecting the idea of cultural appropriation
Writer Leila Taylor on subculture as a creative force
Filmmaker Frédéric Tcheng on the detective work of making documentary films
Visual artist Julia Sinelnikova on creating immersive work
Writer Kevin Killian on being unlikeable in your work
PDF:
On finding your voice
The Creative Independent
Musician Fusilier on starting out and making a name for yourself
Essay:
Writer Michael Carroll on doing it in public
Painter Kimia Ferdowsi Kline on being both a curator and an artist
Musician Suzanne Vega on doing whatever it takes to get the song done
Musician Bradford Cox on working with whatever happens to be around you
Essay:
On what it takes to sustain a creative life financially
Actor and filmmaker Max Martini on the value of being resourceful
Writer Anna Della Subin on the importance of being idle
Visual artist Cory Arcangel on making work in new surroundings
Guide:
How to archive your work digitally (A guide by Cedar Pasori)
Guide:
How to archive your work digitally (A guide by Cedar Pasori)
Visual artist Lars Jan on knowing when to pause
Essay:
On finding certainty in an uncertain field
PDF:
El Caracol (Spanish)
The Creative Independent
PDF:
El Caracol (English)
The Creative Independent
Philosopher and digital artist Mat Dryhurst on redesigning the system
Visual artists Andrew Zebulon and Kristen Wintercheck on letting your materials guide you
Filmmaker Laura Parnes on improvisation and deep collaboration
Visual artist and writer Verónica Gerber Bicecci on not underestimating your audience
Essay:
Four people helped me write this essay
Essay:
I am not the next big thing: on creativity and aging
Musician Draco Rosa on creativity as a path to resurrection
Musician Mirah on growing along with your creative practice
Writer Erica Jong on creating without fear
Musician Sarah Louise on music as a healing spiritual practice
Visual artist María Magdalena Campos-Pons on letting the world be your studio
Essay:
The spiritual hunt
Poet Matthew Rohrer on challenging your own process
Curator Ceci Moss on why you should start your own unconventional art space
Buke and Gase on the value of starting over
Mixologist Arley Marks on never making the same thing twice
Writer Jessica Hopper on the value of good music journalism
Essay:
A reading life
Cartoonist Julie Doucet on the compulsion to create
Musician and producer Juan Mendez on choosing a healthy path
Visual artist Ash Ghazali on the challenges and joys of being an artist
Guide:
How to make a website for your creative work (A guide by Jason Huff)
Journalist Nick Quah on getting good by not letting yourself be bad
Visual artist Jess Scott on making work to feel seen
Musician Joan Baez on art, activism, and letting things go
Essay:
Confessions of a failed artist
Musician and artist Kelman Duran on fighting against your own apathy
Series:
Conditions
Essay:
2019 Worksheet: Synchronicity
Weekend:
Drawing is the best videogame by Jeffrey Alan Scudder
Approach:
Year End: On growing my spiral Collected by Hannah Street Elliott
Approach:
Year End: On collaborating with the universe Collected by Willa Koerner
Approach:
Year End: On what kept me going Collected by T. Cole Rachel
Approach:
Year End: On rituals Collected by Brandon Stosuy
Ken Nwadiogbu on becoming an artist
Woodworker Alexandra Climent on discovering your process
Artist Raquel André on working with people as your medium
Musician David Bazan on building a system that works for your creative life (and your kids)
Musician Emily A. Sprague on being guided by intuition
Film editor Ann Collins on finding the beginning, middle, and the end
Musician Justin Tranter on being a professional songwriter
Musician Rosanne Cash on trusting your process
Guide:
How to think differently about doing good as a creative person (A guide by Omayeli Arenyeka)
Writer Jason Reynolds on being human in your work
Musician and producer Randall Dunn on knowing when the time is right
Comedian Jake Weisman on what it means to work hard
Musician Tom Krell on bouncing back and moving forward
Ceramicist Sonia Rose McCall on turning your hobby into a business
Photographer and publisher Sidney Felsen on building life-long relationships
Publishers and DJs Barbie Bertisch and Paul Raffaele on running your own fanzine
Filmmaker Marina Katz on taking time to figure out your path
Visual artists Quintessa Matranga and Rafael Delacruz on opening galleries and sharing spaces
Musician Jason Pierce on taking your time
Journalist Geeta Dayal on writing as an optimistic act
Zach Baron on writing as work
Musician Qais Essar on rejecting schedules
Essay:
On how to be a creative person with a job
Writer Bud Smith on staying open in the present moment
Essay:
The Empathy Economy by Damian Bradfield
Music writer and A&R Rep Tyler Andere on turning your curiosity into a career
Perfumer Anne Serrano-McClain on working with scents
Guide:
How to make a zine (A guide by Rona Akbari)
Visual artist and curator Mark Cross on working with your neighborhood
Writer Heike Geissler on letting the world into your work
Journalist Jeff Weiss on standing up for your work and your community
Visual artist Marilyn Minter on listening to your inner voice
Writer, teacher, and activist Sarah Schulman on writing as an impulsive act
Essay:
Musician Jordan Lee on the power of a collaborative community
Author Eugene Thacker on the horrors of being human
Guide:
How to stay sane and healthy while making a film (A guide by Joshua Sanchez)
Filmmakers Amelia Trask and Sasha Hecht on learning how to make a film as you make it
Essay:
The Hole
Artist, activist, and poet Reverend Houston Cypress on activism as a creative form of healing
Series:
Creative Time
Street artist and curator Hugo Gyrl on creating affirmative messages in public art
Filmmaker and composer John Carpenter on not overanalyzing your own work
PDF:
How do you use the internet mindfully?
The Creative Independent
Musician Neneh Cherry on addressing politics in your art
Poet Andrew Weatherhead on hijacking language
Writer Eileen Myles on assembling a collection of poems
Playwright Branden Jacobs-Jenkins on the community of theater
Writer Ben Marcus on the value of solitude
Guide:
How to write a book proposal (A guide by Joanna Ebenstein)
PDF:
On dealing with creative anxiety
The Creative Independent
PDF:
On making a living as an artist
The Creative Independent
Filmmaker Naomi Uman on making yourself vulnerable in your work
Guide:
How to write an artist statement (A guide by Sarah Hotchkiss)
Visual artist Chris E. Vargas on writing your own history
Photographer Kelia Ann MacCluskey on letting your aesthetic lead the way
Choreographer Bebe Miller on allowing your creative process to age along with you
Musicians Kim Gordon and Bill Nace on collaboration
Writer Kat Gardiner on getting your work out into the world
Writer Megan Boyle on on documenting your entire life in your creative work
Artist and curator Alex Paik on the importance of artist-run spaces
Fashion designers Mike Eckhaus and Zoe Latta on working together
Musician Kevin Shields on finding the soul of a song
Filmmaker Sean Baker on not giving up
Guide:
An artist’s guide to copyrights (A guide by Laura Levin-Dando)
Writer Stephanie LaCava on starting your own small press
Guide:
How to start a new business (A guide by Kelly Bethke)
Black Belt Eagle Scout on embracing the power of your own identity
Musician Jill Sobule on reconfiguring what success means
Writer Sophie Saint Thomas on putting in the work
Musician and producer Lotic on starting from scratch
Essay:
Sand in the gears
Web developer Tara Vancil on exploring how to be online in radical ways
Essay:
A charming conversation between you, a computer, and me
Writer Daniel Alarcón on the liberation of starting over
Guide:
How to put yourself online (A guide by Darcie Wilder)
Visual artist Laëtitia Badaut Haussmann on maintaining focus
Writer and historian David Wondrich on inventing your own job
PDF:
Hyperobjects for Artists
Laura Copelin, Peyton Gardner and Timothy Morton
Digital artist Alex Czetwertynski on harnessing the creative potential of technology
Filmmaker Aaron Bradbury on technology as an evolving medium
Artist and chef Amanny Ahmad on the politics of working with food
Performance duo FlucT on using your body to tell stories
Poet Dorothea Lasky on poetry as a spiritual obligation
Origins: Melissa Auf der Maur on learning to grow a cultural space from scratch
Chelsea Hodson on writing alone and with the help of friends
Art & culture attaché Ingrid Moe on connecting people
Music lawyer Kelly Vallon on the creativity involved in her work
Guide:
How to turn your art practice into a business (A guide by Carissa Potter)
Musician Jen Cloher on creating a sustainable practice
Editor Chris Lehmann on being a journalist in 2018
Essay:
On building knowledge networks
Musician and visual artist Casey Spooner on working every angle
Writer and curator Jeanne Graff on enjoying the process and not worrying about the outcome
Curators Matt Harkins and Viviana Olen on making a curatorial project sustainable
Essay:
How to make research-driven art
Visual artist Ebony G. Patterson on understanding what an education can and can’t do for you
Visual artist Alexander Heir on learning the things they don’t teach you in school
Actor and director Josephine Decker on filmmaking as a collaborative act
Rapper and filmmaker Boots Riley on the back-and-forth necessary for a healthy collaboration
Choreographer Allison Orr on collaborating with strangers
Guide:
How to join forces with a creative collaborator (A guide by Shannon Byrne)
Musician Miho Hatori on collaboration and memory
Series:
Basilica SoundScape
Writer Katrine Øgaard Jensen on juggling multiple writing practices
Illustrator Christoph Niemann on meeting the needs of your client
Chef Atsushi Numata on keeping business interesting
Journalist Alex Frank on writing, reading, and always making your deadline
Musician Courtney Barnett on telling your own story
Composer Paola Prestini on creating your own space and setting your own metrics for success
Guide:
How to make a tabletop game (A guide by Adi Slepack)
Gallery Director Ken Tan on the business of being an artist
Creative Director Piera Gelardi on not being afraid of a blank slate
Writer Nina Renata Aron on writing what you know
Grade:
📞 Call or text (814) RL-SNAIL 📞
Writer Mayukh Sen on grief as a creative force
Comedian John Early on learning how to calm the fuck down
Ottessa Moshfegh on writing as a rite of passage
Guitarist Mary Halvorson on how to stay balanced and sharp when you’re too busy
Writer and editor Jazmine Hughes on learning to write professionally
Essay:
On observing time
Visual artist Ursula von Rydingsvard on how your career evolves over time
Series:
USA Fellows
Vocalist and songwriter Somi on trusting your own voice and making your own model
Ryan McNamara on choosing to be an artist
Lizzi Bougatsos on what it means to identify as an artist
Designer Camille Baudelaire on embracing new trends and technologies in your work
Origins: Alex Hague and Fred Benenson on turning an idea for a game into a game
Artist Nic Annette Miller on copyright law, plagiarism, and the imagination
Designer Emily Fischer on finding a path that makes you happy
Guide:
A guide to working with clients (A guide by HAWRAF)
Hua Hsu on finding the time, space, and voice you need to write
Origins: Entrepreneurs Nadine and Tom Michelberger on approaching all of your work with the same creative spirit
Origins: Justin Vernon on the power of cooperation
Origins: Musicians Aaron and Bryce Dessner on forging new spaces for sharing creative work
Series:
PEOPLE
Musician Amen Dunes on focusing your approach
Writer Geoff Dyer on being open to possibilities
Essay:
A harm-reduction guide to using your phone less
Visual artist Jillian Mayer on becoming an organized adult
Producer and curator Ladyfag on conjuring the ideal creative space
Visual artist Benjamin Kress on when your freelance gigs and creative vocation are almost the same
Guide:
How to sell your own artwork (A guide by RJ Supa)
Ally-Jane Grossan on financial planning for creative people
Grade:
Announcing a study on the financial state of visual artists today
Tabletop Game Designer D Vincent Baker on doing what you love full-time
Origins: How to turn your creative outlet into an actual career – An interview with Ovenly’s Agatha Kulaga
Lawyer and playwright Mary Kathryn Nagle on working two full-time jobs without burning out
Writer Shea Serrano on the importance of doing your research
Photographer Catherine Opie on when to put your work first
Visual artist Pedro Reyes on fighting the cop in your head
Writer Barbara Browning on establishing conditions of possibility
Guide:
How to ask for what you need (A guide by The Void Academy)
Visual artist Takashi Murakami on struggling to do your best
Musician and Visual Artist Grouper on finding common experiences that are otherwise impossible
Artist and filmmaker Narcissister on finding the right vehicle
Yogurt entrepreneur Siggi Hilmarsson on sticking to your principles
Chef Brooks Headley on how running a restaurant is like being in a band
Guide:
A creative person’s guide to thoughtful promotion (A guide by Kathryn Jaller)
Author Sheila Heti on being vulnerable in your work
Approach:
Theme: Putting your work out there Collected by Team TCI
Essay:
My website is a shifting house next to a river of knowledge. What could yours be?
Artist Sean Raspet on making things nobody asked for
Visual artist Petra Cortright on having the confidence to create anything you want
Space Cooperative co-founder Yalda Mousavinia on risking everything to follow your dreams
Engineer and designer Francis Tseng on discovering new worlds and navigating new paths
Series:
Rhizome Seven on Seven
Writer and Historian Elizabeth Catte on writing history in the present tense
Writer Sierra Teller Ornelas on giving yourself permission to suck
Visual artist and writer Elise Peterson on navigating human truth
Musician U.S. Girls on leading with love
Grade:
TCI returns to São Miguel
Photographer Pauliana Valente Pimentel on using your work as a way of seeing
Writer Nuno Costa Santos on what it means to be an Azorean artist
Writer Douglas A. Martin on letting your work tell you what it wants to be
Guide:
How to apply for grants (A guide by Marianna Schaffer)
Writer Claire L. Evans on spreading your work across your life
Visual artist Alfredo Salazar-Caro on learning the right things at the right time
Musician and radio host David Garland on being curious and engaging with the intelligence of your medium
January Hunt on connecting your work to something bigger
Grade:
Mind Map: Andrew Kuo
Essay:
Before code, beyond speech
Tamara McCaw & Emma Enderby on never taking no for an answer
Max Posner on the wonderful problem of making theater
Katrina Johnston-Zimmerman on building feminist cities
Nikki Sixx on not getting stuck
Guide:
How to make a book (A guide by Naomi Huffman)
Ricarda Messner on the importance of energy and enthusiasm
Billy Corgan on the questions all artists should ask themselves
Essay:
What to watch to keep believing in yourself
Eliza Hittman on making art powered by youth
Nathaniel Mellors on pushing in different directions
Andrew Ahn on imposter syndrome
Bryce Wilner on random text fragments contained inside your keyboard
Nicholas O’Brien on slowing down and nurturing your friendships
Grade:
Are.na ✶✶ TCI: How do you use the internet mindfully?
Essay:
On how to grow an idea
Essay:
A drop of love in the cloud
Series:
Are.na
J Jennifer Espinoza on the shared experience of poetry
Viv Albertine on facing yourself on the page
Ryan Wallace on what it means to be a working artist
Julian Casablancas on being your own biggest hater
Peer Review: Claudio Sodi interviews Sarah Lewis
Peer Review: Sarah Lewis interviews Claudio Sodi
Sara Magenheimer on breaking the house
Guide:
How to start a podcast (A guide by Sean J Patrick Carney)
Justin Strauss on sticking with it
Matthew Yokobosky on how to design an exhibition
Christelle Kocher on never having time to be stuck
Alicia Bognanno on managing your creative time
David Ostrowski on rejecting professionalism
Katherine Faw on not multitasking
Adam Gopnik on collecting memories
Richard Renaldi on knowing when to put down the camera
Sarah Nicole Prickett on taking the long road
Guide:
How to be included on Wikipedia (A guide by Amber Berson)
Alice Sheppard on expectation and transformation
Terrifying Jellyfish on making games out of food
Joe Hagan on writing a biography
Guide:
An artist’s guide to financial planning (A guide by Lewis Weil)
Bennett Foddy on the pitfalls of perfectionism
Laure Flammarion on redefining what it means to be an artist and a curator
Molly Soda on making art from your online history
Sahra Motalebi on working without a map
Ute Lemper on the responsibility that comes with being an artist
LaTurbo Avedon on identity and immateriality
MGMT on following your instincts
Series:
Pioneer Works
Dustin Yellin on building new systems
Regine Basha on curating, zig-zagging, and taking time to reflect
Toni Dove on technology as subject matter
Approach:
On place Collected by Samantha Ayson
Artist and textile researcher Shinichiro Yoshida on being guided by curiosity
Hermione Hoby on writing as an act of generosity
Fashion designer Christian Joy on learning as you go along
Isaac Mizrahi on unapologetically pursuing your interests
Ty Segall on throwing all your old ideas out the window
Guide:
Practical advice for new musicians (A guide by Katie Alice Greer)
Mira Hunter on the practical side of making art
Peter Burr on engaging honestly with the world
Guide:
How to work with galleries and collectors as an emerging artist (A guide by Patton Hindle)
Chim↑Pom on working as a collective
Judah Friedlander on maintaining creative control
Chris Wu and Prem Krishnamurthy on design as an ongoing conversation
Caroline Sinders on how talking to people improves your work
Holly Blakey on believing in yourself
Stuart Murdoch on the power of empathy
Shanna Merola and Kate Levy on involving other people in your work
John Keene on writing from the inside out
Yolonda Ross on being observant
Dean Wareham on knowing when to take a break
Peer Review: Delia Gonzalez interviews Eli Sudbrack
Peer Review: Eli Sudbrack interviews Delia Gonzalez
Peter Vack on moving from one side of the camera to the other
Paul Rucker on going wherever your work takes you
Approach:
Year End: On 15 People We Interviewed in 2017 Who Created Some of My Favorite Work in 2017 Collected by Brandon Stosuy
Approach:
Year End: On the manifestation of new creative spaces Collected by Willa Köerner
Approach:
Year End: On the interviews that helped me keep moving Collected by T. Cole Rachel
Approach:
Year End: On worldbuilding Collected by Elliott Cost
Approach:
Year End: On interviews that helped me grow Collected by Hannah Street Elliott
Erik Sutch on making time for your creative projects
Cecile Schott on being self-sufficient and the benefits of bird watching
Kelani Nichole on pioneering a new type of gallery
Scott McClanahan on making your own place as a writer
Genesis P-Orridge on destroying preconceptions
Prageeta Sharma on writing through grief
Björk on creativity as an ongoing experiment
Rabit on standing up for your work
Sruthi Pinnamaneni on telling stories on the radio
Daniel Rossen on how to be in a band
Chris Moukarbel on making documentaries
Lushlife on doing more than one thing at a time
Cat Frazier on rebelling against “good design”
Simon Raymonde on perseverance
Joseph O. Legaspi on living the life of a poet
Martin Roth on collaborating with nature
Sean J Patrick Carney on starting a podcast
Richard Hell on collaboration
Emily Haines on commitment
Grade:
Thanks
Weekend:
credits
Drew Droege on writing your own material
Dan Bejar on having no process
Scott Esposito on finding your method
Madalyn Merkey on sound as material
Sharon Van Etten on revisiting your sad songs when you’re happy
Glenn Kaino on reconsidering the everyday
Jonathan Gonzalez on the benefits of documenting your work
Patty Schemel on how to tell your life story
Amy Touchette on using photography to figure out the world
Mandy Kahn on respecting process
Natasha Stagg on practical thinking
Andrew Savage on keeping things fresh
Dave Hartley on how to balance your personal project with the one that pays the bills
Circuit des Yeux on finding your true self through your work
Carmen Villain on being resourceful
Charles Broskoski on self-discovery that happens upon revisiting things you’ve accumulated over time
Zackary Drucker on documenting your life in your work
Jim Findlay on the creative fuel of problem-solving
Addie Wagenknecht on finding happiness and giving zero fucks
Stephen O’Malley on collaboration as exploration
Betty Buckley on understanding your creative path
LAZY MOM on creating your own opportunities
Jonas Mekas on documenting your life
Chelsea Wolfe on not being afraid to take risks
HAWRAF on being transparent about your process
Christopher Y. Lew on curating
Rachel Hecker on working with whatever is around you
Gerald Busby on mentorship
Greg Fox on doing things on your own
Anthony Urrea on finding your subject
David Lowery on finding inspiration where you grew up
Grade:
One Year
Peer Review: Marco Kane Braunschweiler interviews Nora Khan
Peer Review: Nora Khan interviews Marco Kane Braunschweiler
Kianí Del Valle on being a multi-disciplinary dancer
Amanda Lepore on becoming what you want to be
Alex Cameron on being an unreliable narrator
Miguel Arteta on learning how to run a movie set
Pika☆ on being true to yourself
Sarah Cracknell on how to be in the same band for 25 years and still enjoy it
Mark Dorf on sincerity, balance, and the internet
Brandon Flowers on ambition
Ben Sinclair on second guessing yourself
Trenton Doyle Hancock on organizing your ideas and taking risks
Kristen Radtke on publishing your first book
Paul Ramírez Jonas on making work that interacts with the world
Jason Gnewikow on changing lanes
Tori Amos on listening to your muses
Weekend:
TCI Year One
Weekend:
A Selection from a Hypothetically Expansive Collection of Fictional Outfits Based on Real Garments
Ben Lotan and Tara Shi on creating a new community
Tao Lin on why he writes
Tamara Shopsin on the importance of publicity for books
Nadya Tolokonnikova on political art
Chris Kraus on figuring out your process
Morehshin Allahyari on making art that you don’t want to sell
Matthew Zapruder on how to write and read poems
Rickie Lee Jones on finding the right environment to make music
Sue de Beer on discovering new ways to get art made
Bill “Blinky” Sellanga on the challenge of making something entirely new
Lucy Bellwood on the pros and cons of being an independent creator
Neil Halstead on revisiting your creative past
Grade:
Weekend Artist: Natalia Panzer
Kay Rosen on making art out of language
Alice Cooper on the power of persona
Jeanine Oleson on the pleasure of making things
Emel Mathlouthi and Victoria Ruiz on using music to protest
Allen Frame on following your curiosity
Essay:
mindset
Beach House on creating your own world
Olivia Bee on finding the right balance
Approach:
On social media as a creative tool Collected by Charlotte Zoller
Christopher Bollen on what it takes to write novels
Approach:
On social media as a creative block Collected by Charlotte Zoller
Kinlaw on trying something every single day
Christian Scott on making your own rules
Approach:
On maintaining momentum Collected by Brandon Stosuy
Jim Jarmusch on not wasting time
Rutherford Chang on the art of collection
Grade:
Some Things: Brandon Stosuy
Kaari Upson on maintaining a sense of urgency
Michael McDonald on keeping things in perspective
Weekend:
Pele’s Paint Pot
Weekend:
Everlasting Place
Morton Subotnick on making your own creative tools
Luna Maurer on being a designer
Josh Fadem on putting in the time
Weyes Blood on the difficulty of making work that is distinctly your own
Grade:
Weekend Artist: Michelle Lin
Isaac Julien on the changing nature of creative work
Dicko Chan on sharing your work on social media
Liz Pelly on redefining the language of D.I.Y.
Vera Marmelo on keeping your day job
Erin Jane Nelson on welcoming conflicting influences
Rafael Carvalho on keeping your own culture alive
Lisa Yuskavage on trusting your creative instincts
Grade:
Some Things: Charlotte Zoller
Grade:
Saudações de Ponta Delgada
Grade:
Greetings from Ponta Delgada
Catarina Branco on finding the perfect medium for your work
Gregg Turkington on what he learned from punk rock
Future Islands on not being an overnight success
Maaza Mengiste on defeating the sophomore slump
Approach:
On the freedom to have fun Collected by Maura M. Lynch
Sufjan Stevens on songwriting, collaboration, and the myth of the tortured artist
Bette Gordon on dealing with the realities of filmmaking
Derek DelGaudio on the meaning of magic
Approach:
On spirals Collected by Laurel Schwulst
Taeyoon Choi on drawing, teaching, disability, and the difference between work and project
Nina Katchadourian on working with what you’re already noticing
Taika Waititi on the comedic process
Thomas Mars on being committed to your art
Patricia Voulgaris on making the best of what you have
Weekend:
Caraway Clothes
Saeed Taji Farouky on finding your story
Rusty Lazer on finding inspiration in your surroundings
Mark Duplass on helping other people make things
Beth Ditto on recognizing your own talents
Grade:
Weekend Artist: Erin Jane Nelson
Grade:
Monthly Weekend Artists
Josette Melchor on creating something that’s bigger than you
Hannibal Buress on just trying to be funny
Clifford Owens on writing your own history
Weekend:
Type Specimens
Weekend:
Timepeace
Weekend:
Still Life Live
Weekend:
Species Live
Weekend:
Shoes, Steaming, Coat Hangers, Wardrobe, Shoes, Shoes by Natalia Panzer
Weekend:
Psychopompopolis
Weekend:
%3 by Natalia Panzer
Weekend:
Natalia’s Favorite Clothes
Ellen Van Dusen on running your own business
Faye Orlove on creating a nonprofit art space
Conor Oberst on the compulsion to create
Approach:
On the magic of patience Collected by Willa Köerner
Ana Lily Amirpour on summoning the passion necessary for making a movie
Eric Wareheim on working with people you love and trust
Danny L Harle on making pop music
Aubrey Plaza on taking control
Approach:
On multiple lives and multiple worlds Collected by Noah Kardos-Fein
Karen Elson on being a professional multihyphenate
Francisco Cordero-Oceguera on art and friendship
Waxahatchee on taking your time
Eric Cunha on making art with computers
Tonstartssbandht on learning to do things yourself
Weekend:
Solar Snail
Ido Fluk on learning how to navigate the system
Fashion designer Zaldy on adaptability
Alisa Weilerstein on what it means to be a classical musician
Approach:
On being economical Collected by Brandon Stosuy
Joe Goddard on getting lost in your work
Rafaël Rozendaal on streamlining your process
Eliot Glazer on winging it
Sadie Dupuis on writing poetry
Wayne Koestenbaum on finding freedom in form
Grade:
7-inches for Planned Parenthood
Approach:
On daily time Collected by T. Cole Rachel
Perfume Genius on being honest
Colin Self on constructing your own community
Stephen Cone on working outside the system
Grant Singer on making music videos
Diamanda Galás on making difficult work
Approach:
On text as collage Collected by Laurel Schwulst
Albert Goldbarth on defying genre
merritt k on changing your path
Weekend:
Music and the Mind of the World by Tony Conrad
Yoshua Okón on the difference between activism and art
Michael Stipe on having multiple creative lives
John Sharian on being efficient
Alex Da Corte on scaling your art
Aimee Mann on writing sad songs
Jacqueline Novak on giving a voice to your depression
Grade:
Some Things: Laurel Schwulst
Phil Elverum on creating art from grief
Adam Curtis on the dangers of self-expression
Jason Williamson on making political music
Farha (thebootydiaries) on building a popular Tumblr
Ian Svenonius on what he’s learned from rock and roll
Becca Kauffman on becoming your own muse
Tony Matelli on the power of objects
Tegan and Sara on being honest with your collaborator
Pharmakon on not selling yourself
Kate Zambreno on writing the impossible book
Grade:
Note on photos
Grade:
Nota sobre las fotos
Interview: Tania Pérez Córdova (On titles, obstructions, in-betweens, layers, voids, chance, and not knowing)
Tatiana Lipkes on poetry and process
Oa4s on how collaboration can make you braver
Pablo Martínez on starting your own festival
Grade:
The Snail
Grade:
El Caracol
Gaby Cepeda on what it means to be a curator
Wane One on making money from what you love
Spencer Tweedy on doing your own thing
TM Davy on being a painter
Roni Horn on politics in art
Daniel Arnold on the ethics of street photography
Weekend:
Park Zoom
Weekend:
Library Launch
Weekend:
Jetty Viewer
Brad Callahan on the perils of practicality
Jennifer Herrema on making stuff and never giving a fuck
Danez Smith on poems as conversations
Katie Alice Greer on why all art is political
Julien Baker on learning to articulate joy
Gillian Robespierre on getting a movie made
Tamara Yajia on having a day job
Brooke Van Poppelen on being funny for a living
George Clarke on slowing down
Terence Nance on getting past the gatekeepers
Weekend:
Doomsday Clock
Garrard Conley on how to write about your real life
Sarah DeLappe on having a play staged for the first time
Mitski on learning how things work
Grade:
Some Things: Hannah Street Elliott
Alison Goldfrapp on paying attention to detail
Caroline Polachek on making work that’s useful
Neil Goldberg on process and performance
Cindy Wilson on creating the world you want to be in
Brontez Purnell on doing as much as possible
M. Lamar on being your own genre
Lynne Tillman on what it actually means to be a writer
Thor Harris on self-sufficiency
Meredith Danluck on making your first narrative film
Travis Millard on putting your work out into the world
Kameelah Janan Rasheed on research and archiving
David Byrne on not being afraid to fail
Aparna Nancherla on being more than just funny
Cass McCombs on songwriting
Weekend:
Life’s A Beach And Then You Dive by Jaakko Pallasvuo
Grade:
Year-End Note
Interview: Maggie Nelson (The writer and poet on giving advice, life/art bleed, being labelled a “genius,” and the hard work of finding a form.)
Jenny Hval on deep collaboration
Chloë Sevigny on figuring things out as you go along
Weekend:
What are you? What are you? What are you? by Sara Knox Hunter
John Cale on revisiting your work
Pacifico Silano on making art out of porn
Angel Olsen on controlling your image
Stephanie Danler on having your first book blow up
Kenya (Robinson) on creating your own opportunities
Weekend:
Art After Trump
Essay:
The Paradox of Life Affirming Death Traps
Darcie Wilder on finding your voice online
Conner Habib on changing the way we think (about everything)
Nicolas Jaar on chasing a creative high
Weekend:
Cat’s Dream
Sloane Crosley on side projects
Grade:
DIY Spaces
Alex Ross Perry on making due with what you have
Polly Stenham on the dangers of vanity
Adam Fitzgerald on what it means to write poetry in 2016
Hak on trying to do everything
Weekend:
The Creative Blur
Roxane Gay on the importance of storytelling
Kelley Deal on having multiple creative outlets
Ann Magnuson on documenting yourself
Morgan Parker on poetry and the everyday
Grade:
Thanksgiving
Ari Marcopoulos on establishing a personal aesthetic
Weekend:
Year by Damon Zucconi
Jana Hunter on figuring yourself out
Samuel R. Delany on getting an education
Weekend:
Meg Heim reads Snails by Francis Ponge
Christopher Shinn on the ephemeral pleasures of theater
Mykki Blanco on trusting your own talent
Adam J. Kurtz on being positive
Deantoni Parks on learning to be expansive
Laurie Anderson on reality and non-reality
Weekend:
Introducing Myself by Ursula K. Le Guin
Ragnar Kjartansson on finding the right kind of ambition
Brit Bennett on the emotional complexity of fiction
Justin Vivian Bond on politics and performance
Shepard Fairey on political art
Vernon Chatman on staying true to your stupid ideas
Weekend:
Dennis Cooper reads Franz Kafka
Amy Rose Spiegel on sexual inclusivity
Edmund White on writing about gay sex
Mychal Denzel Smith on committing to difficult work
Kimberly Drew on being accountable to yourself and to others
Pedro Reyes on the horror of contemporary politics
Weekend:
Sara Magenheimer
Grade:
Notes on our first haunting
Jim Hosking on the uncomfortable intimacy of filmmaking
Matt Berninger on patience
Cecilia Dean on curation as a creative act
Shantell Martin on finding self in drawing
Mira Gonzalez on being labelled
Weekend:
Agatha
Bret Easton Ellis on not writing novels
Stevie Nicks on the importance of being a romantic
Zia Anger on why moving images are more important than words
Dennis Cooper on writing as sculpture
Amber Tamblyn on being both an actress and a poet
Weekend:
Karim 2
Grade:
Spiral
Jackie Beat on being more than people want
Shirley Manson on the power of melancholy
Melissa Broder on the difference between poetry and Twitter
Ryan Heffington on showing non-dancers they can dance
Anohni on art, corporations, and the music industry
Weekend:
T. Cole Rachel
Matthew Barney on Idaho
Grade:
Notes on our first weekend
Ian MacKaye and Brandon Stosuy on independence, creativity, and The Creative Independent
Joanna Ebenstein on the pleasures of morbidity
Leiomy Maldonado on the culture of vogue
Weekend:
Qiong Li
Grade:
Notes on launch
El director creativo y educador Josué Rivas se refirió a la sanación de su niño interior a través de su trabajo
Sobre cómo estar cómodo en una tierra de nadie creativa
회사 소개
Sobre usar la música para canalizar tus emociones y entender de dónde vienes
Alice Cooper sur la force d’un personnage
Dejar que tu trabajo hable por sí mismo
Daniel Alarcón habla sobre la liberación de empezar de nuevo
コラボレーションと人の記憶について
Illustrator Christoph Niemann über den Umgang mit Kunden
Natalia Almada en sobre cómo seguir adelante con tu visión
Camille Baudelaire, graphiste, revient sur comment ouvrir la porte aux nouvelles tendances et aux technologies dans votre travail
El Artista Visual Pedro Reyes habla sobre cómo combatir al policía en tu cabeza
村上隆が語る、悪戦苦闘しながらベストを尽くすこと
Fotógrafa Paulina Valente Pimentel sobre usar o seu trabalho como uma forma de ver
Escritor Nuno Costa Santos sobre o que significa ser um artista açoriano
Ricarda Messner über Energie und Enthusiasmus
Bryce Wilner : Sur les fragments de texte aléatoires qui se cachent dans votre clavier
完全な環境を作るには
Christelle Kocher : trop à faire pour se sentir bloquée
David Ostrowski über die Ablehnung des Professionalismus
Laure Flammarion sur les rôles de l’artiste et du commissaire d’exposition
吉田真一郎が語る好奇心への誘導について
Christian Joy habla sobre el aprendizaje a medida que avanzas
Christian Joy が語る、「取り組みながら学んでいく」ということ
Chim↑Pom の集団としてのあり方
Björk über Kreativität als ein andauerndes Experiment
Björk sur la créativité en tant que technique d’expérimentation continue
Björk habla sobre la creatividad como un experimento que continúa
坂本龍一が語る、年を重ねるごとの作品の変化とは
Anthony Urrea habla sobre lo que significa encontrar tu tema
Kianí Del Valle habla sobre lo que significa ser una bailarina multidisciplinaria.
Amanda Lepore habla sobre convertirte en lo que quieres ser
ピカが語る自分に正直に生きる事
Paul Ramírez Jonas habla sobre lo que significa hacer un trabajo que interactúa con el mundo.
Beach House sobre la creación de su propio mundo
Jim Jarmusch sur comment ne pas perdre son temps
Rafael Carvalho a manter a sua própria cultura viva
Catarina Branco em encontrar o meio perfeito para o seu trabalho
Sufjan Stevens über Songwriting, Kollaboration und den Mythos des „leidenden Künstlers“
Sufjan Stevens habla sobre la composición, la colaboración, y el mito del artista torturado
Sufjan Stevens sur la composition, la collaboration, et le mythe de l’artiste torturé
Thomas Mars habla sobre estar comprometido con tu arte
Thomas Mars sur l’engagement de l’artiste envers son œuvre
Francisco Cordero-Oceguera habla sobre el arte y la amistad
Yoshua Okón habla sobre la diferencia entre activismo y arte
Adam Curtisが語る、自己表現の危険性について
Adam Curtis über die Gefahr der Selbstdarstellung
Entrevista: Tania Pérez Córdova
Tatiana Lipkes habla sobre la poesía y su proceso
Oa4s habla sobre los beneficios de la colaboración
Pablo Martínez habla sobre fundar su propio festival
Gaby Cepeda habla sobre lo que significa ser curadora
Tamara Yajia habla sobre lo que significa tener un trabajo
David Byrne: Keine Angst, zu scheitern
David Byrne habla sobre no tener miedo de fallar
Chloe Sevignyが語る、やっていくにつれてわかること
Nicolas Jaar sur la poursuite d’un élan de créativité
Nicolas Jaar habla sobre perseguir un pico de creatividad
Laurie Anderson sur la réalité et la non-réalité
Laurie Andersonが語る、現実と非現実
Pedro Reyes habla sobre el horror de la política contemporánea
Stevie Nicks sur l’importance du romantique
Stevie Nicks habla sobre la importancia de ser una romántica
Stevie Nicks, die Romantikerin
Helado Negro habla sobre escoger la honestidad sobre la estrategia
Anohniが語る、芸術とビジネスと音楽業界
Matthew Barneyが語る、アイダホ州
Philip Glass sur comment maîtriser son œuvre et en vivre
Philip Glass habla sobre controlar tu producto y recibir ingresos por lo que haces
Philip Glass darüber, wie man die Kontrolle über seine Arbeit behält und dafür bezahlt wird
が語る、自然とテクノロジー
Björk revient sur la nature et la technologie
Björk habla sobre la naturaleza y la tecnología
The Dietrich School of Arts & Sciences Undergraduate Studies
Graduation in August 2022 only
For information regarding the opening ceremony, please contact the Special Events Office.
After registering for your summer courses or making changes to your program schedule, please wait 24 hours before applying for graduation. This allows the system to enter your correct information and ensure your application score is accurate. Access the Dietrich School August 2022 Graduation Application.
You should only apply if you have completed ALL coursework by the end of the 2022 summer semester.
If you have any questions, please email [email protected]. Applications are due no later than Friday, July 15.
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