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A teenager ended it all after a brief battle with a mental illness, according to school experts.
The name of this high school understudy wasn’t delivered to keep up with the respectability and quiet self-control of the universally plaintive family.
Murrah High School has been investigating near senior officials to speak out and observe the real factors contributing to this grim demise.
Account has been taken of the understudy leaving school grounds to finish it all off and the driving variables in the underlying hunt are evently absent.
Murrah High School student jumps off brge in 2022 A 15-year-old Murray High School understudy ended it all on February 16, 2022.
It was found that this 15-year-old, whose name and indivual details were not revealed in the course of the investigation, left the school grounds and arrived at the highway, jumping off the cliff and stopping life.
The incipient investigation is ongoing to look for the contributing elements in this self-destruction.
The mental state of this youthful soul was carefully examined to determine whether there were any signs of misery or precariousness.
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No further reports have been received since news of the self-destruct originally surfaced on the internet.
The school authorities and the guardians who realized that the left soul child had their monstrous deference.
Jackson is more concerned about #police checkpoints and “tackling crime” than the #mental health of our underserved youth in the Jackson community. Jackson Public Schools Superintendent Dr. Errick L. Greene today published the tragic death of a Jackson Murrah High School student pic.twitter.com/GvoTM8FWq0
β Leo Carney (@chefcarney) February 17, 2022
Jackson MS Local Suice News A teenager at Murray High School in Jackson, MS, has died, according to Dr. Erick L. Greene, superintendent of Murray High School and Jackson Public School, all ended.
The intricacies of the 15-year-old researcher are lacking at this point, but he’s received recognition and recognition for being a part of the school’s insightful brain.
School staff have encouraged students and guardians to address any mental health-related issues to protect their children’s lives beforehand.
Heartbreaking Jackson Ms 15 year old student, jumps off bridge after allegedly being bullied. πππ
Images related to the topicHeartbreaking Jackson Ms 15 year old student, jumps off bridge after allegedly being bullied. πππ
See some more details on the topic Murrah High School Student Jumps Off Bridge 2022, Jackson MS Local Committed Suicide here:
TEEN WALKS OUT OF CLASS & COMMITS SUICIDE IN JXN …
TEEN WALKS OUT OF CLASS & COMMITS SUICIDE IN JXN (Ep #204) 02/17/22 … Out Of Class At Murrah High School & Jumping To Her Death Off Of TheΒ …
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Date Published: 9/7/2021
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‘Murrah High School Student Jumps Off Brge 2022, Jackson MS Local Committed Suice’. showbizcorner.com. Murrah High School Student Jumps Off Brge 2022,Β …
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Date Published: 10/21/2021
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Young Drayke Andrew Hardman Obituary As His Devastated …
See comparative self destruction case: Murrah High School Student Jumps Off Brge 2022, Jackson MS Local Committed Suice.
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Date Published: 5/6/2021
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Notable Deaths in 2022 – CBS News
A high school dropout at 16, Barger grew up in Oakland and joined … to paint for the jury, Walter begged off, saying his shoulder hurt.
Source: www.cbsnews.com
Date Published: 10/25/2022
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Young Drayke Andrew Hardman Obituary As His Devastated Family Reveals What Happened With Him- Details Explored
Drayke Andrew Hardman, a young 12-year-old understudy from Tooele County, Utah, ended his own life after apparently facing titanic torment over the past year.
The deceased gullible soul’s guardians have encouraged the actual guardians of the Tooele County School to deal with any obvious signs of harassment and help finish the trains before things take a heinous turn.
tvguidetime.com
This horrific loss of the Hardman family is one of the many grievous consequences of the suppressed torture of young youth at school and on neighborhood grounds.
Drayke Andrew Hardman obituary details Drayke Andrew Hardman’s obituary report has revealed that he was dead on February 10, 2022.
He tried to end it all after intentionally missing a basketball match.
See comparative self-destruct case: Murrah High School Student Jumps Off Bridge 2022, Jackson MS Local Committed Suicide
He was never able to do that since, according to his people, he was a die-hard teenage lover of the Utah group.
He was tracked down by his parents and sister and taken to the nearby emergency clinic, but couldn’t make it.
Drayke’s passing has caused an uproar in the Utah People Group. They examine subtleties about why school boards fail to screen the wealth of their undergraduates and why harassment is rarely announced in early structures.
Drayke Andrew was a survivor of such normal torment at school and even had a physical fight with his domineering jerk a while back.
He came home with a bleak black eye and ruled out a fall injury.
Despite this, he would later secretly reveal to his sister that he had to save himself from a domineering jerk when a fight ensued and he suffered the injury he struck.
It is unforgiving to see molestation introduced into the cells of even the blameless and youthful minds at this early stage of their lives.
Examine More Obituary: Who Is Woodward’s Leon Ramirez Racing Star? His cause of death and obituary – what happened?
What happened to Drayke Andrew and how did he die? Drayke Andrew Hardman attempted suicide after being subjected to mental and physical torment at his school.
He died not long after being wheeled to the medical clinic after his sister tracked him down in critical condition.
After his death, great Utah basketball players have shown praise for Andrew’s left soul.
A gofundme mission to raise assets for Drayke’s funeral ceremonies surpassed $80,000 a day earlier.
Instead of flowers we will have a keepsake box so bring something to remind you of our boy, letter or a note. https://t.co/yNMnT1UlYT. Our boy with @rudygobert27 and @spidadmitchell at the All Star Game. Bring in some dunks for him. #DoItForDrayke #NBAAllStar β Andy Hardman (@AndyHardman12) February 16, 2022
Drayke Andrew’s Parents and Family Details Surfed Drayke Andrew Hardman lived in Tooele County with his father, Andrew Hardman, and his mother, Samie Hardman.
He had two different sisters whose names have not been revealed.
His sisters were the first to locate Drayke after quite a while, and after that he was rushed to the clinic offices as soon as possible.
Notable Deaths in 2022
Notable Sunday morning deaths in 2022
Larry Storch in the 1960s sitcom F Troop. | ABC Photo Archives/Disney General Entertainment Content via Getty Images A look back at the cherished personalities who left us this year and who touched us with their innovation, creativity and humanity. From CBSNews.com Senior Producer David Morgan. The Associated Press contributed to this gallery. Raised in New York City, class clown Larry Storch (January 8, 1923 β July 8, 2022) worked in the Catskills circuit, had numerous early television appearances, and managed to become an actor in films starring Tony Curtis, a fellow Navy veteran , whom Storch had encountered in the Marshall Islands during World War II. (Storch ended up starring in eight of Curtis’ films, including Who Was That Lady?, 40 Pounds of Trouble, Captain Newman, M.D., Sex and the Single Girl, and The Great Race, and in Curtis’ TV show The Persuaders.) But in his more than 300 television and film appearances, Storch’s best-known role was as Corporal Agarn in the TV comedy F Troop. Set in post-Civil War Army outpost Fort Courage, the western satire pitted the scheming Agarn and Sgt. O’Rourke (played by Forrest Tucker) against the clueless and clumsy Captain Parmenter (Ken Berry). Stork received an Emmy nomination for his performance as the slow-moving Agarn and for his numerous appearances as Agarn’s look-alikes – cousins ββof different nationalities, his cousin’s wife, his grandma. The show, which ran for two seasons, was hardly PC β its Native American characters, partners in O’Rourke’s and Agarn’s seedy shenanigans, were usually played by Borscht Belt comics rather than Native Americans β but it was riddled with slapstick, parody, and puns That made it enjoyable for kids in the ’60s and beyond, given the show’s long shelf life in reruns. Aside from 1953’s The Larry Storch Show (a summer stand-in for Jackie Gleason), his other early TV appearances were Your Show of Shows, Cavalcade of Stars, The Phil Silver Show, The Ed Sullivan . Show”, “Car 54, Where Are You?”, “Gilligan’s Island”, “Get Smart”, “I Dream of Jeannie” and “The Mothers-in Law”. He teamed again with Forrest Tucker on the Saturday morning series The Ghost Busters. His voice work has included Koko the Clown in a series of cartoons; Phineas J. Whoopee in “Tennessee Tuxedo”; and characters in “The Batman/Superman Hour”, “The Pink Panther Show”, “The Brady Kids”, “Lancelot Link: Secret Chimp”, “Groovie Goolies”, “Treasure Island”, “Sabrina the Teenage Witch”, ” Scooby-Doo and Scrappy-Doo”, “Foofur” and “Garfield and Friends”. His later films included The Monitors, Airport 1975, Without Warning, S.O.B. and A Fine Mess. Hour, All in the Family, Love, American Style, Columbo, Archie Bunker’s Place, Fantasy Island, CHiPS, Harper Valley P.T.A., The Love Boat, Married … With Children” and “Medium Rare.” He also played Chief Sitting Bull in the 2000 revival of “Annie Get Your Gun,” starring Reba McEntire. Other Broadway credits include “Porgy and Bess”, “Arsenic and Old Lace” and “Sly Fox”. And he continued to do standup well into his 90s.
James Caan Actor James Caan at the Los Angeles premiere of the film “Mercy” in 2010. | Chris Pizzello/AP “I’ve always fought to never be the same person again,” actor James Caan (March 26, 1940 β July 6, 2022) told CBS Sunday Morning in 2021. Be someone else for three months, you know?” Caan rarely repeated himself, and in his six-decade career in film and television he created larger-than-life personalities brimming with violence, bravery, humor and the occasional sentimentality. He was unforgettable in The Godfather ‘ as Sonny Corleone, the eldest son of a mafia boss who is not afraid to use his fists to enforce respect for the family – a trait that would lead to his character being gunned down in cold blood . Caan, a son of Jewish Immigrant, earned him an Oscar nomination for his superb performance as a hot-headed Italian mobster [whose swagger, he claimed, was copied from comedian Don Rickles’ rat-tat-tat talk] and would define the actor in the public imagination after that, but Godfather director Francis Ford Coppola already has Caan’s versatility in his earlier, quieter character drama Well put to good use in βThe Rain People,β which wasn’t about tollbooth shootings. Born in Queens, New York, Caan was a football player at Michigan State University when homesickness left him for Hofstra in New York. It was there that the acting bug struck when he was inducted into the Neighborhood Playhouse, the esteemed company co-founded by Sanford Meisner. “They took me straight away,” he said. “I was supposed to have three interviews, but I only had one.” He began landing roles on television where his physicality was an advantage: “Naked City”, “Route 66”, “The Untouchables”, “Combat!” and “The Alfred Hitchcock Hour”. He played a thief who terrorized a captive Olivia de Havilland in Lady in a Cage, and then was sidekick to John Wayne and Robert Mitchum in the western El Dorado. He starred in Countdown, T.R. Baskinβ and βRabbit, Runβ before he got his big break as Brian Piccolo, the Chicago Bears backback who had cancer, in the 1971 TV movie Brian’s Song. The drama, starring Billy Dee Williams as Piccolo’s teammate and best friend Gale Sayers, was one of the most-watched television movies of all time (36 million viewers tuned in) and garnered both actors Emmy nominations. With Brian’s Song and The Godfather, Caan became one of the most in-demand actors of the decade, starring in films like Cinderella Liberty, The Gambler, Freebie and the Bean, Rollerball, Funny Lady, “The Killer Elite”, “A Bridge Too Far”, “Comes a Horseman”, “Chapter Two”, “Hide in Plain Sight” and “Thief”. But fame took its toll. Caan’s behavior became erratic, he became addicted to drugs and fell into depression after the death of his sister from leukemia. He moved away from acting and made sporadic appearances (including in Coppola’s Gardens of Stone) while coaching his son’s Little League team. He returned in full force in Rob Reiner’s 1990 film adaptation of the Stephen King thriller Misery, starring Kathy Bates. He followed with projects spanning all genres: a historical musical (“For the Boys”), a romantic comedy (“Honeymoon in Vegas”), a sports drama (“The Program”), a crime thriller (“Flesh and Bone”) , a “Godfather” parody (“Mickey Blue Eyes”). There were action movies, Simpsons voiceovers, and Godfather video games. However, his greatest later success was a film he initially wanted nothing to do with, mostly because of its title.He explained that when comedian Will Ferrell asked him to star in a movie called “Elf,” Caan replied, “I can’t. I’ll do a movie called Elk, but I won’t…” Lucky Ferrell persuaded him to play an absent father who is reunited with Farrell’s “Elf” character.The Christmas classic introduced Caan to a new generation of viewers who have continued to star in a range of films, as well as the television series “Las Vegas” and guest-starring in “Hawaii Five-O” starred with his son Scott Ca n. When asked why he refused to take it easy in his 80s, Caan replied, “I can’t take it lightly. I like working, I love working with good people. I have more fun when I’m working and I’ve laughed a lot about it – and I get respect sometimes too!”
Cpl. Hershel “Woody” Williams Medal of Honor recipient Marine Cpl. Herschel “Woody” Williams. | CBS News After the Japanese attacked Pearl Harbor, Cpl. Hershel “Woody” Williams (October 2, 1923 β June 29, 2022) attempted to enlist in the Marines but was turned down for being too short. Instead, he sent Western Union telegrams informing mothers that their sons had been killed in battle. βIt left a lasting impression on my mind. I realized what it costs to have our freedom and to be who we are,” he told Sunday Morning in 2021. The Marines’ height limit was relaxed later in the war. Williams, who was growing up on a farm in West Virginia during the Great Depression, landed in the Pacific in February 1945, as part of the invasion of the Japanese-held island of Iwo Jima, which became a slaughterhouse for US forces became. More than 6,000 were killed when Japanese machine gunners in bunkers cut down the advancing Marines. “There was no protection,” Williams recalled. “We would be running from shell crater to shell crater if we could find one, and eventually we came across this long line of reinforced concrete bunkers.” Williams’ commander turned to him: “He said, ‘Do you think you can do something with start the flamethrower?'” With cover fire from four riflemen and Japanese bullets ricocheting off his flamethrower, Williams crawled to seven pillboxes and took them out over the course of four hours. Months later, after the Japanese surrendered, Williams found himself in Washington as President Truman presented him with the Medal of Honor. “I never dreamed of seeing a President of the United States and I stand there and shake his hand. Now you’re talking about a moment of fear! I was a wreck, I really was!β But he never got over the responsibility attached to the medal, especially when he learned that two of the gunners who covered fire for him had been killed. “When I found out that, my whole concept of the medal changed. I said, ‘This medal isn’t mine, it’s theirs.’ So I wear it in their honor, not mine. They gave their lives to make this possible.β Williams worked for the Department of Veterans Affairs for 33 years and then founded the Woody Williams Foundation to support Gold Star families He also designed a memorial in their honor to be erected in all 50 states.Last year, Williams said that being the last living Medal of Honor recipient from World War II heightened his sense of responsibility, with the hope that “I might make someone else’s life a little bit better, a little bit more meaningful”.
Sonny Barger Sonny Barger, charter member of the Oakland Chapter of the Hells Angels, photographed in 1979. | Janet Fries/Getty Images Sonny Barger (October 8, 1938 β June 29, 2022) helped unite disparate chapters of the Hells Angels motorcycle club and built their public image as countercultural street fighters who ride outside the law. That reputation was no doubt fueled by Barger’s role as a technical consultant for biker films and his penchant for playing the biker outlaw to the max. As he said to Hunter S. Thompson in the 1966 book Hells Angels: A Strange and Terrible Saga: βIf you want the cops to leave you alone, you have to shake them up. If we make a scene with less than fifteen bikes, they’ll always arrest us, but if we show up with a hundred or two hundred, they’ll give us a goddamn escort, they’ll show a little respect. Cops are like everyone else, they don’t want more trouble than they think they can handle.” Barger dropped out of high school at 16, grew up in Oakland, and enlisted in the Army in 1955. He was fired when it was discovered that his birth certificate was fake, but he did team up with other veterans who were motorcycle fans.As co-founder of the Oakland chapter of Hells Angels, he formed the group with a board of directors (members received stock) and trademarked the name.He also licensed products. Barger downplayed their reputation as outlaws (though he described his group as “criminals with ID cards”) and personally managed to avoid demonstrations of brute force — such as attacks on hippies and Vietnam War protesters — that newspaper reports and blotting papers denounced He also tried to soften their image through charitable causes after the 1969 Altamont Speedway concert in which motorcyclists hired as security guards for the Rolling Stones fatally stabbed a concert-goer who had pointed a gun at them – an attack caught in the documentary. Give me shelter.” [The accused club member was acquitted of self-defense.] Over the years, Barger has himself been arrested on charges including drunk driving, murder and racketeering. Convicted of narcotics and weapons charges, he served several years in Folsom State Prison ( where he retained control of the Hells Angels), and in 1988 a jury found him guilty of conspiracy to violate federal firearms and explosives laws.But sensational as his life was (it inspired Barger to several books, including the best-selling one autobiography “Hell’s Angel” and two novels), he was divided on whether to set an example.In 2000, the convicted felon told the BBC: “If I had my life again, I wouldn’t smoke, I would less cocaine and I would try not to lose my right to own a gun.β And yet, despite years of imprisonment, throat cancer and a laryngectomy, four marriages, and allegations by co-workers that his behavior violated the “outlaw code,” he told the New York Press in 2015, “Just because I didn’t have a million dollars and my dad drank didn’t mean I was unhappy.” was or had a bad childhood. Even though I was in prison and had many court battles, I had a very happy life. And here I am I will be 62 years old and still alive. Can you belive that?”
Marlin Briscoe Denver Broncos Quarterback Marlin Briscoe in December 1968. | Bill Johnson/The Denver Post via Getty Images In 1968, Marlin Briscoe (September 10, 1945 β June 27, 2022), a star quarterback from Omaha University, was drafted by the Denver Broncos as a cornerback; He requested a tryout at the quarterback position and played as a reserve against the Boston Patriots on September 29, nearly leading the Broncos to victory. The following week, Briscoe became the first black quarterback in pro football history. In five starts this season, he rushed for 1,589 yards with 14 touchdowns and rushed for 308 yards. He would be second for the league’s Rookie of the Year award. But the following year, the Broncos didn’t give Briscoe a chance to run for the QB job without explanation, so he asked to be released from his contract. He then joined the Buffalo Bills as a receiver. Briscoe later joined the Miami Dolphins and won two Super Bowl rings. He ended his career in 1976 with the New England Patriots. Though he was disappointed that he wasn’t given an opportunity to continue as quarterback, in a 2016 interview with the University of Nebraska-Omaha when he was inducted into the College Football Hall of Fame, he said, “I’ve always been my entire life challenged and I feel like I met them successfully. When I’m gone, I want to be remembered as a person who rose to the challenge. I’d like to be remembered as someone who always tried.”
Joe Turkel Joe Turkel (right) as Bartender Lloyd with Jack Nicholson in The Shining (1980). | Warner Brothers via Getty Images Beginning in 1949, Brooklyn-born actor Joe Turkel (July 15, 1927 β June 27, 2022) appeared in nearly 150 films and television shows over four decades, but his fame came with roles in two classics: as Lloyd, the spectral bartender, opposite Jack Nicholson in The Shining (1980) and as Eldon Tyrell, the artificial life designer, in Ridley Scott’s Blade Runner (1982). The Shining was Turkel’s third collaboration with Stanley Kubrick. He had appeared as a crook in the director’s first major film, The Killing, and in Paths of Glory he was one of three soldiers randomly killed by a firing squad. Kubrick brought him back as the ghost of an Overlook Hotel bartender in his adaptation of Stephen King’s horror novel. Turkel’s unabashed, shockingly understated performance oozes evil. Two years later, he starred in Blade Runner as head of the Tyrell Corporation, makers of replicants (“more human than human”). He would die by his own creation Roy (Rutger Hauer). Turkel’s other work includes the films The Bonnie Parker Story, King Rat, The Sand Pebbles, The St. Valentine’s Day Massacre, The Hindenburg, and Which Way Is Up?. Television roles have included The Lone Ranger, Dragnet, Bat Masterson, The Untouchables, The Rat Patrol, Bonanza, Police Story, Kojak, Fantasy Island and Miami vice”. .” He retired from acting around 1990 and devoted himself to writing screenplays and memoirs, but he reprized the role of Tyrell in a Blade Runner video game.
Margaret Keane Artist Margaret Keane in 2014. | CBS News Margaret Keane (September 15, 1927 – June 26, 2022), an artist with a penchant for painting children with huge googly eyes, was convinced by her husband Walter that her works would sell better if people thought the artist is a man. Walter would sell her artwork – signed with the single name “Keane” – as his own. “It all happened like a snowball, almost overnight,” Margaret told CBS Sunday Morning in 2014. The two argued and fought over the issue for about a year, “until finally I just gave in.” She was, she said, “a very abused wife…mentally abused, tremendously.” Fame and money began pouring in. Although critics derided the work, audiences loved those big eyes, despite the fact that Walter was behind them in the eyes of the public. He even appeared in Life Magazine as “The Man Who Paints Those Big Eyes.” Margaret remained silent and, as she admits, complicit. “I was to blame a lot,” she said. “If I hadn’t let it happen, it wouldn’t have happened.” Eventually, Margaret moved to Hawaii and filed for divorce, with authorship of the “Big Eyes” paintings being key to the process. When the judge ordered them to paint for the jury, Walter declined, saying his shoulder hurt. Margaret painted her signature big-eyed waif in just under an hour. The jury was suitably impressed and awarded Margaret $4 million, of which she never saw a penny. Walter Keane died in 2000, but Margaret, who became a Jehovah’s Witness and vowed never to lie again, continued to paint. “Ever since I was a kid, I always drew eyes to myself,” she said. “Eyes fascinated me.”
James Rado James Rado, co-creator of the musical Hair. | Rainer Binder/ullstein bild via Getty Images “It has been my daydream since my early teens to do a Broadway musical,” playwright James Rado (January 23, 1932 β June 21, 2022) wrote earlier this year. He worked on two musicals while in college, and after a stint in the Navy, he moved to New York and studied acting with Lee Strasberg. Rado was on stage in Luther, Marathon ’33, Hang Down Your Head and Die and The Lion in Winter before he and Gerome Ragni decided to work together on a more untraditional show in the mid-1960s, which focuses on the hippie scene. The two shared an apartment in Hoboken, N.J. and wrote the book and lyrics for a “tribal love rock musical” that explored war, protest movements, drugs and youth culture. Along with composer Galt MacDermot, the show featured rock music instead of traditional songs in the vein of Rodgers & Hammerstein or Cole Porter. “It was the era of experimental theater,” Rado told the Hoboken Reporter in 2009. “It was about expressing theater in a new style… We had a desire for the moment to do something wonderful and spectacular. We thought we’d stumbled upon a great idea and something that could potentially be a hit on Broadway without thinking about the distant future.” A chance meeting on a train between Ragni and producer Joseph Papp led to the show titled “Hair,” which premiered at the Public Theater in New York City in 1967. The following year, “Hair” (featuring new songs and cast, including Rado as a draftee) was transferred to Broadway, where it was the first show on the The Great White Way was complete nudity and a same-sex kiss Although it lost the Tony Award for Best Musical to “1776,” the cast album won a Grammy for Best Musical-Theater Album and Several of Its Songs — ” Hair”, “Aquarius/Let the Sunshine In”, “Good Morning, Starshine” and “Easy to Be Hard” – were top 10 hits. PLAY AN EXCERPT: “Aquarius” from the album with the original line-up of “Hair” “Hair” aroused protests n its profanity, nudity and disregard for authority. Touring productions were met with pickets and police visits. Still, the New York show ran for more than 1,800 performances, was adapted for a 1979 film by Milos Forman, and was revived on Broadway in 1977 and 2009. In 2009, Rado, Ragni and MacDermot were inducted into the Songwriters Hall of Fame. In 2019, the original cast album was listed in the National Recording Registry of the Library of Congress. After Hair, Rado wrote music and lyrics for the off-Broadway show Rainbow and collaborated again with Ragni on Sun. Rado also co-wrote a show called “American Soldier” with his brother Ted Rado.
Clela Rorex Boulder County Clerk Clela Rorex (center) in 1976. | Denver Post via Getty Images Thirty-nine years before Colorado legalized gay marriage, Clela Rorex (July 23, 1943 β June 19, 2022) was a newly elected clerk in Boulder County when she was visited by a gay couple seeking marriage certificates . Rorex issued the license in March 1975 and it is believed to be the first same-sex marriage in the country. Rorex told the Associated Press in 2014 that she saw a parallel with the women’s movement and had found nothing in state law preventing her from issuing it. She would issue five more same-sex licenses before the then Attorney General ordered her to stop. A recall was launched against Rorex, who was attacked with hate mail, and she resigned in the middle of her tenure. Colorado voters supported a 2006 referendum banning same-sex marriage, but it was defeated in both state and federal courts. In 2013, Colorado legalized civil partnerships for same-sex partners. On the first day it was legal, Rorex conducted a few ceremonies. “It finally brings me full circle of many years and the decision I made years ago,” Rorex told the Boulder Daily Camera. “I always felt I made the right decision then. It’s the right decision now.” The following year, Colorado legalized gay marriage, which preceded the U.S. Supreme Court’s Obergefell decision that legalized same-sex marriage nationwide. According to Out Boulder County (an LGTBQ advocacy group), after serving as a county clerk, Rorex earned postgraduate degrees and became the legal administrator of the Native American Rights Fund. She has also worked as an advocate for gay and lesbian rights. In 2018, the Boulder County Courthouse, where Rorex issued these licenses, was listed on the National Register of Historic Places.
Mark Shields Mark Shields speaks at a memorial service for Senator William Proxmire in 2006. | HARAZ N. GHANBARI/AP For more than 30 years (and six presidencies), political scientist and columnist Mark Shields (May 25, 1937 β June 18, 2022) has offered his witty op-ed on “PBS NewsHour.” Beginning in 1987, he appeared in weekly segments alongside David Gergen, Paul Gigot and David Brooks. A Marine Corps veteran, Shields worked as an assistant and speechwriter for Senator William Proxmire and then served in Senator Robert F. Kennedy’s presidential campaign. An author of a column for The Washington Post that was later syndicated, he has appeared as a presenter and panelist on CNN’s Capital Gang and Inside Washington (PBS and ABC). He was a fellow at the Kennedy Institute of Politics at Harvard and has taught at the Wharton School at the University of Pennsylvania and at the Graduate School of Public Policy at Georgetown University. He wrote about the 1984 presidential race in On the Campaign Trail.
Jean-Louis Trintignant French actor Jean-Louis Trintignant at Paris 1960s. | Mondadori via Getty Images Stage and screen actor Jean-Louis Trintignant (December 11, 1930 β June 17, 2022) received worldwide acclaim for his performances as romantic, dark, and tragically contradictory characters in some of the top-grossing international films of his time, from “A Man and a Woman”, “Z” and “The Conformist” to “Amour”. He appeared in nearly 150 films, one of his earliest being And God…Created Woman alongside Brigitte Bardot. An amateur racer, he played one in Claude Lelouch’s A Man and a Woman, a 1966 love story starring Anouk AimΓ©e that won an Academy Award and spawned two sequels: A Man and a Woman: 20 Years Later and A Man and a woman: 20 years later”. 2019 his last film “The best years of a life”. Trintignant has worked with some of the most successful European filmmakers, including Roger Vadim (Les Liaisons Dangereuses), RenΓ© ClΓ©ment (Is Paris Burning?), Claude Chabrol (Les Biches), Costa-Gavras (Oscar winner). “Z”), Γric Rohmer (“My Night at Maud’s”), Bernardo Bertolucci (“The Conformist”), Ettore Scola (“La nuit de Varennes”), FranΓ§ois Truffaut (“Confidential”) and Krzysztof Kieslowski (“Three Colors : Red”). One of his rare English-language roles was that of a seedy businessman in the 1983 political thriller Under Fire. Trintignant quit acting for nearly a decade after his daughter Marie (whom he met in Janis and John) played) was beaten to death in 2003 and he was slowed down by a motorcycle accident in 2007. But he returned to the stage and in 2012 he starred in Amour, Michael Haneke’s brutal film about an aging couple in which the wife (played by Emmanuelle Riva) suffers from Alzheimer’s. The film was nominated for five Oscars, including Best Picture and won Best Foreign Film. While accepting an award at the European Film Awards, Trintignant said acting in Amour made him pe personally and professionally reinvigorated. In 2013, in an interview for Australia’s SBS Network, Trintignant spoke about making Amour (which he called the best film he’s ever made) and how some scenes were physically uncomfortable to shoot: “A lot of scenes were difficult because of the emotional impact as well, so there was a lot of suffering. But there’s a joy you get from suffering for a scene. I think actors are a bit masochistic. It’s not just joy, but through pain there’s pleasure, and we can say that about life as much as we can about love.”
Philip Baker Hall Philip Baker Hall as Richard Nixon in Secret Honor. | Sandcastle 5/Criterion Collection Philip Baker Hall (September 10, 1931 β June 12, 2022) was a prolific character actor whose roles have ranged from the haunted (a Shakespearean follower of Richard Nixon in the solo film Secret Honor) to the absurd (the Javert-like inspector chasing down a decades-overdue library book on “Seinfeld”). A native of Ohio, Hall worked primarily in theater after moving to Los Angeles, although he did have a few guest roles on television, including MASH, Good Times, Man from Atlantis and The Waltons. Am Los Angeles Actors’ Theatre spielte er in dem Einakter βSecret Honor: The Last Testament of Richard M. Nixonβ, in dem er die Rolle in Robert Altmans Film von 1984 wiederholte. Als er Anfang der 90er Jahre ein Programm fΓΌr PBS drehte, freundete er sich bei Zigaretten und Kaffee mit einem Produktionsassistenten namens Paul Thomas Anderson an. Sie begannen eine Zusammenarbeit mit Andersons Kurzfilm βCigarettes & Coffeeβ, der zu einem abendfΓΌllenden Film βHard Eightβ ausgebaut wurde. Hall erschien spΓ€ter in Andersons βBoogie Nightsβ und βMagnoliaβ. Er wurde dem Filmpublikum mit seinen Auftritten in Filmen wie βMidnight Runβ, βSay Anythingβ, βGhostbusters IIβ, βAir Force Oneβ, βThe Truman Showβ, βRush Hourβ, βCradle Willβ bekannter Rockβ, βThe Insiderβ (als β60 Minutesβ-Produzent Don Hewitt), βThe Talented Mr. Ripleyβ, βThe Contenderβ, βThe Sum of All Fearsβ, βBruce Almightyβ, βDogvilleβ und βZodiacβ. .” Zu den TV-Credits gehΓΆrten βFamily Tiesβ, βFalcon Crestβ, βL.A. Lawβ, βCivil Warsβ, βRoswellβ, βThird Rock From the Sunβ, βThe West Wingβ, βCurb Your Enthusiasmβ, βModern Familyβ. β und βMessiasβ. In einem Interview mit der Washington Post beschrieb Hall 2017, fΓΌr welche Art von Rollen er eine AffinitΓ€t hatte: βMΓ€nner, die stark gestresst sind, Γ€ltere MΓ€nner, die an der Grenze ihrer Toleranz fΓΌr Leiden und Stress und Schmerz sind.β Obwohl er nicht unfΓ€hig ist, Leiden, Stress und Schmerzen zu verursachen, wie in seiner Darstellung als Lt. Joe Bookman, der nach Jerry Seinfeld kommt, um ein Exemplar von Henry Millers βWendekreis des Krebsesβ zu holen, das Seinfeld 20 Jahre zuvor aus der Bibliothek ausgeliehen hatte. Mit der schroffen WeltmΓΌdigkeit eines harten Film-Noir-Detektivs beschimpft Hall Seinfeld, der behauptet, er habe das Buch 1971 zurΓΌckgegeben: βNun, ich habe einen Blitz fΓΌr dich, Joy-Boy: Die Partyzeit ist vorbei.β
Julee Cruise Julee Cruise beim Twin Peaks UK Festival in London, 2015. | Amy T. Zielinski/Redferns via Getty Images Die SΓ€ngerin Julee Cruise (1. Dezember 1956 β 9. Juni 2022) war vor allem fΓΌr ihre Zusammenarbeit mit dem Regisseur David Lynch und dem Komponisten Angelo Badalamenti bekannt, bei der ihre Γ€therische Stimme in stimmungsvolle Synthesizer gehΓΌllt wurde ein Traumzustand lyrischer Sehnsucht. Sie spielte in Lynchs βBlue Velvetβ, seinem Konzertfilm βIndustrial Symphony #1β, der TV-Serie βTwin Peaksβ und dem Film βTwin Peaks: Fire Walk With Meβ mit ausgewΓ€hlten Songs (darunter βMysteries of Love, βFallingβ und βInto the Nightβ), gesammelt auf ihrem 1989er Album βFloating Into the Nightβ. Cruise stammt aus Iowa und studierte Horn an der Drake University. Er trat in Produktionen der Children’s Theatre Company in Minneapolis auf, darunter βThe Marvelous Land of Ozβ, βAlice in Wonderlandβ und βThe Wind in the Willowsβ. Sie zog nach New York und trat in einer Greenwich Village-Produktion von βThe Boys in the Live Country Bandβ auf, die von Badalamenti geschrieben wurde. SpΓ€ter rief er sie an, um sie um Empfehlungen von SΓ€ngern mit βzarten, sehnsΓΌchtigen Stimmenβ fΓΌr βBlue Velvetβ zu bitten. Die Frauen, die sie verwies, sagte Badalamenti Rollender Stein im Jahr 2014, βhat einfach nicht den Senf geschnittenβ. SchlieΓlich dachte Cruise β die auf der BΓΌhne eine selbsternannte Belterin gewesen war β, dass sie es schaffen kΓΆnnte. βDie Stimme muss rein seinβ, sagte sie. βEs gibt keine Scoops. Es war sehr schwer, Vibrato hineinzubringen und selbstbewusst genug zu sein, es so weich zu machen. Ich bin der Lustige, der groΓe Belter; das war ich nicht. Aber ich dachte, es wΓ€re wie Singen der Solist in einem Knabenchor.” βEs war Liebe auf den ersten Tonβ, lachte Badalamenti. Nachfolgende Alben waren βThe Voice of Loveβ, βThe Art of Being a Girlβ und βMy Secret Lifeβ. Sie arbeitete auch mit KΓΌnstlern wie Moby, DJ Silver, Kenneth Bager und der walisischen Gruppe Hybrid zusammen. Cruise stand auch auf der BΓΌhne in βRadiant Babyβ (sie spielte mehrere Charaktere, darunter Andy Warhol) und βReturn to the Forbidden Planetβ, einem Science-Fiction-Musical, in dem sie auch sechs Instrumente spielte.
Ray Liotta Schauspieler Ray Liotta, fotografiert in Los Angeles im Jahr 1990. | George Rose/Getty Images Im Jahr 2019 erklΓ€rte Regisseur Martin Scorsese dem βSunday Morningβ-Mitarbeiter Ben Mankiewicz, wie er sich fΓΌr Ray Liotta (18 a Venice Film Festival, and Ray came up to me. The bodyguards went towards him. And the way he handled that I thought was very, very telling. There was a slight threat in his body language countering theirs. β¦ I said, ‘That’s the guy.'” The threat that Ray Liotta exuded was evident in many of the more than 125 film and TV roles he filled, from the sinister Ray Sinclair in Jonathan Demme’s “Something Wild,” to numerous crime figures and police officers. None was more memorable than in “Goodfellas,” as the gofer who becomes consumed by the mob lifestyle, until it crashes down around him, turning him into a rat and driving him into the witness protection program. Though his character is often reactive to the authority of Robert De Niro’s Jimmy Conway or the violent unpredictability of Joe Pesci’s Tommy DeVito, Liotta’s Hill rides an emotional rollercoaster of enthusiasm, charm, invincibility and self-destruction that gives the classic film its moral center. In 2010 Liotta told GQ magazine, “For twenty years now, there’s not a day that goes by that I don’t hear somebody mention ‘GoodFellas.” Unless I stay home all night. It’s defined who I am, in a sense.” For the native of Newark, N.J., who was adopted at six months, acting was a fluke β he’d been invited to appear in a high school pay, and later took drama courses at the University of Miami because there was no math requirement. His big break after graduation was an appearance on the soap opera “Another World,” which led to TV roles on “St. Elsewhere,” “Casablanca,” and “Our Family Honor.” After “Something Wild” (for which he earned a Golden Globe nomination), Liotta starred as the phantom of baseball player Shoeless Joe Jackson in “Field of Dreams,” evoking amazement, a love for “the thrill of the grass,” and a glee at sticking it to Ty Cobb. Other films included “Dominick & Eugene,” “Article 99,” “Corrina, Corrina,” “Unlawful Entry,” “Unforgettable,” “Cop Land,” “Muppets From Space,” “Hannibal,” “Heartbreakers,” “Blow,” “Narc,” “John Q,” “Crossing Over,” “Wild Hogs,” “Smokin’ Aces,” “Killing Them Softly,” “The Place Beyond the Pines,” “Marriage Story,” and “The Many Saints of Newark.” He earned an Emmy for his appearance on a 2004 episode of “ER.” Other TV credits included “The Rat Pack” (as Frank Sinatra), “Texas Rising,” “Shades of Blue,” and “Hanna.”
Alan White Drummer Alan White of Yes, performing in 1978. | Beth Gwinn/Redferns/Getty Images Drummer Alan White (June 14, 1949-May 26, 2022) joined the progressive rock group Yes in 1972. While the band had frequent lineup changes over the years, White was a consistent contributor to the group that had such hits as “Wonderous Stories” and “Owner of a Lonely Heart.” He played on 34 studio and live Yes albums, including “Tales from Topographic Oceans,” “Going For the One,” “90125,” “Drama,” “Union,” the Grammy-winning “Big Generator,” and their most recent, “The Quest.” White had played with bands throughout England when, in 1969, he received a phone call from a Beatle he thought was a prank. In a 2021 Seattle Times interview White said, “A voice announced, ‘Hello, this is John Lennon.’ I thought it was a mate pulling my leg, put the receiver down, and went back to the kitchen. Luckily, the caller rang back. This time I listened and thought: Hang on. Maybe it is John Lennon.” The then-20-year-old was then whisked onto a plane, along with Lennon, Yoko Ono and Eric Clapton, to play at a sold-out music festival in Toronto. “I suppose I just took it in my stride. It wasn’t until years later that I went, ‘Wow, what happened there?'” White would also perform on the recordings of “Imagine” and “Instant Karma!,” and play drums on George Harrison’s albums, “All Things Must Pass” and “The Radha Krsna Temple.” White also played with Alan Price, Rick Wakeman, Donovan, Steve Howe, Chris Squire, and Tony Levin and David Torn. In 1976 he released a solo album, “Ramshackled.” In 2017 White was inducted into the Rock & Roll Hall of Fame, as part of Yes. In 2005 White β having passed the 30-year mark with Yes β told Modern Drummer magazine, “You know what’s great about playing with a band like this? It’s always challenging, it’s always demanding. Everybody’s trying to achieve new things all the time. We have this built-in drive for creating new things all the time. That’s what keeps the energy going. It’s what keeps me alive.”
Andy Fletcher Andy Fletcher of Depeche Mode performs in 2005. | Tim Mosenfelder/Getty Images Inspired by the rise in punk, and by such artists as Davie Bowie, Siouxsie and the Banshees, Kraftwerk and The Cure, keyboardist and DJ Andy Fletcher (July 8, 1961-May 26, 2022) co-founded the British electronic band Depeche Mode, whose albums included the #1 “Songs of Faith and Devotion,” “Violator,” “Ultra,” and “Sounds of the Universe.” Formed in 1980 (along with original members Vince Clarke, Martin Gore and Dave Gahan), Depeche Mode’s debut album was released the following year, featuring the song “Just Can’t Get Enough.” They achieved international success a few years later with the album “Some Great Reward,” featuring the hit “People Are People.” Over four decades they released 20 studio and live albums, and 16 video albums. In 2020 Depeche Mode was inducted into the Rock & Roll Hall of Fame.
Colin Cantwell “Star Wars” concept artist Colin Cantwell | Julien’s Auctions The entertainment auction house Julien’s Auctions described him as the “missing link” of “Star Wars” history. Even the longtime partner of concept artist Colin Cantwell (April 3, 1932-May 21, 2022), who resided in Boulder, Colo., in the later years of his life, didn’t know of his attachment to the design of such classics as “2001: A Space Odyssey,” “Star Wars,” “Close Encounters of the Third Kind” and “WarGames,” until the landlord forced them to empty out his basement, which had been packed with drawings, slides, models and scripts. Before artist Ralph McQuarrie created the lush paintings that won 20th Century Fox’s funding for George Lucas’ space opera, Lucas asked Cantwell to sketch designs for the film’s spacecraft and vehicles, including the rebellion’s X-Wing and Y-Wing fighters, the empire’s TIE fighter, the Star Destroyer, the Death Star, landspeeder, sandcrawler, the T-16 Skyhopper, and the original Millennium Falcon. Cantwell also constructed prototypes by kit bashing plastic models. (Luke Skywalker can be seen playing with one of Cantwell’s models at his Tattooine homestead.) In fact, a problem arising while working on the mold of the Death Star gave Cantwell the idea that led to the film’s dramatic climax, as he explained in a 2016 Reddit posting: “I noticed the two halves had shrunk at the point where they met across the middle. It would have taken a week of work just to fill and sand and re-fill this depression. So, to save me the labor, I went to George and suggested a trench. He liked the idea so much that it became one of the most iconic moments in the film.” But Cantwell turned down Lucas’ offer to run Industrial Light & Magic after the release of the first “Star Wars.” Instead, the computer engineer who was UCLA film school’s first animation graduate, who’d designed graphics for “2001: A Space Odyssey,” worked on imaging and communications for NASA’s lunar and Mars missions, and served as a lead analyst for CBS News’ coverage of the Apollo 11 moon landing, pursued varied interests. He created graphic displays for the NORAD computer complex for the film “WarGames”; developed an interactive motion control system for SFX photography; designed the San Diego Hall of Science’s first OMNIMAX Dome Theater; and developed the first multicolor computer monitor for Hewlett Packard. Cantwell also authored two sci-fi novels, “Corefires” and “Corefires 2.”
Vangelis Greek composer Vangelis in 1976. | Michael Putland/Getty Images Born Evangelos Odysseas Papathanassiou, Greek electronic composer Vangelis (March 29, 1943-May 17, 2022) created unforgettable music for films, using synthesizers to evoke both the historical pageantry of “Chariots of Fire,” “The Bounty” and “1492: Conquest of Paradise,” and the futuristic soundscapes of “Blade Runner.” Though he received no formal training, he was playing the piano at age 4. (He claimed never to have learned to read music.) After forming a band with friends at age 20, he became a founding member of the Paris-based progressive rock group Aphrodite’s Child. Their hits included “Rain and Tears” and “It’s Five O’Clock.” Their final release, the double-album “666,” was delayed due to tensions within the group and with their record company over the album’s concept (inspired by the Book of Revelations), ambitious production and length. It failed commercially upon its initial release, but has since earned critical plaudits. Vangelis would move on to solo projects, and to collaborations with Yes frontman Jon Anderson, releasing four albums together. His breakthrough came with his film score for the 1981 historical drama, “Chariots of Fire,” about British runners competing in the 1924 Paris Olympic Games. His electronic music for the period picture, anachronistic in theory, became one of the most recognizable themes in film history, and earned him an Oscar. [The film also won the best picture Academy Award.] PLAY EXCERPT: “Chariots of Fire: Main Theme” He followed that film with Ridley Scott’s noir-science fiction classic “Blade Runner,” creating music for a future Los Angeles that blended synthesizers with a moody ’40s blues. As much as the film’s stunning visuals and design, Vangelis’ music encapsulated the dystopian world of the replicant hunter Deckard and his love for Rachel, a woman who doesn’t know she is a replicant herself. “Immediately, when I saw some footage, I understood that this is the future,” he told the Los Angeles Times in 2019. “Not a nice future, of course. But this is where we’re going.” PLAY EXCERPT: “Blade Runner Blues” PLAY EXCERPT: “Blade Runner: End Titles” Other films included “Missing,” “1492: Conquest of Paradise,” “Antarctica,” “The Bounty,” and “Bitter Moon.” He moved away from Hollywood assignments (his last feature film score was “Alexander,” in 2004), and wrote for theater, ballet and documentaries. PLAY EXCERPT: “The Bounty: Closing Titles” Fascinated by science and space exploration, he composed music to accompany NASA and European Space Agency projects, and for the internment of theoretical physicist Stephen Hawking. He even wrote music for the planet Jupiter (incorporating the planet’s electromagnetic waves into sound waves). Fittingly, between Mars and Jupiter is an asteroid that now bears his name: 6354 Vangelis. In a rare, 1985 interview for Spin Magazine, Vangelis cleared up some misconceptions about his work (and confirmed that he does in fact play some acoustic instruments, blending them in with synthesizers). He also spoke about not chasing success and hit records after his Oscar win and increasing commercial notoriety. “It’s very easy to go out of balance and to become a product,” he said. “But music is so much more than entertainment, believe me. It’s an important human possession.”
Fred Ward Actor Fred Ward pictured in Beverly Hills, Calif., July 1991. | JULIE MARKES/AP Photo His film career lasted more than four decades, but actor Fred Ward (December 30, 1942-May 8, 2022) started out in the U.S. Air Force as a radar technician; worked as a lumberjack in Alaska, a construction worker on San Francisco’s transit system, and as a short-order cook; and had his nose broken three times while boxing. “I was very restless then,” as he described his travels to the Washington Post in 1990. He would bring that restless physicality to his memorable performances in tough-guy roles, in such films as “The Right Stuff,” “Escape From Alcatraz,” “Henry & June” and the cult horror flick “Tremors.” Dubbing films in Rome, he got his first acting credit in an Italian miniseries directed by Roberto Rossellini, “The Age of the Medici.” After small parts in “Ginger in the Morning” and “Hearts of the West,” Ward starred opposite Clint Eastwood and Jack Thibeau as prison escapees in “Escape From Alcatraz.” After appearing in “Carny” and “Southern Comfort,” Ward had his most indelible role, as astronaut Virgil “Gus” Grissom, in Philip Kaufman’s epic of the early days of NASA, “The Right Stuff.” Other films included “Uncommon Valor,” “Silkwood,” “Swing Shift,” “Tremors,” “Miami Blues,” “Remo Williams: The Adventure Begins,” “Thunderheart,” “The Player,” “Naked Gun 33 1/3: The Final Insult,” “The Wild Stallion,” “Farewell,” and “Armored.” He shared a Golden Globe and a special prize at the Venice Film Festival as part of the ensemble cast of Robert Altman’s “Short Cuts.” His television credits included “Dice,” “ER,” “United States of Tara,” and “True Detective.” One of his most striking performances was as novelist Henry Miller in Kaufman’s “Henry & June.” He told the Post that he’d long been attracted to the writing of Miller, whom he praised for “the urgency of life that [he] represented, his appetite for living. β¦ “People are burdened down by their futures, their jobs, their accumulating. … Everyone says, ‘I wish I could do that, just take off, experiment with life over and over again.’ He was 40 when he took that big leap. Most people are digging themselves deeper into their structures. He was a man who knew he had to follow that inner urge, the creativity and the passion.”
Mickey Gilley Mickey Gilley performs at the Rosemont Horizon in Rosemont, Ill., April 25, 1982. | Paul Natkin/Getty Images A cousin of Jerry Lee Lewis, Mickey Gilley (March 9, 1936-May 7, 2022), who grew up in Louisiana singing Gospel and playing boogie-woogie piano, became a country star himself, with 17 No. 1 country hits. Among them: “Room Full of Roses,” “City Lights,” “Window Up Above,” “Don’t the Girls All Get Prettier at Closing Time,” “Bring It On Home to Me,” “She’s Pulling Me Back Again,” “True Love Ways,” “A Headache Tomorrow (Or A Heartache Tonight),” “Lonely Nights,” and “Fool For Your Love.” In the early 1970s Gilley opened what was billed as “the world’s largest honky-tonk,” in Pasadena, Texas. Gilley’s, with its famed mechanical bull and a capacity of several thousand line dancers, would be the setting for the 1980 John Travolta film “Urban Cowboy,” inspiring a wave of similarly-themed nightclubs, and expanding the popularity of country music. The venue also hosted a weekly syndicated radio show, “Live From Gilley’s.” In 1989 his eponymous club was shut down after a feud between Gilley and his business partner. It was later destroyed by fire. As Gilley continued his singing career, he also built a theater in Branson, Mo. In 2019 he reminisced about his club in an interview with the Santa Fe New Mexican, mentioning that he’d initially objected to the installation of the rodeo-training device, which eventually attracted an Esquire magazine writer whose article would inspire “Urban Cowboy.” “There wasn’t anything nice about that club β I mean, Gilley’s was a joint. But it worked because of what it represented β¦ country music and the cowboy image. I mean, I was in Nashville and I had this guy get on the elevator and he says, ‘Hey, Gilley, I want to thank you for what you did for country and western wear.’ I says, ‘Me? It was John Travolta that did that, not Mickey Gilley.’ But then I says, ‘It was all done in my club, though, and thank you very much!'”
Ron Galella Celebrity photographer Ron Galella holds his most famous picture: “Windblown Jackie” (1972). | James Leynse/Corbis via Getty Images Celebrity photographer Ron Galella (January 10, 1931-April 30, 2022) rewrote the rules of the paparazzi (insofar as there were any rules to begin with) while capturing his candid, up-close shots of such stars as Greta Garbo, Frank Sinatra, Andy Warhol, Muhammad Ali, Truman Capote, Mick Jagger, Grace Jones, Bruce Springsteen and Paris Hilton. Unabashedly provocative, Galella would chase and hound his subjects, none more notoriously and unceasingly than Jacqueline Kennedy Onassis, who succeeded in winning a restraining order against him. It didn’t stop him from making her the subject of his collection, “Jackie: My Obsession” β one of 22 books of photographs he published. Some of the three million images he took during his career appeared in Harper’s Bazaar, Vogue, Vanity Fair, Time, Life, People, Rolling Stone, The New Yorker, The New York Times, and the National Enquirer. Others were included in the collections of museums. In the 2010 documentary “Smash My Camera,” he explained his obsession with the former first lady: “I had no girlfriend,” he said. “She was my girlfriend, in a way.” Other celebrities were more forceful when faced with the photographer’s provocations. In 1973, outside a restaurant in New York City, Marlon Brando punched Galella in the face, breaking his jaw. (In future encounters Galella took to wearing a football helmet.) The paparazzo was also spat upon by Sean Penn, and had his tires slashed by the bodyguards of Elvis Presley.
Naomi Judd Naomi Judd performs onstage at the Rosemont Horizon in Rosemont, Ill., February 1, 1991. | Paul Natkin/Getty Images In a career that spanned nearly three decades, the mother-daughter team of Naomi Judd (January 11, 1946-April 30, 2022) and Wynonna Judd hit the top of the Hot Country Songs chart 14 times and won five Grammy Awards, with their blend of traditional Appalachian bluegrass and pop. Their hits included “Love Can Build a Bridge,” “Turn It Loose,” “Girls Night Out,” “Have Mercy,” “Rockin’ With the Rhythm of the Rain,” “(Grandpa) Tell Me ‘Bout the Good Ol’ Days,” and “Let Me Tell You About Love.” Born Diana Ellen Judd in Ashland, Kentucky, Naomi was a nurse and single mother raising two daughters in Nashville, when she and Wynonna began singing together. The duo’s mixture of bluegrass and blues stood out for their unique harmonies. In 1984, after releasing an EP, “Wynonna & Naomi” (which contained their first hit, “Mama He’s Crazy”), the duo’s first album, “Why Not Me,” rose to #1 on the country chart. It spawned three hits: “Girls Night Out,” “Love is Alive,” and the title track. Between 1984 and 1991 the Judds released six studio albums, selling more than 20 million records. They won nine Country Music Association Awards and seven awards from the Academy of Country Music. In addition to their five Grammys as a team, Naomi earned a sixth Grammy for writing “Love Can Build a Bridge.” They performed together on stages around the globe, from Carnegie Hall. Madison Square Garden and the London Palladium, to the Halftime Show at Super Bowl XXVIII. Naomi also acted on TV in “Family Tree,” “A Holiday Romance,” “The Killing Game,” “Newlyweds,” “Window Wonderland,” and “An Evergreen Christmas.” She appeared in the film “Someone Like You,” starring her younger daughter, Ashley Judd. She also hosted a talk show on Sirius XM satellite radio. The Judds ended their musical partnership in 1991 after doctors diagnosed Naomi with hepatitis C, which she had unknowingly contracted while working as a nurse. Over several years she overcame the then-incurable illness, and in her 2016 memoir, “River of Time,” Naomi wrote about her health issues, including severe depression and anxiety, struggles with antidepressants and therapies, a breast cancer scare, and thoughts of suicide. She was admitted to a psychiatric ward, and later at an outpatient treatment program. “In my case, I was unaware that I had post-traumatic stress disorder from pathological situations and issues passed down through generations, along with the traumatic events of my own life,” she wrote, describing her experiences of abandonment, sexual assault, and the death of a young sibling. “I felt humiliated and emotionally weak and I deluded myself that I could pull out of it alone because I’ve always been such a strong-willed woman. β¦ Because I grew up in a household where the mottos were, ‘That’s just the way it is’ and “Don’t talk about it,’ anger and resentment had a lifelong grip on me that I wasn’t fully able to accept until I was willing to open up and get treatment for my depression and anxiety.” She occasionally reunited with Wynonna on stage, performing on tours in 2000 and 2010, and recently announced an arena tour to begin in the fall. On May 1, the day after her death was announced, The Judds were inducted into the Country Music Hall of Fame.
Robert Morse Robert Morse in the Broadway musical “How to Succeed in Business Without Really Trying” (left), and in the TV series “Mad Men.” | Ray Fisher/Getty Images; Justina Mintz/AMC Two-time Tony Award-winning actor Robert Morse (May 18, 1931-April 20, 2022) was acclaimed for comedy, including his career-defining role as J. Pierrepont Finch, the brash corporate climber in “How to Succeed in Business Without Really Trying.” A comedic undercurrent also poured through his performance as the ruthless and eccentric senior partner of the Sterling Cooper Advertising Agency in the TV series “Mad Men,” for which he received five Emmy nominations. Morse made his Broadway debut in “The Matchmaker,” and earned Tony nominations for his next two shows: “Say, Darling,” a play with music about the development of a stage musical; and “Take Me Along,” a musical adaptation of Eugene O’Neill’s “Ah, Wilderness.” Morse repeated his Tony-winning “How to Succeed⦔ role as the smooth-talking window washer who climbs his way to the executive suite in the 1967 film version, but after starring turns in “Honeymoon Hotel,” “Where Were You When the Lights Went Out?” “The Loved One,” “A Guide for the Married Man” and “The Boatniks,” his movie roles dwindled. He returned to Broadway in “Sugar” (a musical version of “Some Like It Hot”), “So Long, 174th Street,” a revival of “The Front Page,” and “Tru,” a one-man show about writer Truman Capote. The performance won him his second Tony, and an Emmy for the PBS recording of the play. On TV he starred in the series “That’s Life,” which lasted one season, and had guest roles in such shows as “Love, American Style,” “One Day at a Time,” “The Dukes of Hazzard,” and “Murder, She Wrote.” He played author Dominick Dunne in “American Crime Story: The People v. O.J. Simpson.” He starred in “Mad Men” for seven seasons, before his character, the shoeless Bert Cooper, died, bidding farewell to Jon Hamm’s Don Draper with a song-and-dance number featuring a bevy of secretaries, singing “The Best Things in Life Are Free.” In a 2014 interview with Rolling Stone after the episode aired, Morse said he originally dismissed the idea of singing his way off the show: “I didn’t want it to be Bobby Morse from ‘How to Succeedβ¦,'” he said. “You know, 30 years on Broadway and all they remember you by is ‘How to Succeedβ¦'” Until showrunner Matthew Weiner explained the thesis behind the song: “It wasn’t just, go and sing a song, and au revoir Bobby. It was Bert telling Don: ‘What are you doing? All this s*** that you’re doing, cut it out. The best things in life are free. We just landed on the moon! Calm down. Enjoy things while you have them.’ I saw how the scene fit into the whole picture, and thought: Wow. This gives things a lot of perspective here. Let’s do it. We rehearsed for a few days and then just filmed it over the course of a day or so. No one else knew we were doing it β Jon was surprised, to say the least!” he laughed.
Gilbert Gottfried Comedian Gilbert Gottfried at the New York Friar’s Club roast of Hugh Hefner, at the New York Hilton in New York City, September 29, 2001. | Frank Micelotta/ImageDirect via Getty Images Dying (metaphorically, we mean!) was almost a rite of passage for comedian Gilbert Gottfried (February 28, 1955-April 12, 2022), who’d performed since the age of 15. In 2014 he told “Sunday Morning” correspondent Mo Rocca, “It’s like when people ask me: ‘Did you ever die on stage?’ It’s like saying to an Olympic swimmer, ‘Did you ever get wet?’ ‘So, you’re a championship fighter; did anyone ever punch you in the face?’ “Even if I bombed horribly, I still had to go back.” Known for his scorched voice and crude jokes, he was best-remembered as the voice of the parrot Iago in Disney’s “Aladdin,” and its several spin-offs. Born in Brooklyn, he had a brief stint in the cast of “Saturday Night Live,” but didn’t have much to do; he later said a low point was playing the body in a funeral sketch. Beginning in the ’80s he made frequent appearances on MTV, headlined a comedy special on Cinemax, and had roles in “Beverly Hills Cop II,” “The Adventures of Ford Fairlane,” “Problem Child,” “Night Court,” “Herman’s Head,” “Wings,” “M’larky,” “Law & Order: Special Victims Unit,” “Anger Management,” “The Jim Gaffigan Show,” “The Comedian,” and “The Marvelous Mrs. Maisel.” He also did voice work on numerous shows, including “Cyberchase,” “The Ren & Stimpy Show,” “Duckman: Private Dick/Family Man,” “Dr. Katz, Professional Therapist,” “Superman: The Animated Series,” “Dilbert,” “Fairly OddParents,” “Crank Yankers,” “A Series of Unfortunate Events,” “Family Guy,” “SpongeBob SquarePants,” and “Teenage Mutant Ninja Turtles.” And like any comedian who chases fiery controversies, Gottfried could get burned. Three weeks after the 9/11 attack on the World Trade Center, he told this joke at a Friar’s Club roast of Hugh Hefner: “Oh, I have to leave early tonight. I have to fly out to L.A. I couldn’t get a direct flight. We have to make a stop at the Empire State Building.” “I lost an audience like no one could lose an audience before,” Gottfried said. “And I mean, they were booing and hissing. And if you had told me from that moment of time, after that joke, that I was there for 10 years, I’d believe you.” But Gottfried recovered, and slayed the audience by telling a joke so dirty, we could never reprint it. Rocca asked, “Do you ever die now?” “Yes,” Gottfried replied, “during this interview!”
Mimi Reinhard A copy of Oskar Schindler’s list, found among his papers in Hildesheim, Germany. | Patrick PIEL/Gamma-Rapho via Getty Images Born Carmen Koppel in Austria, Mimi Reinhard (January 15, 1915-April 8, 2022) was living in Krakow when the Nazis invaded Poland in 1939. Confined to the Krakow ghetto, she had her toddler son smuggled out to Hungary; her husband was killed trying to escape. She was later sent to the Plaszow concentration camp in 1942. More accomplished at shorthand than typing, but with a knowledge of German, she obtained work in the camp’s administrative office where, two years later, she was required to type up a handwritten list of names β Jews that were to be transferred to the BrΓΌnnlitz labor camp, when German businessman Oskar Schindler had a munitions factory. “I didn’t know it was such an important thing, that list,” Reinhard told an interviewer with Yad Vashem, the World Holocaust Remembrance Center, in 2008. “First of all, I got the list of those who were with Schindler already in Krakow, in his factory. I had to put them on the list.” The list Reinhard typed was one of several, as new names kept being added; she eventually added her own name, and the names of friends. In all, more than 1,200 Jews would be spared from extermination after Schindler bribed Nazi authorities to let him keep them as workers in his factories. Reinhard was put to work in Schindler’s office. After the war, she reunited with her son and emigrated to the United States. In 2007, she moved to Israel at the age of 92. Reinhard’s son said that after coming to Israel she “became a kind of a celebrity” because of the popularity of Steven Spielberg’s Academy Award-winning film, “Schindler’s List.” He said it “pumped another 15 years into her life.”
Rayfield Wright Dallas Cowboys offensive tackle Rayfield Wright in 1972. | Richard Stagg/Getty Images Pro Football Hall of Famer Rayfield Wright (August 23, 1945-April 7, 2022) was an offensive lineman nicknamed “Big Cat” for his nimbleness despite his size. He played in eight NFC championship games and five Super Bowls, winning two, during his 13 years with the Dallas Cowboys, and was named a Pro Bowler for six consecutive seasons, and a three-time All-Pro. At 6’6″ and over 250 pounds, Wright had started his career as a backup tight end before coach Tom Landry suggested he play tackle. His debut at the position was facing off against rusher Deacon Jones, part of the Los Angeles Rams’ “Fearsome Foursome” defense. “We go up to the line of scrimmage and I’m looking at Deacon Jones square in his eyes, his eyes seem to be red as fire, he’s kicking his back leg like a bull,” Wright later recalled to the Associated Press. “I’m saying to myself, ‘My God, what have I got myself into?'” Before the ball was snapped, Jones bellowed, “Boy, does your Mama know you out here?” Wright was so stunned that Jones ran over him. “I rolled over, looked over at our sideline thinking that coach Landry was going to take me out of the game,” Wright said. “By that time, Deacon Jones reached his big arms down and said, ‘Hey, rookie, welcome to the NFL.’ β¦ I said, ‘Well, Mr. Jones, you don’t know my Mama, so don’t talk about her. You want to play the game this way, we’ll play it.'” Dallas never had a losing record during Wright’s 13 seasons. He was part of the NFL’s all-decade team for the 1970s. Knee surgery and lingering injuries prompted his retirement after the 1979 season. After his playing days, Wright worked with at-risk youth as an appointee of the Arizona Juvenile Supreme Court. He served as president of NFL Alumni’s “Caring for Kids” program, and his Rayfield Wright Foundation offered college grants. In 2006 he wrote an autobiography, “Wright Up Front.” His 2006 Hall of Fame speech was an encouragement to young athletes: “It takes courage to dream your dream. Don’t let them sit in the locker room. Take a leap of faith. Listen to your parents and respect your elders. Learn from your successes and your losses. Defeat is possible and as a challenge to do better next time. Be satisfied you gave the game everything that you had and remember this: Don’t be afraid to travel the road less traveled because Larry Rayfield Wright did, and you can, too.” But the road Wright traveled in the remaining years of his life was extremely troubled. Having suffered what he said were innumerable concussions during his career, Wright was diagnosed with dementia in 2012. In a 2014 interview with The New York Times, Wright said that for years he had been “too proud” to discuss his condition. “You don’t want people to look at you any differently,” he told The Times’ Juliet Macur. “When you’ve been at the top of the NFL, you don’t want people to know. You’re supposed to be tough and invincible. So, if something’s wrong with you, you try to hide it. Which is exactly what I did.”
Bobby Rydell Singer Bobby Rydell performs in London c. 1965. | Stanley Bielecki/ASP/Getty Images Teen idol Bobby Rydell (April 26, 1942-April 5, 2022) gained widespread popularity after appearing on “American Bandstand” in 1959. Over the next five years he had nearly three dozen hits, including “Wild One,” “Volare,” “The Cha-Cha-Cha” and “Wildwood Days.” Born Robert Ridarelli in Philadelphia, he played in several bands before he had a hit with “Kissin’ Time,” which earned him a spot touring with The Everly Brothers. His subsequent hit songs included “We Got Love,” “Swingin’ School,” “Sway,” “Good Time Baby,” “That Old Black Magic,” “I’ve Got Bonnie,” “I’ll Never Dance Again,” “and “Forget Him.” In 1963, he starred opposite Ann-Margret in the musical “Bye Bye Birdie.” The setting of the ’70s stage and movie musical “Grease” was named Rydell High in his honor. In later years Rydell continued to perform, and he toured with other former teen idols Fabian and Frankie Avalon. And after undergoing a double-organ transplant in 2012 (following years of alcoholism), he advocated for organ donation. In a 2016 interview with the Allentown, Pa., Morning Call newspaper (in which he discussed his biography, “Bobby Rydell, Teen Idol on the Rocks: A Tale of Second Chances”), Rydell said of his life in show business since the age of seven: “I can’t complain at all about my career. You know, it’s had its ups and downs, it’s peaks and valleys, so on, so forth. But I’ve survived through all of that, and I’m continuing to do what I really enjoy doing.”
Eric Boehlert Media watchdog Eric Boehlert, in a 2014 interview recorded for Montclair State University. | YouTube Journalist and media critic Eric Boehlert (December 6, 1965-April 4, 2022) began covering music for Rolling Stone and Billboard, but gravitated toward politics at the online magazine Salon, criticizing Beltway media for its coverage of Washington. He also wrote for Media Matters for America, and created the watchdog site Press Run. His last Press Run column, dated April 4, was a takedown of Beltway headlines that appeared to downplay the rise in job numbers and the drop in unemployment under President Biden: “Biden is currently on pace, during his first two full years in office, to oversee the creation of 10 million new jobs and an unemployment rate tumbling all the way down to 3 percent. That would be an unprecedented accomplishment in U.S. history. In four years in office, Trump lost three million jobs, the worst record since Herbert Hoover. Yet the press shrugs off the good news, determined to keep Biden pinned down. β¦ “Why is the press rooting against Biden? Is the press either hoping for a Trump return to the White House, or at least committed to keeping Biden down so the 2024 rematch will be close and ‘entertaining’ for the press to cover? β¦ That’s why, according to a recent poll, 37 percent of Americans think the economy lost jobs over the last year, when it’s gained 7 million.” Boehlert was also the author of the books “Lapdogs: How the Press Rolled Over for Bush,” and “Bloggers on the Bus: How the Internet Changed Politics and the Press.”
Estelle Harris Actress Estelle Harris. | Steve Granitz/WireImage via Getty Images Actress Estelle Harris (April 22, 1928-April 2, 2022) was most memorable as the bickering mother of George Costanza on the comedy “Seinfeld,” and as the voice of Mrs. Potato Head in the “Toy Story” movies. Her acting career began with dinner theater and commercial work, before getting small parts in such films and TV shows as “Looking Up,” “Stand and Deliver,” “Once Upon a Time in America,” “Night Court,” “Good Advice,” “Star Trek: Voyager,” “Mad About You,” and “Married β¦ With Children.” She also did vocal performances in the animated “Brother Bear,” “Tarzan II,” “Hercules,” “The Wild Thornberrys,” “House of Mouse,” “Home on the Range,” and “Dave the Barbarian.” On “Seinfeld” she played the melodramatic Estelle Costanza, who is introduced on the phone to George’s fiancΓ©e: Susan: “I just want you to know that I love your son very much.”
Estelle: “You do?”
Susan: “Yes.”
Estelle: “Really?”
Susan: “Yes.”
Estelle: “May I ask why?” In a 2012 interview with the Associated Press, Harris said she could relate to the humor of “Seinfeld,” but not to her character: “Nobody had a past like that! I mean, that poor woman. She lived in that apartment that they got married in with the same furniture and the same husband and one son that was a loser. I mean, she had everything bad! I thought it was funny.”
Taylor Hawkins Taylor Hawkins of the Foo Fighters performs in Geelong, Australia, March 4, 2022. | Paul Rovere/The Age/Fairfax Media via Getty Images Drummer Taylor Hawkins (February 17, 1972-March 25, 2022) counted as his influences Stewart Copeland, Roger Taylor, Phil Collins and Stephen Perkins. “I wanted to be Roger Taylor,” he told “60 Minutes” in 2014. “I wanted to be in Queen, you know, I wanted to play stadiums when I was 10 years old, there’s no question.” Born in Fort Worth, and raised in Laguna Beach, California, Hawkins played with the Southern California band Sylvia and with Sass Jordan, before spending two years touring with Alanis Morissette. In 1997, after a chance meeting with Dave Grohl, the former drummer of Nirvana, he accepted an invitation from Grohl to join Foo Fighters. “At first it took me a while to find my place,” Hawkins said of joining the band, which had already released its first eponymous album, “but he [Grohl] never made it hard.” Over the past 25 years Hawkins performed on such albums as “There Is Nothing Left to Lose,” “One by One,” “In Your Honor,” “Wasting Light,” “Sonic Highways,” “Concrete and Gold,” and “Medicine at Midnight.” Beyond percussion, Hawkins’ role in the band included producing, contributing lead and backing vocals, and art direction (for the album “There Is Nothing Left to Lose”). Grohl admitted to “60 Minutes” that “Taylor Hawkins is like the James Brown of the Foo Fighters. Because if anybody ever makes a mistake, he shoots them a glance.” Hawkins also drummed and sang for the side-project trio, Taylor Hawkins and the Coattail Riders, which released three albums between 2006-2019. Their second album, “Red Light Fever,” featured as guest artist Roger Taylor. The songs on their third album, “Get the Money,” were driven by Hawkins’ fascination with having grown into “a suburban dad.” “I almost called it ‘Tales From Suburban Hell,'” he told Billboard in 2019. “Because it has a lot to do with being a 47-year-old man with a family who never thought he would be in that position. … A friend said to me the other day, ‘You can get away with anything because you’re a rock star.’ Bull c–p, man. Those rules don’t apply as soon as I walk through the front door of my house.” He also released an album with another side project, The Birds of Satan, and a solo EP. Hawkins has won 11 Grammy Awards, with 26 nominations. He also costarred in the Foo Fighters’ recent comic-horror film, “Studio 666,” in which a possessed Grohl murders his bandmates.
Dirck Halstead Dirck Halstead on an evacuation ship in the South China Sea after the Fall of Saigon, April 1975. | Photos by Dirck Halstead/Getty Images Photojournalist Dirck Halstead (December 24, 1936-March 25, 2022) captured harrowing images of war β from the Fall of Saigon to the Philippine shooting locations of “Apocalypse Now.” He also documented presidential milestones, from Richard Nixon’s visit to China, to the assassination attempt on Ronald Reagan, to Bill Clinton’s embrace of Monica Lewinsky, taken two years before news of the scandal broke. He’d started working as a part-time photographer for his local paper while still in high school. While on a student trip in Central America, he witnessed and photographed a coup in Guatemala, becoming, at 17, the youngest photojournalist to cover a war for Life magazine. Drafted, he worked as an official Army photographer, before joining United Press International, opening their first picture bureau in Saigon. He also worked for Time, covering the White House and contributing approximately 50 covers for the magazine, and taught photojournalism at the University of Texas at Austin. In 1997 Halstead started the online publication Digital Journalist. In a 2009 interview corresponding to his memoir and exhibition “Moments in Time,” he said, “I had never thought of myself as a great photographer; that’s beside the point. What I am is a storyteller. And I have always felt β like I think a lot of people in this business β that this isn’t about how Dirck Halstead sees; this is about how Dirck Halstead fulfilled his responsibility to recording history.”
Madeleine Albright Secretary of State Madeleine Albright. | Douglas Graham/Congressional Quarterly/Getty Images Born Marie Jana Korbel in Prague, Madeleine Albright (May 15, 1937-March 23, 2022) was the daughter of a diplomat, and as a child became a refugee from the Nazis β and again, after returning to Czechoslovakia, from the Soviet-dominated Communist government. Her family moved to the U.S., settling in Colorado, where her father taught at the University of Denver. After graduating from Wellesley College and earning a master’s and Ph.D. at Columbia University, Albright worked for the National Security Council during the Carter administration, and was nominated to be U.S. Ambassador to the United Nations by President Bill Clinton. In 1997 she rose to become America’s first female secretary of state β at that time the highest-ranking woman in the history of the U.S. government. A lifelong Democrat, Albright was not a dove, owing to her experience of Nazi Germany and the Iron Curtain. An advocate for a tough U.S. foreign policy, she was instrumental in the Clinton administration getting involved militarily in Kosovo, in a bid to remove Yugoslav leader Slobodan MiloΕ‘eviΔ. Albright aided the formulation of U.S. foreign policy during the conflict in the Balkans, and the genocide in Rwanda. Albright also helped win Senate ratification of an expansion of NATO, and a chemical weapons treaty. She contributed to an expansion of the 1993 Oslo Accords, followed by the 1998 Wye Accords, which resulted in Palestinians gaining control of about 40% of the West Bank. Part of her diplomatic skills was sartorial. In 2009 Albright told “Sunday Morning” that while she’d always worn brooches, they became a part of her diplomatic arsenal after a comment by Saddam Hussein, who referred to the then-U.N. Ambassador as a serpent. “And I happened to have a snake pin that I had gotten that’s an antique pin, very pretty, and I decided to wear it whenever we did something on Iraq.” Her pins became a signal to Albright’s (and America’s) international relations: “On good days, I’d wear flowers and balloons and butterflies,” she said. “And on bad days I would wear spiders and bugs.” That tactic became the title of her memoir, “Read My Pins.” In 2012, President Barack Obama awarded Albright the Medal of Freedom, the nation’s highest civilian honor, calling her life an inspiration to all Americans.
Stephen Wilhite Prof. Stephen Wilhite | ME Newswire In 1987 Stephen Wilhite (March 3, 1948-March 14, 2022) was working at the online service CompuServe when he began investigating how to apply compression technologies to graphic images and short video via an internet browser, at a time when dial-up speeds were interminably slow. “I saw the format I wanted in my head and then I started programming,” he told The New York Times in 2013. He invented the GIF, or Graphics Interchange Format, which supports animated effects using up to 256 colors. It was a format that would take the World Wide Web, social media, Powerpoint presentations and smartphones by storm, as a delivery format for memes, marketing, and artistic expression. A popular looping GIF was the “dancing baby.” A model railroad hobbyist and avid camper, Wilhite retired in 2001 after suffering a stroke, but never stopped programming. And in 2013 he received a Webby lifetime achievement award for inventing the GIF, a testament to its becoming a mainstay of internet culture. And if anyone should know how to pronounce “gif,” it is Wilhite. He said it uses a soft “G,” like Jif peanut butter; those using the hard “G,” as in “gift,” are wrong, he told the Times. “End of story.” [We stand corrected.]
William Hurt Oscar-winning actor William Hurt. | Ron Galella/Ron Galella Collection via Getty Images In such films as “Body Heat,” “The Big Chill,” “Broadcast News” and “Kiss of the Spider Woman,” Academy Award-winning actor William Hurt (March 20, 1950-March 13, 2022) brought tremendous charisma and mystery to his performances, instilling intellectual curiosity to ordinary figures β often emotionally scarred β who arrive at extraordinary destinations. Describing to Roger Ebert his role as an emotionally-stunted travel writer in “The Accidental Tourist,” for a 1988 profile, Hurt said, “You cut off the capacity for grief in your life, and you cut off the joy at the same time. They both come up through the same tunnel. You don’t have one without the other.” Hurt studied acting at Julliard and appeared with the Circle Repertory Company in New York, starring in “Fifth of July,” “The Runner Stumbles,” and “Hamlet,” and on TV in “Kojak” and the PBS film “Verna: USO Girl.” In 1980 he made his film debut in “Altered States,” playing an academic driven to study psychedelic substances that would mutate his body. He next starred opposite Kathleen Turner in the steamy film-noir “Body Heat,” and headlined such films as “Eyewitness,” “Gorky Park,” “Children of a Lesser God,” and “Broadcast News.” He spearheaded the ensemble cast of “The Big Chill,” playing a Vietnam War veteran and drug dealer who gathers with ex-college friends for the funeral of a former classmate. The recipient of four Academy Award nominations, Hurt won the Oscar for Best Actor for the 1985 “Kiss of the Spider Woman,” in which he played the gay cellmate of a political prisoner (Raul Julia) in a South American jail. On Broadway Hurt starred in David Rabe’s “Hurlyburly,” for which he received a Tony nomination. Described by The New Yorker magazine as “notoriously temperamental,” Hurt struggled for years with drug and alcohol abuse, but he maintained a steady list of credits, including “Alice,” “Until the End of the World,” “Smoke,” “The Plague,” “Dark City,” “Michael,” “Jane Eyre,” “A.I.: Artificial Intelligence,” “Lost in Space,” “The Village,” “A History of Violence,” “Syriana,” “Into the Wild,” “The Incredible Hulk,” “The Disappearance of Eleanor Rigby,” “Avengers: Endgame” and “Infinity War,” and “Black Widow.” His TV credits include the miniseries “Dune,” “Moby Dick,” “Humans,” “Condor,” “Goliath,” and “Damages” (opposite his “Big Chill” co-star, Glenn Close). Hurt’s demeanor on screen seemed always in service of a deeper level of character. “Acting is building the tip of the iceberg,” Hurt told Ebert. “You have to build what isn’t seen and then play the tip. Only a little bit of the iceberg is ever seen, but it is massive. That’s sometimes hard to do in American movies, where the philosophy is to show the whole iceberg.”
Brent Renaud Journalist and filmmaker Brent Renaud. | odd Williamson/Invision for IDA/AP Images Journalist and filmmaker Brent Renaud (October 13, 1971-March 13, 2022) worked in some of the world’s most dangerous places, reporting on the human toll of wars in Iraq and Afghanistan, political strife in Egypt and Libya, terrorism in Africa, and the devastating 2011 Haiti earthquake. Often collaborating with his brother, Craig, Renaud produced reports for such outlets as HBO (“Dope Sick Love,” “Little Rock Central: 50 Years Later”), Discovery (“Off to War”), NBC, PBS, Current TV, The New York Times, and VICE News. The Renaud brothers shared a 2012 Alfred I. duPont-Columbia University journalism award for their New York Times documentary, “Surviving Haiti’s Earthquake: Children.” The following year they shared another duPont-Columbia award for a documentary on gun trafficking, “Arming the Mexican Cartels.” The Renaud brothers also earned a Peabody Award in 2014 for “Last Chance High,” a VICE News series about a Chicago school serving at-risk youth. In a 2013 interview with Filmmaker magazine, Renaud talked about the need to travel light while covering war zones: “Large crews are seen as a liability when things get heated. For us getting left behind is never an option, and in Iraq we always showed up for combat missions carrying only a small digital camera and wireless microphones that we operated ourselves. No tripods, no lights, no production assistant to carry equipment. Sometimes there would not be even a single seat available for a reporter in a Humvee or an armored personnel carrier, in which case we would sit on the hump under the dangling feet of the gunner working the 50-caliber machine gun, or even on top of a tank. Whatever it takes. Run and gun.” Traveling in Irpin in western Ukraine to record the plight of refugees from Russia’s war, as part of a Time magazine project on the global refugee crisis, Renaud was killed outside a checkpoint when Russian troops opened fire on his vehicle.
Emilio Delgado Emilio Delgado as Luis, opposite Oscar the Grouch, on “Sesame Street.” | Children’s Television Workshop/PBS/HBO As a young man Emilio Delgado (May 8, 1940-March 10, 2022), who grew up in southern California falling asleep to the sound of mariachis playing in a nearby beer garden, aspired to be a performer. He moved to Los Angeles but had little luck finding work, before receiving a call from “Sesame Street” in New York. But he wasn’t invited to audition, merely to talk with a producer visiting L.A. “Jon Stone, sort of the father of the whole thing, wanted [‘Sesame Street’] to be as real as possible,” Delgado said in a 2021 YouTube interview. “Consequently, he didn’t want actors; he wanted real people.” And Delgado got the job. Delgado joined the show beginning in 1971 during its third season, as the friendly fix-it shop owner Luis, and stayed for 45 years. His character was an opportunity for the Mexican American to play a non-stereotypical Latino (a rarity on television at the time) for generations of children. “Most of the roles that I went out for were either for bandits or gang members,” he recalled of his early days. In addition to singing and playing the guitar, he also added Spanish to the dialogue, referring to Big Bird as “pΓ‘jaro.” In 1988 his character married another “Sesame Street” character, Maria (played by Sonia Manzano). Their marriage would help teach children about love and childbirth. In addition to “Sesame Street,” Delgado also made appearances on other shows, including a recurring character on “Lou Grant,” as well as on “Hawaii Five-O,” “Quincy M.E.,” “Falcon Crest,” “Law & Order: Criminal Intent,” “House of Cards,” and the TV movie “I Will Fight No More Forever.” On stage he starred in a reimagining of “Don Quixote,” titled “Quixote Nuevo.”
Yuriko Martha Graham principal dancer Yuriko (center) in “Primitive Mysteries” (1964). | Jack Mitchell/Getty Images For more than five decades, dancer and choreographer Yuriko Kikuchi, known professionally as Yuriko (February 2, 1920-March 8, 2022), was associated with the groundbreaking modern dance of Martha Graham. Joining her company in 1944 β the first non-white member hired by Graham β Yuriko performed in the premieres of such works as “Appalachian Spring,” “Dark Meadow,” “Cave of the Heart,” “Night Journey,” “Clytemnestra,” and “Embattled Garden,” and took over Graham’s role in a revival of “Primitive Mysteries.” Petite, Yuriko nonetheless had an out-sized presence on stage, performing into the late 1960s. As a choreographer, Yuriko founded the Martha Graham Ensemble, and was associate artistic director of the Graham dance company, helping student groups and companies stage Graham’s works after her death in 1991. Born in California, Yuriko was sent by her mother to live with relatives in Japan to avoid the 1918 influenza pandemic that had killed her father and two siblings. It was there she studied experimental dance, before returning to the States as a teenager. Confined in an internment camp for Japanese Americans after the attack on Pearl Harbor, she was released in 1943 (after signing a loyalty oath) and moved to New York, where she took dance classes at Graham’s studio and sewed costumes for performances, before joining as a dancer. She also staged her own solo concerts and dances with her own company, and performed on Broadway, as Eliza in “The King and I” (repeating her role in the film) and in “Flower Drum Song.” In 2000 she help found the Arigato Project, paying respect to Graham by staging her works. As she explained to her students in a 2003 Dance View Times article, “‘Arigato’ means ‘thank you’ in Japanese. It’s my thank you to Martha Graham and to the dance world for giving me such a beautiful life, and I want to give it back. The knowledge, experience: I can’t take it with me. It’s my legacy to young dancers. “I’m not ‘Yuriko’ when I’m doing it; I’m a missionary,” she said. “I’m doing it for Martha’s work.”
Alan Ladd Jr. Producer and movie studio executive Alan Ladd Jr. | David F. Smith/AP He had filmmaking in his blood. The son of the star of “Shane,” Alan Ladd Jr. (October 22, 1937-March 2, 2022) grew up on movie sets, and would become an Oscar-winning producer and studio executive, responsible for such classics as “The Right Stuff” and “Braveheart” As head of 20th Century Fox, he greenlit a film no other studio was willing to risk making: “Star Wars.” Beginning as a stuntman for his father, Ladd became a talent agent at Creative Management Associates, counting among his clients Judy Garland, Robert Redford and Warren Beatty. He turned to producing, with such films as “The Nightcomers,” starring Marlon Brando, and “X, Y and Zee,” with Elizabeth Taylor and Michael Caine. Joining 20th Century Fox in 1973, he rose to become its president. During his tenure, he oversaw production of such hits as “The Towering Inferno,” “Young Frankenstein,” “The Rocky Horror Picture Show,” “The Omen,” “Silent Movie,” “Julia,” “Breaking Away,” “Norma Rae” and “All That Jazz.” Most famously, he optioned a script by “American Graffiti” director George Lucas about an adventure in outer space, even though science fiction was deemed box office poison. As Lucas was quoted in a 2014 article in Forbes, “The only meeting I had with Laddie about the script β¦ he said, ‘Look it doesn’t make any sense to me whatsoever, but I trust you. Go ahead and make it.’ That was just honest. I mean, it was a crazy movie. Now you can see it, know what it is, but before you could see it, there wasn’t anything like it. You couldn’t explain it. β¦ It was like, this furry dog driving a spaceship. I mean, what is that?” Famously reticent (certainly compared to other Hollywood execs), Ladd himself told Variety that his biggest contribution to “Star Wars” was “keeping my mouth shut and standing by the picture.” “Star Wars” would become the highest-grossing film in history up to that time, and was followed by a strings of sequels and prequels. Ladd also supported another outer-space classic, Ridley Scott’s “Alien,” and has been credited for suggesting that the film’s lead character be played by a woman. Sigourney Weaver would go on to fashion a sci-fi icon. After clashes with Fox’s chairman, Ladd left to form an independent production house, The Ladd Company, which was responsible for such films as “Body Heat,” “Chariots of Fire,” “Blade Runner,” “The Right Stuff,” “Once Upon a Time in America,” “Police Academy,” “Night Shift,” “Star 80,” “Outland,” and “Gone Baby Gone.” Beginning in the mid-1980s, Ladd was at MGM, where he oversaw such films as “Moonstruck,” “Rain Man,” “A Fish Called Wanda,” “Thelma & Louise” and “Spaceballs.” Ousted by the French bank that called in MGM’s debts, Ladd took one project with him to Paramount: Mel Gibson’s “Braveheart.” It would go on to win five Oscars, including Best Picture.
Sally Kellerman Sally Kellerman in a portrait from the 1973 film “Slither.” | Bettmann Archive via Getty Images Actress Sally Kellerman (June 2, 1937-February 24, 2022) was best known for her Oscar-nominated performance as Major Margaret “Hot Lips” Houlihan, in director Robert Altman’s 1970 comedy “MASH.” The by-the-book nurse, whose affair with Dr. Frank Burns (played by Robert Duvall) led to her roasting nickname, was memorably humiliated by the Army hospital staff when the walls of her shower were ceremoniously unfurled. In a 2017 interview with NJ.com she described that turn of events as important for her character: “I think that [humiliation] really saved Hot Lips. She grew up after that. She’d been so uptight, so rigid, no sense of humor β and after all that went down, she started having a really good time, a real life.” Kellerman’s acting career started in the ’50s, when she attended acting classes alongside Jack Nicholson, and she debuted in the film “Reform School Girls.” She played a slew of TV parts, including “The Twilight Zone,” “The Many Loves of Dobie Gillies,” “The Outer Limits,” “12 O’Clock High,” “The Alfred Hitchcock Hour,” “Ben Casey,” “I Spy,” “That Girl,” and “Hawaii Five-O.” Her most notable was in the second “Star Trek” pilot, “Where No Man Has Gone Before,” in which she played a doctor who develops god-like powers while wearing silvery contact lenses. She was the sole actor to receive an Oscar nomination for “MASH,” which was a major hit and spawned the classic TV series. But Kellerman’s movie career at that point took a back seat; she instead pursued singing. [She had signed a contract with Verve Records when she was 18.] “I wanted to be like Billie Holiday, but without the drugs,” she said. She released an album, “Roll With the Feeling,” in 1972; a second one, “Sally,” would follow 35 years later. In-between she sang in films, and on “Saturday Night Live.” Kellerman was a regular member of the Altman acting company, appearing in “Brewster McCloud,” “The Player” and “Ready to Wear.” But she turned down a role in Altman’s “Nashville.” “When it comes to building a career, I have never been the sharpest tool in the shed,” she said. Other film appearances included the Rodney Dangerfield comedy “Back to School,” “Last of the Red Hot Lovers,” “Rafferty and the Gold Dust Twins,” “Welcome to L.A.,” “Slither,” “The Big Bus,” “A Little Romance,” “Foxes,” “Serial,” and “That’s Life!” She was also the voice of Miss Finch in the “Sesame Street” feature, “Follow That Bird.” On TV her credits included “Verna: USO Girl,” the miniseries “Centennial,” “Decker,” “Maron,” and the soap opera “The Young and the Restless” (for which she earned a Daytime Emmy nomination).
Deanie Parrish WASP Deanie Parrish at Tyndall Air Force Base in Florida in the early 1940s. | Deanie Parrish/U.S. Air Force Working as a bank clerk in Avon Park , Fla., where young cadets came for flight instruction during World War II, Deanie Parrish (February 25, 1922-February 24, 2022) was convinced she, too, could fly. She obtained her license, bought a one-third share in an airplane, and began flying for the Civil Air Patrol, patrolling the coast for downed aircraft and submarines. On her 21st birthday she applied for the Women Airforce Service Pilots (WASP) training program. As a WASP, Parrish flew a B-26 twin-engine bomber at Tyndall Air Force Base in Panama City, Florida, and towed targets to train B-24 gunners for combat. For years the WASPs were not recognized for their contributions to the war effort, because they did not fly in combat. (The 1,102 women who served were not granted military status until 1977.) Beginning in the 1980s Parrish helped form Wings Across America, initiated to teach the story of these WWII female aviators, interviewing more than 100 WASPs. In 2003, they co-founded the National WASP WWII Museum in Sweetwater, Texas. In 2009 President Barack Obama signed a bill awarding the WASPs the Congressional Gold Medal. “Simply put, the outstanding success that America achieved in the air during World War II would not have been possible without the Women Airforce Service Pilots,” House Speaker John Boehner said at a Washington ceremony the following year. Parrish accepted the award for all the WASPs: “I believe this is the day when the people of America will no longer hesitate in answering the question, ‘Do you know who the WASPs were?'”
dr Paul Farmer Dr. Paul Farmer, co-founded of Partners in Health, at a new hospital in Burera, Rwanda. | William Campbell/Corbis via Getty Images Dr. Paul Farmer (October 26, 1959-February 21, 2022) was co-founder of the global nonprofit Partners in Health, which revolutionized healthcare worldwide, saving millions of lives in places which many thought were without hope. Farmer discovered his life’s work in Haiti, where he helped raise money to build what would be central Haiti’s largest hospital. What began in 1985 as a small, under-staffed and ill-equipped clinic, would today serve two million patient visits a year β all for free. The organization later expanded to nine countries, in Africa, Eastern Europe and Latin America, with 6,000 employees worldwide, as Farmer trained a new generation of doctors to follow in his footsteps. As Farmer explained to “60 Minutes” in 2008, healthcare is a human right, and he wanted to show the world that children don’t have to die of treatable illnesses, like tuberculosis or malaria β diseases which they treat every day. “I mean, everybody should have access to medical care,” Farmer said. “It shouldn’t be such a big deal.” In the late 1990s when HIV-AIDS was ravaging the people of Haiti, conventional medical wisdom concluded there was no point in giving AIDS drugs to the Third World poor. Farmer raised money and gave them drugs anyway. A professor of medicine at Harvard Medical School and chief of the division of global health equity at Brigham and Women’s Hospital, Farmer was a MacArthur Fellow who wrote extensively on health, human rights and social inequality. He was also the subject of Tracy Kidder’s 2003 book, “Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, A Man Who Would Cure the World.”
Gary Brooker Gary Brooker, of Procol Harum, performs at the Royal Albert Hall in London, 1970. | Michael Putland/Getty Images The frontman and keyboardist for the English prog-rock band Procol Harum, Gary Brooker (May 29, 1945-February 19, 2022) had a huge hit with the band’s first single, “A Whiter Shade of Pale.” Born in East London, Brooker co-founded the R&B band The Paramounts in 1960, when he was just 14 years old. When the resident frontman left the group, Brooker became lead singer. The group recorded several singles, one of which, a cover of “Poison Ivy,” became a minor hit. In 1967, unable to sell his songs to other artists, Brooker formed the band Procol Harum. Their first record, “A Whiter Shade of Pale” (music by Brooker, lyrics by Keith Reid) was an evocative Baroque ballad, tinged with Bach and colored by words that have both confounded interpretation and inspired scores of cover versions: We skipped the light fandango
Turned cartwheels ‘cross the floor
I was feeling kinda seasick
The crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
The waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly
Turned a whiter shade of pale Carried by the Ray Charles-like swagger of Brooker’s vocals, the song was #1 on the U.K. charts for six weeks, and hit #5 in the U.S., selling more than 10 million records. Procol Harum would have another hit in 1972 with “Conquistador.” The band, marked by lineup changes, persevered for 50+ years, but most of their 13 studio albums and 8 live recordings were only moderate successes. Brooker also embarked on a career as a solo artist, recording four albums. As leader of the Gary Brooker Ensemble, he often played in charity events (for which he was awarded an MBE by Queen Elizabeth II). He also recorded with Eric Clapton, and performed with Bill Wyman’s Rhythm Kings and Ringo Starr’s All-Starr Band. His most enduring hit would eventually lead to a lawsuit, in 2006, when organist Matthew Fisher successfully sued for a share of credit and royalties for “A Whiter Shade of Pale,” despite Brooker having written the song’s famous opening solo before Fisher joined the band. In 2017, as Procol Harum released its first new album in 14 years, “Novum,” Brooker β the sole remaining original band member β talked with The Observer about the hymnal aspect of some of his songs: “Generally, in music there’s a spirituality of things that has to be there, even if it’s not overt. We’re trying to pave our way to Nirvana, really. You don’t want to go downstairs and get burnt, or end up absolutely nowhere. Much better to head to the pearly gates.” The following year, Procol Harum’s rendition of “A Whiter Shade of Pale” was inducted into the Rock and Roll Hall of Fame.
P.J. O’Rourke Humorist P.J. O’Rourke, at his home in Sharon, N.H. | David Howells/Corbis via Getty Images Humorist and New York Times bestselling author P.J. O’Rourke (November 14, 1947-February 15, 2022) braided the irreverence of Hunter S. Thompson’s “gonzo” brand of anti-authoritarian journalism with a conservative-libertarian mockery of government and the establishment, taking down left- and right-wing targets with sardonic glee. An anti-war leftist during the Vietnam War years, O’Rourke contributed to underground comics and magazines before joining National Lampoon as editor-in-chief. He co-wrote the “National Lampoon 1964 High School Yearbook Parody” and the “National Lampoon Sunday Newspaper Parody,” and contributed to the stage show “Lemmings.” As his political views migrated towards the right, he contributed articles to Rolling Stone (where he held the title foreign affairs desk chief), Vanity Fair, Playboy, Atlantic Monthly and the Weekly Standard, among others, and served as a dueling commentator on “60 Minutes,” providing the conservative view in its “Point/Counterpoint” segments. O’Rourke’s many books included “Republican Party Reptile,” “Holidays in Hell,” “Parliament of Whores,” “Give War a Chance,” “Age and Guile Beat Youth, Innocence, and a Bad Haircut,” “Eat the Rich,” “Driving Like Crazy,” “Thrown Under the Omnibus,” “Peace Kills: America’s Fun New Imperialism,” “All the Trouble in the World,” “Don’t Vote: It Just Encourages the Bastards,” and “How the Hell Did This Happen? The Election of 2016.” He was the H.L. Mencken Research Fellow at the Cato Institute, editor-in-chief of the web publication American Consequences, and a frequent panelist on the NPR quiz show, “Wait, Wait … Don’t Tell Me.” In “A Cry From the Far Middle: Dispatches From a Divided Land,” O’Rourke wrote that as his 2020 book was being edited and typeset, “Somebody ate an undercooked bat in a Wuhan wet market. Panic and pandemic ensued. The nation was brought to a stay-at-home standstill β whether reasonably or not no one is quite certain and by whose authority no one is quite sure. ‘It’s like being sixteen again,’ a friend of mine said. ‘Gas is cheap and I’m grounded.’ β¦ “My book looks back on an era of troubles that, in retrospect, seem to have been the good old days. And now I β who have covered politics and all its works and all its empty promises for half a century and who has so very many things to say about them β am left mute. β¦ “Will American politics be fundamentally changed by the pandemic? Will Americans emerge from their grievous health crisis, lock-down isolation, economic collapse, and material depravation with a newly calm, pragmatic, and reasonable attitude towards our political system? β¦ Or will we revert to our petty arguments and stupid animadversions? Having had time alone to dwell on our grievances and affronts, will we maybe even return to our spiteful quarreling with renewed vigor? This is often how human nature works. “I’m betting that human nature will triumph over adversity and challenge. And I don’t mean that in a good way.”
Carmen Herrera Artist Carmen Herrera. | Photos, clockwise from top left: LAURA BONILLA CAL/AFP via Getty Images; Venturelli/Getty; Whitney Museum of American Art installation view by Ronald Amstutz; Lisa Ducret/picture alliance via Getty Born in Havana, abstract artist Carmen Herrera (May 31, 1915-February 12, 2022) came to the U.S. with her husband in 1939; about a decade later they moved to Paris, and it was there that Herrera found her artistic voice. But throughout her career her geometric paintings and sculptures were produced largely under the radar, until she received long overdue recognition in 2016. It was then she had a solo exhibition at the Whitney Museum of American Art in New York β at the age of 101. “There is a saying: ‘If you wait for the bus, the bus will come.’ I say, yeah, I wait almost a century for the bus to come, and it came!” she told “CBS This Morning.” Simplicity was the focus of her art, as she described in the documentary “The 100 Years Show”: “Straight lines. I like angles, I like order. In the chaos that we live in, I like to put some order. So, that is why I guess I’m a hard-edge painter.”
Ivan Reitman “Ghostbusters” director Ivan Reitman at the opening night of AFI Fest 2009 in Los Angeles. | Chris Pizzello / AP Born in Czechoslovakia, to a Holocaust survivor and a member of the resistance, Ivan Reitman (October 27, 1946-February 12, 2022) was brought with his parents out of the country at age 4, escaping from the communist regime. Joining relatives in Canada, Reitman grew up exhibiting a show business bent, performing with music groups and a puppet theater, and making short films at McMaster University in Hamilton, Ontario. One student film he co-produced, in which erotic acts were performed on split screen projections, was seized by the vice squad; Reitman was found guilty of obscenity and sentenced to one year of probation and a $300 fine. But the movie, “Columbus of Sex,” was sold to a California distributor and, with additional scenes shot and re-titled, played in New York’s Times Square. In the early ’70s Reitman directed the very-low-budget comedy
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