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Since there is no Wikipedia biography about Robin Biro, we have included everything you need to know about him here.
Robin Biro is a democratic strategist and political expert. He is also a former Army Airborne Ranger veterinarian and commercial real estate expert. He served as regional director in Barack Obama’s 2008 presential campaign.
Robin Biro is quite popular for being an LGBTQ activist and gay himself. There are several hurdles he faces as a gay man when serving his country in the military.
So, for the curiosity of our readers, here are some facts about Robin Biro that you shouldn’t miss.
Quick Facts:
Surname
Robin Biro
gender
Masculine
nationality
American
@robinbiro
@robinbiro
Robin Biro’s Wife: Is Robin Married?
It is not known if Robin Biro is married or not.
But the fact that Robin Bio is gay doesn’t go unnoticed.
He is proud to be an LGBTQI activist. After the death of their father, Robin took custody of his two half-brothers. Their names are Logan and Tucker. Logan is 7 years old and Tucker is 11 years old.
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The only thing that is certain is that Robin has no wife.
Robin Biro Wikipedia: What is Robin’s age?
Robin Biro’s age is not yet known. However, he seems to be around 30-40 years old.
Robin was born in the United States of America. Now he lives in Atlanta, Georgia.
Not much is known about Robin’s parents and family background. Robin seems to come from a decent family.A
Speaking of Robin’s social media, he’s quite active on both Instagram and Twitter. He has over 2200 followers on Twitter and 1500 followers on Instagram. The accounts are not verified.
How Much Does Robin Biro Earn? Robin Biro’s Net Worth
Robin Biro Net Worth as of 2021 is still under review.
Despite this, he seems to have made good enough money through his political career. This section will be updated shortly.
The question no one in the media asks and has a moral duty to ask:
“What happens when the foreclosure and eviction moratoriums expire?” That back rent will eventually become due to millions of Americans in one lump sum. Can’t kick the can forever.
— robinbiro (@robinbiro) February 15, 2021
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Robin Biro Wikipedia Bio: Here Is What We Know On His Wife …
As there is no Wikipedia bio on Robin Biro, here we have mentioned everything to know about him.Robin Biro is a Democratic Strategist and Political.
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Date Published: 12/18/2022
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László Bíró – Wikipedia tiếng Việt
và giới thiệu bút bi sản xuất đầu tiên ở Hội chợ quốc tế Budapest năm 1931. László Biro sinh ra ở Budapest vào ngày 29 tháng 9 năm 1899. Ông đã đỗ vào Trường Y …
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Date Published: 2/28/2021
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Robert De Niro – Wikipedia
Robert Anthony De Niro Jr is an American actor and producer. He is particularly known for his nine collaborations with filmmaker Martin Scorsese, and is the …
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Date Published: 4/29/2022
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Lotlot de Leon – Wikipedia
Charlotte Jennifer Villamayor de Leon El Soury; born March 22, 1972), known professionally as Lotlot de Leon, is a Filipina actress.
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László Bíró – Wikipedia tiếng Việt
László Biro, (tiếng Hungary: Bíró László József; tiếng Tây Ban Nha: Ladislao José Biro (29th tháng 9 năm 1899 – 24th tháng 10 năm 1985) là người phát minh ra bút bi [1]; tiếng Tây Ban Nha: Ty Nếng Ladis Bano José Thang: Ladislao José Biro ballpoint pen[2])[3]. và giới thiệu bút bi sản xuấu tiên ở hội chợ quốc tế budapest năm 1931. lászló biro sinh ra ở Budapest vào ngày 9 năm 1899. ông đ ỗ vào trường t. Trong khi làm phóng viên, ông đã nhận thấy mực dùng để in báo khô rất nhanh và không làm cho giấy bị nhòe. Ông đã cố sử dụng cùng loại mực cho bút máy nhưng nhận thấy mực không chảy ra lưỡi bút do mực quá sệt. Và ông đã làm việc với anh trai, george – mộ sư hóa hóa hóa hóa đã phát triển một loại bút gồm một viên bi có thể xoay trong một hốc do đó có thể lăn mực từ cchứa mực và in lên. Bíró đăng ký phát minh ở paris năm 1950, marcel bich đ ã bản quyền của bíró và sản phẩm bút bi đã trở thành sản phản chíng cũng từng nổi tiếi.
László Biro on May 24, 1985 in Buenos Aires.
Robert De Niro
American actor (born 1943)
“De Niro” redirects here. For other people with this surname, see De Niro (surname)
Robert Anthony De Niro Jr. (də NEER-oh, Italian: [de ˈniːro]; born August 17, 1943) is an American actor and producer. He is best known for his nine collaborations with filmmaker Martin Scorsese and has received various awards including two Academy Awards, a Golden Globe Award, the Cecil B. DeMille Award and a Screen Actors Guild Life Achievement Award. In 2009, De Niro received the Kennedy Center Honor and in 2016 a Presidential Medal of Freedom from US President Barack Obama.
Born in Manhattan, New York City, De Niro studied acting at the HB Studio, the Stella Adler Conservatory and Lee Strasberg’s Actors Studio. His first major role was in Greetings (1968) and he gained early recognition with his role as a baseball player in the sports drama Bang the Drum Slowly (1973). Den Niro’s first collaboration with Scorsese was Mean Streets (1973), in which he played the New York petty criminal Johnny Boy. Fame followed with his role as a young Vito Corleone in Francis Ford Coppola’s epic crime epic The Godfather Part II (1974), which earned De Niro the Academy Award for Best Supporting Actor. He received two Academy Award nominations for Best Actor for his portrayals of Travis Bickle in Taxi Driver (1976) and a soldier in the Vietnam War drama The Deer Hunter (1978).
De Niro won the Academy Award for Best Actor for his portrayal of world middleweight boxing champion Jake LaMotta in Scorsese’s biographical drama Raging Bull (1980), his first Academy Award in the category. He soon moved on to other roles, playing a stand-up comic in The King of Comedy (1982) and gaining further recognition for his performances in Bernardo Bertolucci’s epic 1900 (1976), Sergio Leone’s crime film Once Upon a Time in America (1984) , Terry Gilliam’s dystopian satire Brazil (1985), the religious epic The Mission (1986), and the comedy Midnight Run (1988). De Niro portrayed gangster Jimmy Conway in Goodfellas (1990), a catatonic patient in the drama Awakenings (1990), and a criminal in the psychological thriller Cape Fear (1991). All three films received praise for De Niro’s performances. He then starred in This Boy’s Life (1993) and directed his first feature film in 1993, A Bronx Tale. His other critical credits include the crime films Heat (1995) and Casino (1995).
He is also known for his comedic roles in the latter, Wag the Dog (1997), Analysis This (1999) and Meet the Parents (2000). After appearing in several critically acclaimed and commercially unsuccessful films, he received an Academy Award nomination for Best Supporting Actor for his performance in David O. Russell’s 2012 romantic comedy Silver Linings Playbook. In 2017, De Niro portrayed Bernie Madoff in The Wizard of Lies and received a Primetime Emmy Award nomination. He then starred in the psychological thriller Joker (2019) and Scorsese’s crime epic The Irishman (2019).
De Niro and producer Jane Rosenthal founded the film and television production company TriBeCa Productions in 1989, which has produced several films in addition to his own. Also with Rosenthal he founded the Tribeca Film Festival in 2002. Six of De Niro’s films have been included in the United States National Film Registry by the Library of Congress as “culturally, historically, or aesthetically significant”.
Early life
Robert Anthony De Niro Jr. was born on August 17, 1943 in Manhattan, New York, the only child of the painters Virginia Admiral and Robert De Niro Sr.[3] His father was of Irish and Italian descent while his mother had Dutch, English, French and German ancestry. His parents, who met in Hans Hofmann’s painting class in Provincetown, Massachusetts, separated when he was two years old after his father announced he was gay. He grew up with his mother in the Greenwich Village and Little Italy neighborhoods of Manhattan. His father lived nearby and remained close to De Niro throughout his childhood. Nicknamed “Bobby Milk” because of his pale complexion, De Niro befriended many street kids in Little Italy, much to his father’s displeasure. However, some have remained his lifelong friends. His mother was raised Presbyterian but became an atheist as an adult, while his father had been an apostate Catholic since he was 12.[10] Against his parents’ wishes, his grandparents secretly had De Niro baptized into the Catholic Church while he lived with them during his parents’ divorce.
De Niro attended PS 41, a Manhattan public elementary school, through sixth grade. He began acting classes at the Dramatic Workshop and made his stage debut at school at age 10 playing the cowardly lion in The Wizard of Oz. He later attended Elisabeth Irwin High School, the sixth form of Little Red School House, for seventh and eighth grades. He was then accepted into the High School of Music and Art for the ninth grade, but attended only a short time before transferring to a public junior high school: IS 71, Charles Evans Hughes Junior High School. De Niro attended high school at McBurney School and later Rhodes Preparatory School. He found acting as a way to overcome his shyness and was fascinated by cinema, so he dropped out of high school at 16 to pursue acting. He later said, “When I was about 18, I was watching a TV show and I was like, ‘If these actors are doing this for a living and they’re not really that good, I can’t make them worse.'” He majored in acting at the HB Studio and Lee Strasberg’s Actors Studio.[19] De Niro also studied with Stella Adler of the Stella Adler Conservatory, where he was introduced to the techniques of the Stanislavski system. As a young actor, De Niro was inspired by the work of Marlon Brando, Montgomery Clift, James Dean, Greta Garbo, Geraldine Page, and Kim Stanley.[21]
Career
1963–1973: Early roles and breakthrough
De Niro had minor film roles in Encounter, Three Rooms in Manhattan (both released in 1965) and Les Jeunes Loups (1968). Shortly thereafter, De Niro landed a starring role in Greetings (1968), a satirical film about men escaping the Vietnam War. The film was the first in a series of early collaborations between De Niro and director Brian De Palma. A year later, De Niro appeared in the drama Sam’s Song, portraying a New York filmmaker. Also in 1969 he appeared in De Palma’s comedy The Wedding Party; Although filmed in 1963, it remained unreleased for six years. De Niro, then unknown, received a positive review from Howard Thompson of The New York Times: “Modestly produced by a trio of young people and using some unfamiliar faces, this absurdist comedy is great fun.” [22]
He then appeared in Roger Corman’s low-budget crime drama Bloody Mama (1970), a loose adaptation of Ma Barker’s life, the mother of four American criminals, one of whom De Niro portrayed: Lloyd Barker. Thompson praised the film and felt that the cast “performed well.”[23] De Niro next starred in De Palma’s comedy Hi, Mom! (1970), a sequel to Greetings. Richard Brody, writing for The New Yorker, said that De Niro brings “his spontaneity out of joint” to his character.[24] He also had small roles in Jennifer on My Mind (1971) and Ivan Passer’s Born to Win (1971). He made his last film appearance in 1971 in The Gang That Couldn’t Shoot Straight, a crime comedy based on Jimmy Breslin’s 1969 novel of the same name.
In 1972, De Niro acted in two performances at the American Place Theater directed by Charles Maryan. He then returned to the big screen with Bang the Drum Slowly (1973), in which he starred as Bruce Pearson, a major league baseball player with Hodgkin’s disease. His co-stars were Michael Moriarty and Vincent Gardenia. The film, based on Mark Harris’ 1956 novel of the same name, received critical acclaim and helped De Niro gain further recognition. The Hollywood Reporter wrote, “With this performance, De Niro proves to be one of the best and most likeable young character actors in motion pictures.”[26] Variety magazine’s Alex Belth also noted De Niro’s “touching” performance,[27] while Gardenia for was nominated for an Academy Award for Best Supporting Actor.[28] Harris later wrote of De Niro, “He only learned as much baseball as he needed for the role […] I doubt he ever wanted to touch a baseball again.”
In 1973, De Niro began working with Martin Scorsese when he starred in the crime thriller Mean Streets (1973), starring Harvey Keitel.[12] Although De Niro was offered a choice of roles, Scorsese wanted De Niro to play “Johnny Boy” Civello, a petty criminal who worked his way up into a local mob. While De Niro and Keitel were free to improvise certain scenes, assistant director Ron Satlof recalls that De Niro was “extremely serious, extremely involved in his role and preparation” and became isolated from the rest of the cast and crew. Mean Streets debuted at the Cannes Film Festival, followed by the New York Film Festival five months later, to generally positive reception. Film critic Roger Ebert said De Niro gave a “wonderful performance full of urgency and restless desperation.”[32] Pauline Kael of The New York Times was equally impressed with De Niro, writing that he was “a bravura actor, and those who registered him merely as the grinning, tobacco-chomping dolt of that inept Bang the Drum Slowly sucker will be unprepared for his.” fleeting performance. De Niro does something like Dustin Hoffman in Midnight Cowboy, but wilder; this boy isn’t just playing – he’s taking off into the fumes. In 1997, Mean Streets was selected by the Library of Congress for preservation in the US National Film Registry as “culturally, historically, or aesthetically significant”.[33]
1974–1980: collaboration and recognition of Scorsese
De Niro had a key role in Francis Ford Coppola’s crime epic The Godfather Part II (1974), playing the young Vito Corleone. De Niro had previously auditioned for the first part, The Godfather (1972), but abandoned the project to do The Gang That Couldn’t Shoot Straight. Coppola, remembering him, instead gave De Niro a role in Part II. [34] To portray his character, De Niro spoke primarily in several Sicilian dialects, although he did provide a few lines in English. The film was a commercial success, grossing $48 million at the worldwide box office.[35] The Godfather Part II received eleven nominations at the 47th Academy Awards and won six, including one for De Niro for Best Supporting Actor. It was De Niro’s first Academy win; Coppola accepted the award on his behalf as he did not attend the ceremony. De Niro and Marlon Brando, who played the older Vito Corleone in the first film, were the first acting couple to win an Oscar for portraying the same fictional character.[37]
After working with Scorsese on Mean Streets, De Niro worked with him again on the psychodrama Taxi Driver (1976). Set in bleak and morally bankrupt post-Vietnam War New York City, the film tells the story of Travis Bickle, a lonely cab driver who is driven insane. In preparation for the role, De Niro spent time with members of a US Army base to learn their Midwestern accent and mannerisms. He also lost 30 pounds (13 kg), did firearms training, and studied taxi driver behavior. The film received critical acclaim, particularly for De Niro’s performance; The Washington Post critic hailed it as his “groundbreaking achievement,”[40] and the San Francisco Chronicle wrote, “De Niro shines in one of his leading roles.”[41] Despite controversy over Jodie Foster being cast as a child prostitute, the film was nominated for four Academy Awards, including Best Actor for De Niro.[43] His “You talking to me?” Quote he improvised[44] was selected by the American Film Institute as the 10th most memorable quote in AFI’s 100 Years…100 Movie Quotes. In 2005, Time Magazine selected the film as one of the 100 Greatest Movies of All Time.[45]
De Niro and Dominique Sanda play a married couple in the film 1900
De Niro had two more film releases in 1976. He starred in 1900, a historical drama directed by Bernardo Bertolucci. Set in the Emilia region of Italy, the single cast film tells the story of two men, landowner Alfredo Berlinghieri (De Niro) and farmer Olmo Dalcò (Gérard Depardieu), who witness and engage in the political conflicts between fascism and Communism in the first half of the twentieth century. He next played a CEO in The Last Tycoon, based on F. Scott Fitzgerald’s novel of the same name, adapted by British screenwriter Harold Pinter. De Niro lost 42 pounds (19 kg) for the role, and director Elia Kazan noted that De Niro would rehearse on Sundays, adding, “Bobby and I would go over the scenes to be shot. Bobby is meticulous… he’s very imaginative. He’s very accurate. He calculates everything inside and out. He has a good feeling. He’s a character actor: everything he does, he calculates. In a good way, but he calculates”.[46]: 766 The film received mixed reviews; Variety magazine’s critic felt the film was “unfocused” and called De Niro’s performance “slightly intriguing”. Film critic Marie Brenner wrote: “It is a role to surpass even his brilliant and daring portrayal of Vito Corleone in The Godfather Part II…his performance deserves to be compared with the best.”[48]
For De Niro’s sole venture in 1977, he starred opposite Liza Minnelli in Scorsese’s musical drama New York, New York. De Niro learned to play the saxophone from musician Georgie Auld to portray saxophonist Jimmy who falls in love with a pop singer (Minnelli). The film received a generally mixed reception, although critics were kinder to De Niro. The film was nominated for four Golden Globe Awards, including Best Actor in a Motion Picture Musical or Comedy for De Niro. In 1978, De Niro starred in Michael Cimino’s epic war film The Deer Hunter, in which he played a steelworker whose life changed after serving in the Vietnam War. He starred alongside Christopher Walken, John Savage, John Cazale, Meryl Streep and George Dzundza. The story takes place in Clairton, Pennsylvania, a working-class town on the Monongahela River south of Pittsburgh, and in Vietnam. Producer Michael Deeley pursued De Niro for the role because the fame of his earlier films would help make a “cruel-sounding storyline and a little-known director” marketable. De Niro, impressed by the script and the director’s preparation, was among the first to sign the film.[54] Reviews for The Deer Hunter were generally positive, and the cast were widely praised for their performances. The film received Academy Awards, Golden Globes and British Academy Film Awards (BAFTAs) nominations, and earned De Niro a Best Actor nomination at the Academy Awards. In 2007, the American Film Institute ranked it the 53rd greatest American film of all time in its 10th anniversary edition of AFI’s 100 Years…100 Films list.
The fourth collaboration between De Niro and Scorsese came in 1980 with the biographical drama Raging Bull. Adapted from Jake LaMotta’s memoir Raging Bull: My Story, De Niro portrays LaMotta, the Italian-American middleweight boxer whose violent behavior and temper destroyed his relationship with his wife and family. Alongside Joe Pesci and Cathy Moriarty, De Niro later said it was one of the most difficult roles to prepare for because he had to gain 60 pounds and learn to box. “The book isn’t great literature, but it has a lot of heart,” De Niro told Scorsese at the time.[60] Although the film received critical acclaim, some reviewers were divided, criticizing its “extremely violent” content. However, De Niro received praise for his realistic portrayal. The Hollywood Reporter’s critic stated that “De Niro is incredible and renders the actor almost unrecognizable as himself; he looks amazingly like La Motta. De Niro’s performance is amazing even in the final scenes”. Michael Thomson of the BBC observed that “the power of Scorsese is matched by the intensity of De Niro, delving deep into the boxer’s soul”. The film received eight nominations at the 53rd Annual Academy Awards, including Best Actor for De Niro, for which it won. Raging Bull has since been regarded by American critics as one of the greatest films of the 1980s.[63] De Niro was heavily considered for the role of Jack Torrance in Stanley Kubrick’s The Shining, but it ended up going to Jack Nicholson, the director’s first choice for the role.
1981–1991: hits with drama, comedy, and awards
De Niro returned to the crime genre with True Confessions (1981), an adaptation of the 1977 novel of the same name by John Gregory Dunne. Less challenging than his previous film, De Niro played a priest who clashed with his brother (Robert Duvall), a detective investigating the murder of a prostitute. Vincent Canby of The New York Times found the plot difficult to follow at times, but praised the actors who work “so beautifully together that at times it seems like a single performance”. To broaden his range of acting roles and showcase his acting skills, De Niro sought out films with a comedic tone throughout the 1980s. He found it in The King of Comedy (1982), in which he played struggling stand-up comedian Rupert Pupkin. De Niro was the first to bring the script to Scorsese’s attention, who then gave it a New York setting and darker tone. The film failed to find an audience and was a disappointment at the box office, grossing only $2.5 million on a budget of $19 million. However, most critics praised De Niro’s performance. His next film role was in Sergio Leone’s Once Upon a Time in America (1984), in which he played David “Noodles” Aaronson, a Jewish mobster from New York City. The 229-minute theatrical version premiered at the 1984 Cannes Film Festival and received a 15-minute standing ovation.[72] The film was cut for US theaters (139 minutes), but proved highly unpopular with critics.[72] After seeing the full cut, Kenneth Turan of the Los Angeles Times described the film as “excessive and tightly controlled”, with the actors displaying “impressive restraint and power”.
Falling in Love, a romantic comedy starring Meryl Streep, was his final release in 1984. A year later, De Niro starred in a sci-fi film for the first time, Brazil, about a daydreaming man living in a dystopian society lives. Although the film was unsuccessful at the box office, Brazil was included in The Criterion Collection.[74] In May 1986, De Niro returned to the Longacre Theater stage, starring in the production of Cuba and His Teddy Bear. In his next feature film, he co-starred with Jeremy Irons in The Mission (1986), a period drama about the experiences of a Jesuit missionary in 18th-century South America. Vincent Canby gave the film a negative review and criticized De Niro’s cast: “De Niro, who was very good as the streetwise priest in True Confessions, is fine here until he opens his mouth.” However, the film won an Academy Award for Best Cinematography, three BAFTAs including Best Editing, and two Golden Globes for Best Screenplay and Best Original Score.
In 1987, De Niro had two minor film roles. In the first he was cast as Louis Cyphre in Alan Parker’s horror Angel Heart, an adaptation of William Hjortsberg’s 1978 novel Falling Angel.[80] In the second, he portrayed Al Capone in De Palma’s crime drama The Untouchables. While Pauline Kael opined that De Niro was “lazy” taking small roles, De Palma defended him by saying he was “experimenting with these characters”. In July 1987 he traveled to Russia to serve as President of the Jury at the 15th Moscow International Film Festival.[81] Finally, that year he provided a voiceover for the documentary Dear America: Letters Home from Vietnam. The buddy cop movie Midnight Run was his next attempt in 1988. De Niro played bounty hunter Jack Walsh alongside Charles Grodin. The film was warmly received and was a commercial success, grossing $81 million worldwide. In his mixed review of De Niro, Hal Hinson of the Washington Post wrote:
De Niro has scaled down here too, and it’s a relief to see him drop the great actor’s mantle and theatricality. As a result, he hasn’t seemed this fresh since Mean Streets or New York, New York. Walsh is more of a character role than what he played in those films; there’s less specificity in the conception – he’s more of a dude – but the actor fits into him seamlessly and effortlessly, and the chance to play comedy, particularly against such an ideal comic foil as Grodin, seems to have revived him .[84]
He turned down an opportunity to play Jesus Christ in Scorsese’s The Last Temptation of Christ (1988), although he told the director he would do it if the need arose. Scorsese cast Willem Dafoe instead. In 1989, De Niro starred in several films that were not widely viewed. He starred alongside Ed Harris and Kathy Baker in the drama Jacknife. The film revolves around the complex relationship between a Vietnam veteran, his sister and an army comrade. He next starred in the crime comedy We’re No Angels (1989) with Sean Penn, a remake of the 1955 film of the same name. The pair play escaped convicts who escape to Canada. A year later he starred opposite Jane Fonda in the romantic drama “Stanley & Iris”. Film critics have not received positively We’re No Angels or Stanley & Iris; Modern review aggregator Rotten Tomatoes gives them approval ratings of 47% and 33%, respectively.[86][87]
De Niro and Scorsese soon reunited in 1990 for their sixth collaboration with the crime drama Goodfellas. It is an adaptation of the 1985 non-fiction book Wiseguy by Nicholas Pileggi. The film chronicles the life of mafia operative Henry Hill (Ray Liotta) and his friends and family from 1955 to 1980. De Niro played James Conway, an Irish truck driver Carjackers and gangsters. Goodfellas premiered at the 47th Venice International Film Festival and received an “enthusiastic” response from Italian critics, although it grossed a moderate US$46 million on its wider release. Peter Travers, writing for Rolling Stone magazine, praised the cast’s performances, calling De Niro’s character “a smooth killer who acted with intriguing restraint”. Gene Siskel of the Chicago Tribune was equally impressed by her impromptu performances, concluding it was “easily one of the best films of the year”.[91] During its awards season, the film was nominated for six Academy Awards, and De Niro was nominated for Best Actor at the BAFTAs. In 2007, the American Film Institute ranked it the 92nd greatest American film of all time in its 10th anniversary edition of AFI’s 100 Years…100 Films list. Also in 1990, De Niro appeared in the lead role for Awakenings, directed by Penny Marshall. The drama, based on Oliver Sacks’ 1973 book of the same name, tells the story of Dr. Malcolm Sayer (Robin Williams), who discovers the benefits of the drug L-Dopa and administers it to catatonic patients in 1969. The film was nominated for three Academy Awards, including Best Actor for De Niro.[92] Sacks later remarked of the film, “I was very pleased with it. I think in an uncanny way, De Niro sort of empathized with a Parkinsonian. […] On other levels, I think things were kind of sentimentalized and simplified”.[94]
De Niro’s next film project was the drama Guilty by Suspicion (1991), in which he played David Merrill, a fictional film director returning to the United States during the McCarthy era and Hollywood’s blacklisting. The film received generally positive reviews.[95] He then had a minor role in the mystery drama Backdraft (1991), playing a veteran fire inspector. De Niro’s biggest hit of 1991 was Cape Fear, his seventh film with Scorsese and a remake of the 1962 film of the same name. De Niro portrays convicted rapist Max Cady who seeks revenge on a former public defender who originally defended him. De Niro’s performance was widely praised. Newsweek’s David Ansen noted that De Niro “dominates the film with his smacking, blackly comical, and chilling portrayal of psychopathic self-righteousness.” The film grossed a successful $182 million and earned De Niro a Best Actor nomination at the 64th Academy Awards.
1992-1997: Directorial debut and crime dramas
In 1992, De Niro appeared in two films. The first, Mistress, is a comedy-drama in which he played ruthless businessman Evan Wright. Of his performance, The Independent’s critic called De Niro “more urbane and coherent than we’ve seen in a while”. Irwin Winkler’s Night and the City was his second release, a crime drama remake of the 1950 film noir of the same name. He was cast as New York attorney Harry Fabian. Entertainment Weekly’s Owen Gleiberman gave the film a B- rating and criticized De Niro: “The actor who once got so caught up in his roles that he almost blew up the screen – now plays characters who didn’t.” [101] He next served as producer on the mystery thriller Thunderheart (1992).[102] In 1993 he played crime scene photographer Wayne Dobie in the comedy Mad Dog and Glory with the co- Stars Uma Thurman and Bill Murray. The feature received reasonable reviews and was praised for the chemistry between De Niro and Murray; The Washington Post critic noted that their “genuine friendship spills over into this edgy, very funny look at the male bonding experience.” [103] De Niro next starred in the coming-of-age film This Boy’s Life (1993), based on Tobias Wolff’s memoir of the same name, which starred Ellen Barkin and Leonardo DiCaprio n. The film starred Wolff’s (DiCaprio) stepfather Dwight Hansen and was mostly well-received, although Timeout magazine believed that “DiCaprio steals the show”.
De Niro starred in his directorial debut, A Bronx Tale (1993), a coming-of-age story about an Italian-American boy caught between the temptations of organized crime, racism in his community, and his decent father’s values. and is torn . The film also stars Chazz Palminteri, who wrote the play of the same name and is based on his childhood. A Bronx Tale premiered at the Toronto International Film Festival to positive reviews; Marjorie Baumgarten of The Austin Chronicle wrote, “De Niro’s directorial choices all seem prudent and non-flashy in order to draw attention to the characters and story, rather than their technical assemblage and much-vaunted stardom.” Variety Magazine’s Todd McCarthy criticized the film’s slow start but praised De Niro’s “impressive sensitivity to the irrational roots of racism and violence”. A year later, De Niro was cast in the lead role in Mary Shelley’s Frankenstein, an adaptation of Mary Shelley’s 1818 novel Frankenstein. Although the film was commercially successful, grossing $112 million worldwide, the general review consensus was largely negative. Film critic James Berardinelli opined that it was entertaining and that De Niro gave a strong performance despite the film’s “frantic” pace.
Casino (1995) marks De Niro’s return to the crime genre with Scorsese in their eighth collaboration. The film, starring Sharon Stone and Joe Pesci, is based on Nicholas Pileggi’s book Casino: Love and Honor in Las Vegas. De Niro porträtiert Sam „Ace“ Rothstein, einen Casino-Betreiber mit Mob-Verbindungen in Las Vegas. Die Themen des Films drehen sich um Gier, Verrat, Reichtum, Status und Mord, die sich zwischen zwei Gangstern, Sam „Ace“ Rothstein (De Niro) und Nicky Santoro (Pesci), und einer Trophäenfrau (Stone) über ein Glücksspielimperium ereignen. Casino wurde für überwiegend positive Kritiken freigegeben und war ein Erfolg an den weltweiten Kinokassen.[110] Roger Ebert war beeindruckt von der Fähigkeit der Hauptdarsteller, „ihre Rollen mit unbewusster Gewissheit zu bewohnen“,[111] und der Kritiker von The Globe and Mail meinte: „De Niro leistet eine außerordentlich subtile Arbeit, um das Paradox einzufangen, […] das liegt das Herz dieses Bildes”.[112] Kurz darauf spielte er 1995 in dem Krimi Heat über eine Gruppe professioneller Bankräuber. Art Linson, der zuvor Filme mit De Niro produziert hatte, schickte ihm zuerst das Drehbuch. “Es war sehr gut, sehr stark, hatte ein besonderes Gefühl, eine Realität und Authentizität”, sagte De Niro. Der Film mit Al Pacino und Val Kilmer in den Hauptrollen wurde mit großem Erfolg veröffentlicht; Michael Wilmington von der Chicago Tribune schrieb:
De Niro und Pacino lösen alles ein. In Heat stellen sie eine hohe Nachkriegstradition für Filmschauspieler dar – diejenigen, die von Marlon Brando, John Cassavetes und James Dean inspiriert wurden – die keine Angst vor Emotionen haben und direkt in die Rachen einer Szene rennen, um sie zu packen. Wie andere ihrer Generation – Jack Nicholson, Gene Hackman, Harvey Keitel – haben sie eine ausgeprägtere Neigung zum Machismo. Sie erkunden leicht seine dunkleren Schichten.[114]
1995 hatte De Niro Nebenrollen in der französischen Komödie Hundertundeine Nacht und im Drama Panther. 1996 spielte De Niro die Hauptrolle in dem Sportthriller „Der Fan“, der auf dem gleichnamigen Roman von Peter Abrahams basiert. De Niro spielt Gil Renard, einen Baseballfanatiker, der seinen Verstand verliert.[115] Seine fünfzigste Filmrolle spielte er in dem Krimidrama Sleepers (1996), in dem es um vier Jungen geht, die in Verbrechen verwickelt und zu einem Internierungslager verurteilt werden, wo sie von Wachen misshandelt werden und nach ihrer Freilassung Rache üben. De Niro spielt Priester Bobby Carillo, eine Vaterfigur für die vier Jungen. Danach trat er in Marvin’s Room (1996) als Dr. Wallace Carter auf, der eine Frau (Meryl Streep) mit Leukämie behandelt. Bob McCabe, der für das British Empire Magazine schrieb, meinte, dass “Aufführungen alle hervorragend ansehbar sind […], aber das abgeschnittene Gefühl beraubt den Film von allem mehr als oberflächlichen Freuden”. Ebenfalls 1996 war De Niro Co-Produzent der Krimikomödie Faithful.[118]
Im folgenden Jahr trat er in James Mangolds Cop Land (1997) auf, einem Krimidrama mit Sylvester Stallone, Harvey Keitel und Ray Liotta. De Niro spielt den Ermittler für innere Angelegenheiten Lt. Moe Tilden, der die Korruption der Polizei in einer Stadt in New Jersey untersucht. Der Film stieß auf eine allgemein herzliche Resonanz, obwohl Barbara Shulgasser vom San Francisco Examiner De Niros Schauspiel in bestimmten Szenen kritisierte und vorschlug, Mangold habe De Niro in eine “hergestellte Situation” gebracht, die ihn daran hinderte, sein volles Potenzial auszuschöpfen. De Niro war Co-Star und Co-Produzent von Wag the Dog (1997). The film is a political satire about a biased publicist (De Niro) and a Hollywood producer (Dustin Hoffman) who fabricate a war in Albania to cover up a U.S president’s sex scandal. In January 1998, a month after its release, the Clinton–Lewinsky scandal dominated the headlines, which helped the film generate publicity.[120] As a result, Wag the Dog was well-received and made the list of Roger Ebert’s ten best films of 1997.[121] De Niro also had a supporting role in Quentin Tarantino’s Jackie Brown in that same year.[122]
1998–2006: Comic roles, thrillers, and slump
De Niro in 1998
De Niro began 1998 with an appearance in Great Expectations, a modern adaptation of Charles Dickens’ 1861 novel of the same name, in which he played Arthur Lustig. Later that year, his next major role came in Ronin (1998), about a team of former special operatives that are hired to steal a mysterious briefcase while navigating a maze of shifting loyalties. De Niro plays Sam, an American mercenary formerly associated with the CIA. Ronin premiered at the 1998 Venice Film Festival to favorable response; Janet Maslin of The New York Times praised De Niro’s confident portrayal as an action hero.[123] In 1999, De Niro ventured back into crime-comedy; he was cast as an insecure mob boss opposite Billy Crystal and Lisa Kudrow in Harold Ramis’ Analyze This. The film was a box office hit, earning $176 million worldwide, and De Niro was nominated for Best Actor at the Golden Globes.[124][125] In Flawless (1999), De Niro appeared as a homophobic police officer, who suffers a stroke, and is assigned to a rehabilitative program with a gay singer. The critic from the BBC gave the film 3 out of 5 stars, and thought De Niro gave a “refreshingly low-key” performance, in comparison to his previous work.[126]
In 2000, De Niro produced and starred in his first live-action animation comedy, The Adventures of Rocky and Bullwinkle. He voiced the character Fearless Leader, who is a dictator and employer of two mobsters. The film was critically panned, with Rotten Tomatoes giving the film a 43% approval rating.[127] De Niro played Master Chief ‘Billy’ Sunday in the biographical drama Men of Honor (2000), based on the life of Carl Brashear, the first African-American to become a U.S. Navy Master Diver. Although the film garnered mixed reviews, Bob Thomas of the Associated Press wrote “De Niro infuses the role with all his dynamism. It is his best performance in years”.[128] That same year, he starred in the comedy Meet the Parents opposite Ben Stiller as Jack Byrnes, a former CIA operative who takes a dislike to Stiller’s character. De Niro, who had been seeking comic roles at the time, was encouraged by his producing partner Jane Rosenthal, to take on the role.[129] The film was a high earner at the box office, with $330 million in receipts.[130] Film critics welcomed De Niro’s transition as a comic actor and ability to make audiences laugh.[131][132]
After several comedies, De Niro landed a lead role in the crime thriller 15 Minutes (2001), a story about a homicide detective (De Niro) and a fire marshal (Edward Burns) who join forces to apprehend a pair of Eastern European murderers. The film’s reception was generally unfavorable; William Arnold of the Seattle Post-Intelligencer took issue with the “in-your-face exaggeration”, but he thought De Niro delivered “his usual edgy flair, […] on the mean streets of his native Manhattan”.[133] De Niro followed up with a heist, in Frank Oz’s The Score (2001), starring Edward Norton, Angela Bassett and Marlon Brando. He plays a retiring thief when a young man (Norton) persuades him into doing one last heist together. Upon release, The Score fared well with critics, although Peter Rainer of New York magazine did not think the film challenged De Niro or fully utilize his talents.[134] The next year, he played an LAPD detective opposite Eddie Murphy in the action-comedy Showtime. The reviewer from LA Weekly remarked “De Niro isn’t actually playing a part but riffing on his own legend”, and thought the references to Taxi Driver were “cheap”.[135]
Also in 2002, he collaborated with Michael Caton-Jones in City by the Sea, who had previously directed De Niro in This Boy’s Life. Starring opposite Frances McDormand and James Franco, he portrayed another police detective in the drama. The film received mixed reviews and under-performed at the theaters.[136] He appeared in Analyze That (2002), a sequel to 1999’s Analyze This. Filming began in New York City, seven months after the September 11 attacks. De Niro insisted on filming there, stating “It’s a New York story, a New York movie. We always intended to keep it there and I’m glad we were able to do it”.[137] Upon release, most critics thought the sequel was weak; CNN’s Paul Clinton remarked “Unfortunately the result is just a bunch of one-liners strung together, of which some work and some don’t. The actual story never gets off the ground”.[138] Despite these failures, De Niro served as a producer for the critically acclaimed romantic-comedy About a Boy (2002), and appeared in 9/11 (2002), a CBS documentary about the September 11 attacks, told from the New York City fire department’s point of view.[139]
Several critics consider De Niro’s career as having begun to slump in the early 2000s, with De Niro starring in roles that were less dramatic than those in the previous decade.[140][141] He returned to the screen in 2004, playing a doctor in the fantasy drama Godsend. As of 2020, the film is De Niro’s poorest-performing work; Rotten Tomatoes gave the film an approval rating of 4% based on 139 critic reviews.[142] He voiced a character in DreamWorks’ animation of Shark Tale (2004). Most critics were also unimpressed, but it was a high earner at the box office.[143] After co-producing Stage Beauty (2004), De Niro reprised his role of Jack Byrnes in 2004’s Meet the Fockers, the sequel to Meet the Parents. In a scathing review of De Niro, the critic from Slant Magazine wrote “In self-parody mode for the umpteenth time, De Niro mugs for the camera with a series of overblown grimaces and faux-menacing glares”.[144] The Bridge of San Luis Rey, was De Niro’s last release of 2004, based on Thornton Wilder’s novel of the same name. It was also critically panned.[145]
In 2005, De Niro starred in the horror Hide and Seek opposite Dakota Fanning, playing Dr. David Callaway who leaves the city with his traumatized daughter after the mother’s suicide. Although the film was a financial success, some critics thought De Niro had been miscast, and queried his decision to star in a mediocre feature.[146][147] In 2006, De Niro turned down a role in The Departed to direct his second film,[148] the spy thriller The Good Shepherd, a fictional account about the growth of the CIA during its formative years. The film reunited him onscreen with Joe Pesci, co-star from Raging Bull, Goodfellas, A Bronx Tale, Casino, among others. Based on the screenplay by Eric Roth, the project was personal for De Niro, who was raised during the Cold War and fascinated by it.[149] Despite starring some of Hollywood’s leading actors; Matt Damon, Angelina Jolie and Alec Baldwin, the film garnered a mixed reception. Writing for The Sydney Morning Herald, Sandra Hall noted its slow pace, stating “There’s a potentially fascinating slice of American history here, but De Niro has carved it up with an excruciatingly dull knife”.[150] The critic from USA Today found the plot initially hard to follow, but praises De Niro for “creating a stirring personal tale”.[151] The Good Shepherd was nominated for Best Art Direction at the 79th Academy Awards.[152] Finally in 2006, he voiced the character Emperor Sifrat XVI in Arthur and the Invisibles.[153]
2007–2016: Further film roles
His sole project in 2007 was Matthew Vaughn’s Stardust, a fantasy adventure, based on Neil Gaiman’s 1999 novel of the same name. He plays Captain Shakespeare, the leader of a ship. The film was generally well received, although one critic from New York magazine thought De Niro’s performance was “god-awful – yet his gung-ho spirit wins him Brownie points”.[154] The following year, he starred in the police procedural thriller Righteous Kill opposite Al Pacino, both playing New York City detectives who investigate serial executions of criminals who escaped justice. The film’s response was mainly disappointing; Peter Hartlaub of San Francisco Chronicle thought the story was unoriginal and De Niro lacked energy.[155] The film grossed $78 million from a budget of $60 million.[156] Next, he starred in What Just Happened (2008), a satirical comedy based on Art Linson’s experiences as a producer in Hollywood. The film was screened at the 2008 Canne Film Festival as an out-of-competition entry.[157] The Sydney Morning Herald opined that most reviewers gave the film a lukewarm reception because of the character he plays, which is “sympathetic” and quieter than his earlier roles.[158] In 2009, he was cast as Frank Goode in the drama Everybody’s Fine, a remake of Giuseppe Tornatore’s Italian film of the same name. Although the film’s response was equally mixed, The Guardian’s critic praised De Niro for a “decent, watchable performance in a while”.[159]
De Niro at the Cannes Film Festival, 2011
In 2010, he had a minor part as Senator John McLaughlin in the action film Machete. That same year, he starred in Stone opposite Milla Jovovich and Edward Norton, co-star from The Score. It is a crime drama where De Niro plays a manipulated parole officer. The film was met with a divided reception; Toronto Star’s critic thought De Niro delivered a respectable performance due to Jovovich’s support.[160] Another critic, Jesse Cataldo from Slant Magazine noted the film’s restraint and thought De Niro is repeating himself by playing the same basic characters.[161] Next he starred in Little Fockers (2010), the third sequel to Meet the Parents and Meet the Fockers. Despite universally negative reviews from critics, the film was a box office success, grossing over $310 million worldwide.[162] In one review, The Daily Telegraph wrote “Despite the farcical script, De Niro in particular has his paterfamilias character sensitively tuned”.[163] That year, De Niro was cast in Edge of Darkness, but he left the project citing creative differences. He was replaced by Ray Winstone.[164][165]
In 2011, De Niro starred in the Italian comedy Manuale d’amore 3.[166] He also appeared in three other films: Killer Elite, Limitless, and New Year’s Eve. Except for Limitless, which received an approval rating of 69% from Rotten Tomatoes, the other two films were met with mixed-to-negative reviews.[167] De Niro was also appointed President of the Jury for the 2011 Cannes Film Festival, making it the second time he has served.[168] Continuing into 2012, he starred in the drama Being Flynn, based on Another Bullshit Night in Suck City, a memoir by Nick Flynn. It was met with a mixed response; critic A. O. Scott complimented De Niro’s ability for playing an estranged father (opposite Paul Dano), calling him “unpredictable and subtle”, despite an uncertain plot.[169] De Niro also appeared in the thrillers Red Lights and Freelancers (both 2012).
De Niro made his first appearance in a David O. Russell film, in the romantic comedy Silver Linings Playbook (2012), as the father of Pat Solatano (Bradley Cooper), who is released from a psychiatric hospital and moves back in with his parents to rebuild his life. The film was a critical and commercial success, earning eight Academy Award nominations, including Best Supporting Actor for De Niro.[170] The film grossed $236 million worldwide.[171] Critics lauded the entire cast; Variety magazine’s Justin Chang noted De Niro’s calm performance, writing “it’s hard to remember the last time De Niro was this effortlessly endearing and relaxed onscreen”.[172] In 2012, De Niro served as an executive producer for the television series NYC 22.[173]
Next, he was cast in 2013’s The Big Wedding, Killing Season, and The Family; all three were met with mainly a negative response. His other 2013 release, Last Vegas, received some respectable reviews. Co-starring Michael Douglas, Morgan Freeman, Kevin Kline and Mary Steenburgen, the film is about three retirees who travel to Las Vegas to have a bachelor party for their last remaining single friend. In a harsh assessment of De Niro’s performance, the A.V. Club’s critic considered it “arguably the low point of De Niro’s career”.[174] Shortly afterwards, he starred in Grudge Match (2013) opposite Sylvester Stallone, as aging boxers stepping into the ring for one last match. They had previously worked together in 1997’s Cop Land.[175] That same year he starred in the crime thriller, The Bag Man. In 2014, De Niro appeared in a documentary about his father, Robert De Niro, Sr., titled Remembering the Artist: Robert De Niro, Sr. which aired on HBO.[176] In 2015, he starred in Nancy Meyers’ comedy The Intern alongside Anne Hathaway. The latter fared better with critics; Mark Olsen of the Los Angeles Times cordially remarked “De Niro brings a fresh, relaxed lightness to his performance, tinged with the gruff charm of Spencer Tracy”.[177] His performance won him a nomination from the Critics Choice Movie Awards for Best Actor in a Comedy.[178]
Also in 2015, he appeared in two short films, Scorsese’s The Audition and JR’s Ellis. Returning to the heist genre, he starred in Heist, playing Francis “The Pope” Silva, a gangster casino owner who is targeted by criminals. The film was not a box office success.[179] He starred in the biographical drama Joy (2015), opposite Jennifer Lawrence and Bradley Cooper, about an American inventor Joy Mangano; it gained generally mixed reviews. In 2016, he co-starred in Dirty Grandpa, playing a grandfather who goes to Florida during spring break with his grandson (Zac Efron). Upon release, the film received a polarized reception for its reputedly distasteful content, and appeared in several critics’ lists of worst films of 2016.[180][181] He also appeared in Hands of Stone (2016), a biographical sports drama about the career of Panamanian former professional boxer Roberto Durán. His last release of the year was The Comedian, which premiered at the AFI Fest, a film festival celebrating filmmakers’ achievements.[182]
2017–present: Reunion with Scorsese
In 2017, De Niro starred as Bernie Madoff in Barry Levinson’s HBO film The Wizard of Lies, a performance which earned him critical praise and a Primetime Emmy Award nomination for Outstanding Lead Actor in a Limited Series or Television Movie.[183] In 2019, De Niro won acclaim for portraying Robert Mueller alongside Alec Baldwin’s Donald Trump in various episodes of Saturday Night Live, earning him an Emmy nomination for Outstanding Guest Actor in a Comedy Series.[184] He received another Emmy nomination for his work as a producer on Ava DuVernay’s acclaimed limited series When They See Us.[185]
In 2019, De Niro returned to the screen by playing talk show host Murray Franklin in Todd Phillips’ Joker, a possible origin story for the Batman character The Joker (Joaquin Phoenix).[186] The film was a commercial success, and earned eleven nominations at the Academy Awards.[187] Also that year, De Niro reunited with Scorsese for The Irishman, based on the 2004 book I Heard You Paint Houses by Charles Brandt.[188] It is their ninth feature film together and the first since 1995’s Casino, and co-stars Al Pacino, Harvey Keitel, and Joe Pesci. The film received critical acclaim; Robbie Collin of The Daily Telegraph, praised De Niro’s “sensational” performance and the chemistry between his co-stars, whom he has worked with in earlier films.[189] Variety magazine’s critic also noted the chemistry, calling him “superb”, despite perceived weaknesses in the film’s special effects.[190]
In September 2020, De Niro appeared in Nancy Meyers’ comedy short film Father of the Bride Part 3(ish). The short co-starred Diane Keaton, Steve Martin, Kieran Culkin, Martin Short and Florence Pugh.[191] Also in that year, De Niro was cast in James Gray’s period drama Armageddon Time, but he dropped out of the project by the time production began.[192] De Niro will star alongside Leonardo DiCaprio in Scorsese’s crime drama, Killers of the Flower Moon, based on the book of the same name.[193][194] In April, it was reported that the film’s budget of $200 million had prompted Scorsese to seek Netflix or Apple TV+ for potential production and distribution.[195] In May, Apple TV was announced to co-finance and co-distribute the film, with Paramount still distributing.[196]
In January 2021, De Niro signed on for the new David O. Russell film Amsterdam. He will be joining an ensemble that includes Christian Bale, Margot Robbie, John David Washington, Michael Shannon, Mike Myers, Timothy Olyphant and Anya-Taylor Joy.[197]
Rezeption und Vermächtnis
Several journalists consider De Niro to be among the best actors of his generation.[198][199] A. O. Scott said that De Niro “was transforming himself – physically, vocally, psychologically – with each new role. And in the process, before our eyes, reinventing the art of acting.”[201] As early as 1977, Newsweek remarked that the actor “gives you the shock of becoming, of a metamorphosis that can be thrilling, moving, or frightening.” Biographer Douglas Brode praises De Niro’s versatility and ability to inhabit any role, although Pauline Kael once said in 1983 that she did not like how the actor was “disfiguring” himself in films such as Raging Bull. When asked why he undertook such roles, De Niro responded, “To totally submerge into another character and experience life through him, without having to risk the real-life consequences—well it’s a cheap way to do doing things that you would never dare to do yourself.”
In 2009, he was announced as one of the Kennedy Center Honorees with the commemoration: “One of America’s greatest cinematic actors, Robert De Niro has demonstrated a legendary commitment to his characters and has co-founded one of the world’s major film festivals”.[204] Martin Scorsese and Meryl Streep honored him at the event. In 2016, he received the Presidential Medal of Freedom from President Barack Obama.[205] Obama said “Everybody on this stage has touched me in a very powerful, very personal way […] These are folks who have helped make me who I am”.[206] White House Press Secretary Josh Earnest added, “There is no arguing that the individuals who will be honored today are richly deserving,” he said.[206]
Many De Niro’s films have become classics of American cinema, with six of his films inducted into the U.S. National Film Registry as of 2020.[207] Five of his films are featured on the American Film Institute’s list of the 100 greatest American films of all time. De Niro and James Stewart share the title for the most films represented on the AFI list.[208][209] Timeout magazine’s list of 100 best movies included seven of De Niro’s films, as chosen by actors in the industry.[210] In 2006, De Niro donated his collection of film-related materials, such as scripts, wardrobe pieces and props, to the Harry Ransom Center at the University of Texas at Austin.[211] The collection, which took more than two years to process and catalog, opened to the public in 2009.[212]
Fan song
In 1984, the English girl group Bananarama’s fan song “Robert De Niro’s Waiting…” reached the third place of the UK Singles Chart, remaining on the charts for 12 weeks.[213]
honors
Business interests
In 1989, De Niro and partner Jane Rosenthal co-founded the film production company TriBeCa Productions, which also organizes the Tribeca Film Festival. De Niro owns Tribeca Grill (co-owned with Broadway producer Stewart F. Lane), a New American restaurant located at 375 Greenwich Street (at Franklin Street) in Tribeca, Manhattan.[214] It opened in 1990.[215] He is also the owner of the Greenwich Hotel in Tribeca.[216] De Niro co-owns Nobu restaurants and hotels with partners Meir Teper and Chef Nobu Matsuhisa. The first Nobu Hotel opened inside Caesars Palace, Las Vegas, in 2013. Two years later, the second Nobu Hotel opened at City of Dreams in Manila, Philippines. In 2015, De Niro partnered with James Packer after the billionaire acquired a 20 percent stake in Nobu for $100 million.[217] He is a stakeholder in Paradise Found Nobu Resort, a company planning to build a luxury resort on the island of Barbuda. The plan for a luxury resort on the island of Barbuda has been criticized by many residents of Barbuda and the Barbuda People’s Movement, as it is in violation of the Barbuda Land Act.[218][219][220]
politics
In 1998, De Niro lobbied U.S. Congress against impeaching President Bill Clinton.[221] While promoting the film The Good Shepherd in December 2006, De Niro appeared on the show Hardball with Chris Matthews, where he voiced support for two Democrats. “Well, I think of two people: Hillary Clinton and Obama”.[222] On February 4, 2008, De Niro supported Barack Obama at a rally at the Izod Center in New Jersey before Super Tuesday.[223]
In 2012, De Niro joined the anti-fracking campaign Artists Against Fracking.[224]
De Niro is an outspoken critic of President Donald Trump. During the 2016 U.S. presidential election, De Niro called Trump “blatantly stupid” and said, “He wants to punch people in the face?! I’d like to punch him in the face.” This was in reference to the similar desire Trump expressed towards protesters at one of his rallies.[225] On June 10, 2018, while introducing Bruce Springsteen to the stage at the 72nd Tony Awards, De Niro denounced Trump by saying, “I’m gonna say one thing. Fuck Trump. It’s no longer ‘down with Trump’. It’s ‘fuck Trump’.”[226][227][228] De Niro opined that Trump is a racist, and admits that he was “naive” about Obama’s presidency and race relations in America: “I felt we were on a new thing. I didn’t realize how against him certain people were – racially against him, offended that he was there.”[229] In December 2019, De Niro clarified his views again on Trump and his family in an interview with The New York Times: “He is a person who, to me, has no morals, no ethics, no sense of right and wrong, is a dirty player. He has not one speck of redeemability in him. The president is supposed to set an example of trying to do the right thing. […] There’s not one thing that I see in him or his family, not any redeeming qualities. They’re out on the take. It’s like a gangster family.”[230] In 2020, he defended himself by saying, “As a citizen, I have as much right as anybody – an actor, an athlete, a musician, anybody else – to voice my opinion, if I have a bigger voice because of my situation, I am going to use it whenever I see a blatant abuse of power.”[231]
De Niro endorsed Democrat Pete Buttigieg in the 2020 U.S presidential election,[232] and then switched to Joe Biden after Buttigieg dropped out of the race.[233]
Personal life
Personal relationships
De Niro with Grace Hightower in April 2012
De Niro married actress Diahnne Abbott in 1976. They have a son, Raphael, a former actor who works in New York real estate.[234] De Niro also adopted Abbott’s daughter Drena De Niro from a previous relationship. He and Abbott divorced in 1988. Afterwards, he was in a relationship with model Toukie Smith between 1988 and 1996. De Niro has twin sons, Julian and Aaron, conceived by in vitro fertilization and delivered by a surrogate mother in 1995.[235][236]
In 1997, De Niro married actress Grace Hightower.[237] Their son, Elliot, was born in 1998 and the couple split in 1999. The divorce was never finalized and in 2004 they renewed their vows.[237] In December 2011, their daughter was born via surrogate.[238] In 2014, he and Hightower moved into a 6,000-square-foot, five-bedroom apartment at 15 Central Park West.[239][240] Four years later, it was reported De Niro and Hightower had separated after 20 years of marriage.[241] De Niro has four grandchildren; one from his daughter Drena, and three from his son Raphael.[242][243] On 19 April 2021, De Niro’s lawyer argued in a virtual divorce hearing presided by a Manhattan judge that he is “working at an unsustainable pace” in order “to support Hightower and pay off all his back taxes”. Hightower’s lawyer claimed that since the pair filed for divorce in 2018, De Niro had been “unfairly decreasing” the agreed-upon payments to her.[244]
Die Gesundheit
In October 2003, De Niro was diagnosed with prostate cancer. He underwent surgery at the Memorial Sloan-Kettering Cancer Center in December 2003.[245]
Residency and nationality
De Niro is long-term resident of New York City, and has been investing in Manhattan’s Tribeca neighborhood since 1989. He has properties on the east and west sides of Manhattan. He also has a 32-hectare (78-acre) estate in Gardiner, New York, which serves as his primary residence.[246]
In 2006, De Niro received Italian citizenship, despite opposition by the Sons of Italy, who believe that De Niro damaged the public image of Italians by portraying criminals.[247][248]
Stance on vaccination
In 2016, De Niro initially defended the inclusion of a controversial documentary, Vaxxed, at the 2016 Tribeca Film Festival.[249][250][251] He explained that his interest in the film was from his personal experience with his autistic son, Elliot.[250] The film was withdrawn from the schedule after consultation with the festival organizers and scientific community.[250][252] In February 2017, De Niro took part in a joint presentation with Robert F. Kennedy Jr., chairman of the anti-vaccine non-profit Children’s Health Defense, to discuss their concerns with vaccine safety. De Niro has stated that he is not anti-vaccination, but does question their efficacy.[253][254]
attack
In October 2018, De Niro was targeted by an explosive device. The device was found at the Tribeca Grill, which also houses his production company in Manhattan. According to the FBI, similar devices were sent to high-profile politicians including Barack Obama, Hillary Clinton, Joe Biden, former Attorney General Eric Holder, and former CIA Director John Brennan.[255][256]
legal issues
In February 1998, De Niro was held for questioning by French police in connection with an international prostitution ring.[257] De Niro denied any involvement,[258] and later filed a complaint against the examining magistrate for “violation of secrecy in an investigation”.[259][260][261] He stated he would not return to France, but has since traveled there several times including for the 2011 Cannes Film Festival.[262]
In 1999, De Niro threatened to sue the owners of “De Niro’s Supper Club” in Vancouver, under section 3 of the BC Privacy Act.[263] The restaurant subsequently changed its name to “Section (3)”.[264]
In 2006, the trust that owns De Niro’s Gardiner estate sued the town to have its property tax assessment reduced, arguing that $6 million was too high and should be compared only with similar properties in Ulster County, where Gardiner is located. The town, which had been comparing its value to similar estates in Dutchess County, across the Hudson River, and Connecticut’s Litchfield County, where many other affluent New York residents maintain estates on large properties, won in State Supreme Court.[265] In 2014, the trust’s lawyers appealed the decision and the town was unsure if it should continue to defend the suit because of financial limitations (it would have earned far less in payments on the increased taxes than it had spent on legal costs). This angered many residents, who initially sympathized with De Niro, and some proposed to raise money privately to help the town continue the suit.[246] The dispute was publicized by The New York Times. “When he [De Niro] read about it on Election Day, he went bananas,” due to the negative publicity, said Gardiner town councilman Warren Wiegand.[266] He was unaware that a lawsuit was filed; the trust’s accountants took responsibility citing fiduciary duty.[266] Shortly afterwards, De Niro directed his lawyer, Tom Harvey, to withdraw the suit and reimburse the town’s legal bills of $129,000. Harvey conveyed to Wiegand that “De Niro didn’t want to screw the town”.[267]
In August 2019, De Niro’s company Canal Productions filed a $6-million lawsuit against former employee Graham Chase Robinson, for breaching her fiduciary duties and violating New York’s faithless servant doctrine by misusing company funds and watching hours of Netflix during work hours.[268][269] In October 2019, Robinson filed a lawsuit against De Niro, claiming harassment and gender discrimination.[270]
Filmography and accolades
Prolific in film since the 1970s, De Niro’s most critically acclaimed films, according to the review aggregate site Rotten Tomatoes, include Bang the Drum Slowly (1973), Mean Streets (1973), The Godfather Part II (1974), Taxi Driver (1976), The Deer Hunter (1978), Raging Bull (1980), The King of Comedy (1983), Once Upon a Time in America (1984), Brazil (1985), The Mission (1986), Midnight Run (1988), Goodfellas (1990), Casino (1995), Heat (1995), Meet the Parents (2000), Silver Linings Playbook (2012), and The Irishman (2019).[271]
De Niro has been recognized by the Academy of Motion Picture Arts and Sciences for the following performances:[272]
De Niro has won two Golden Globe Awards: Best Actor – Motion Picture Drama for Raging Bull and a Cecil B. DeMille Award for “outstanding contributions to the world of entertainment”.[273] He was also the 56th recipient of Screen Actors Guild Life Achievement Award; Leonardo DiCaprio, who co-starred with De Niro in This Boy’s Life, presented him the award, citing him as an inspiration and influence.[274][275]
See also
references
Sources
Lotlot de Leon
Filipino actress
Charlotte Jennifer Villamayor de Leon El Soury; born February 16, 1971), known professionally as Lotlot de Leon, is a Filipino actress.
Career [edit]
She was a member of That’s Entertainment, along with Ramon “Monching” Christopher as her love team partner. Lotlot-Monching was a popular love couple in the late 1980s. They were paired in Bunsong Kerubin (1987), Love Boat: Mahal Trip Kita (1988), Love Letters (1988), Here Comes the Bride (1989), Mga Kuwento ng Pag-big (1989), and Hotdog (1990), among others other. [citation needed] She is now back on ABS-CBN in Walang Hanggang Paalam after her 7 year work with GMA Network.
Personal life[edit]
Former US Navy Donald Olson and Eva Rodriguez are her birth parents. Nora Aunor and Christoper de Leon are her adoptive parents[2][3] She is also the adopted sister of actress Matet de Leon, actor Ian de Leon, Kenneth and Kiko.
She was married to former matinee idol Ramon Christopher Gutierrez (son of Eddie Gutierrez) on March 27, 1989 until they separated in 2010. They have four children: 3 daughters and 1 son, Diego Gutierrez. Their eldest daughter, Janine Gutierrez, is now an actress with ABS-CBN and was formerly with GMA Network.
On December 17, 2018, she married Fadi El Soury, to whom she had been engaged since July 2018.[5]
Filmography [ edit ]
television [edit]
movie [edit]
Awards[edit]
Notes [edit]
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