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Emily and Elizabeth Hinkler are entical twins who have acted in several films and television series. They can be seen in the same film most of the time.
Emily and Elizabeth Hinkler are actresses and producers. Both starred in the 2017 film The Good Doctor.
Elizabeth has appeared in films; NCIS: Los Angeles and The Bookends and Emily has acted in the films; Boy Erased and All Rise. Both sisters are loved by many viewers and viewers.
Who Are Emily And Elizabeth Hinkler? Age
The current age of Emily and Elizabeth Hinkler as of 2022 could be around 25 years old.
Her actual age, birthday and other birth-related details have not yet surfaced on the internet. Hinkler’s sister grew up in Chicago and Iowa and lives in Los Angeles.
You have American citizenship. Both sisters are white and may be of white ethnicity.
Emily and Elizabeth Hinkler, entical twins, were born an hour apart. They were born three months premature and each weighed just two pounds when they were born.
Emily And Elizabeth Hinkler Wikipedia
As famous actresses and producers, Emily and Elizabeth Hinkler do not yet have their own Wikipedia biography page.
However, her career details are covered by IMDb, and other online articles have covered her personal life and professional career.
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Emily is Co-Executive Director of The Hinkler production company. Emily’s goal is to use the art of storytelling on platforms such as film and television to transform the way we live in society.
Who Are Emily And Elizabeth Hinkler Parents?
Emily and Elizabeth Hinkler’s parents are mathematicians who also value the arts.
They have not revealed anything about their parents and other family members. But they are seen together on various occasions. Emily shared her family photos and with her parents when they were ks.
Emily and Elizabeth got the inspiration to become an actress from their parents. For now we can call them Mr. and Mrs. Hinkler.
Explore Emily And Elizabeth Hinkler Net Worth
Emily and Elizabeth Hinkler’s net worth could be in the millions as of 2022.
They still have to disclose their actual income. The sister duo have been in the film industry for more than five years and may have already raised a handsome sum of money.
Through Emily’s social media handles, the siblings live luxurious lives and are passionate about their jobs. They have worked in commercials, advertisements and short films. Before movies, they d theater.
Emily Hinkler’s IG name is @emilyhinkler. She now has nearly 2,000 followers on her Insta handle.
Emily and Elizabeth Hinkler – The Good Doctor ep11 – Jenny and Katie Kunkler
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Review The identical twin stars of ‘My Sister’ came to L.A. with acting ambition and real empathy
Identical twins Emily and Elizabeth Hinkler were born an hour apart. They attended the same college, grew up as actresses, and lived together in Los Angeles. Both are getting married this year. When you hear them say, these similarities are merely the coincidental result of getting to know one another intimately throughout life, not the kind of cosmic identical twin connection that people often ask about.
Whether or not such a connection exists, the very idea of it is partly responsible for the appeal of seeing her in a two-woman show, My Sister, playing at the Odyssey Theater through March 13. Set at the bitter end of the decadent Weimar period in Berlin, just as Hitler is cementing his rise to power, the play explores the lives of twin sisters who live in a one-room apartment and struggle to survive on dreams and meager rations of sausage and cheese.
Twins Magda (played by Emily) and Matilde (played by Elizabeth) are identical in every way with one exception: Matilde suffers from cerebral palsy which has drastically affected her speech and rendered her left side dysfunctional. A quick-witted cynic with a knack for political satire, Matilde writes material for Magda to perform at a local cabaret. Although her disability makes it almost impossible to leave her apartment, Matilde lives vicariously through Magda’s stories from the theater while the dark shadow of Nazi persecution gathers on her doorstep.
Slowly it becomes clear that the Nazis will not tolerate Matilde and her disability any more than the Jews. Though the story takes place more than 80 years ago, the Hinkler sisters are quick to point out that it’s still relevant today because it trades with rich issues like human rights, freedom of expression, and awareness of people with disabilities.
“The audience doesn’t see her as disabled,” Emily says of Matilde. “They see her for who she really is because her sister does — a smart, intelligent writer who is passionate about the world.”
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The play was written by Janet Schlapkohl for the Hinklers when she was a student at the Iowa Playwrights Workshop, a master’s program at the University of Iowa while the sisters were juniors at the school. Schlapkohl is also the founder of Combined Efforts Theatre, which practices inclusion by making all roles available to actors with disabilities. At the time of the company’s founding in 2002, Schlapkohl was a special education teacher at an Iowa City high school.
Schlapkohl worked closely with the Hinklers, a process that resulted in 75 drafts of the play before the sisters premiered it at the university in 2013. “My Sister” was so successful that it soon moved from a 60-seat theater to a 200-seat theater. Seat theater and later toured the state.
When the Hinklers decided to move to Los Angeles about a year ago, they came across an ad for the Hollywood Fringe Festival, which celebrates up-and-coming artists every summer.
“My Sister” became one of the most talked about shows of the festival and the Hinklers won the Duende Distinction Award for acting and an Encore Producers Award, leading to their current appearance at the Odyssey.
“As artists, we know we can’t wait for opportunities to come our way,” says Elizabeth of the sisters’ decision to play the Fringe Festival despite being new in town and with few connections. “It’s about creating our own opportunities.”
They produced the show themselves, and director Paul David Story came on board. While Story helped them bring the play’s world to life, the Hinklers made it their mission to reach audiences that might have a particular interest in the show and its message, including the United Cerebral Palsy of Los Angeles, Ventura and Santa Barbara circles, retirement homes, and organizations for Holocaust survivors and twins.
The Hinklers are petite, 4ft 11 tall, with striking eyes and close-cropped brown hair. They were born three months premature and both weighed only 2 pounds when they were born, raised in the Chicago suburbs to math-loving parents who also loved the arts. The sisters said their time in L.A. fueled their impulse to have more empathy for others, especially in a city where it’s so easy to lose.
After a recent matinee, the women sit backstage at the Odyssey, tucking their legs up on a couch and finishing each other’s sentences while reminiscing about a chance encounter they can’t seem to shake.
They were driving to the theater a few nights ago when they passed an intersection near Sepulveda and Olympic Boulevard that is often frequented by homeless beggars. On this particular night, however, the resident of the corner was not a homeless person. It was a man with a cane and glasses who looked like he could be her father. He held up a sign that said his daughter was terminally ill and he could not afford her medication.
The Hinklers drove past him in silence, but when they got to the theater, despite preparing late for that night’s performance, they decided to head back. They didn’t have any cash with them, but Emily urged Elizabeth to get out of the car and speak to the man to hear his story and take one of his slips of paper with information on how they could help.
“We get nervous before shows, but that was one of the most terrifying things I’ve ever done,” recalls Elizabeth, who hugged the man, almost bringing tears to his eyes. “My heart was broken.”
They dedicated the performance that evening – and also the next day – to the man and his family.
“Our goal is to give a voice to people who don’t have one, especially in L.A.” says Emily, adding that they are working on making My Sister a feature film. “It allows people to see others for who they really are and do something to make this world a better place.”
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‘My sister’
Where: Odyssey Theatre, 2055 S. Sepulveda Blvd., Los Angeles
When: 8pm some Wednesdays, some Thursdays, all Fridays and all Saturdays, 2pm Sundays. Ends March 13th.
Tickets: $15-$34
Info: (310) 477-2055 or www.odysseytheatre.com
Running time: 1 hour, 30 minutes
Emily Hinkler & Elizabeth Hinkler.
MEDIA: PRESS RELEASE, PROMOTIONAL VIDEO & INTERVIEWS.
Hollywood Fringe Hit gets full production in Los Angeles:
“My Sister” in The Odyssey
The extended version of the Hollywood Fringe hit “My Sister” is fully produced at Odyssey
The extremely frightening story of identical twins in Berlin before the Second World War is presented with charm and humor
An extended version of My Sister, a smash hit at last season’s Hollywood Fringe Festival, will be performed in full at the Odyssey Theater on January 16th. In Janet Schlapkohl’s Poignant, Ron Sossi and Paul David Story co-direct the identical twins Elizabeth Hinkler and Emily Hinkler, Story of Two Sisters in pre-war Germany.
In Berlin in the early 1930s, days are growing dark for freedom of expression and for those who do not conform to the Nazi ideal of physical purity. The beautiful sisters Magda, a young singer and comedian at the local cabaret, and Matilde, author of the satirical songs and comedy for Magda’s number, are identical in every way – except for one. Identical genetic makeup. Identical humor. Identical dreams for the future. But cerebral palsy affects Matilde’s movement and speech, leaving her housebound. Together forever. How much longer will that be possible?
“Elizabeth and Emily are talented, charming and extremely charismatic,” says Sossi, who was so taken with The Fringe that he wanted to do a full production. “This new version includes additional cabaret sequences, songs and humor, and dives deeper into the characters.”
“Because we’re identical, audiences can see past Matilde’s disability to the core of her identity,” suggest Elizabeth and Emily, who not only look alike but also tend to finish each other’s sentences. “The themes addressed in the play are not only historical in nature; They are relevant today. human rights. Disability Awareness. Free expression. This piece conveys that in a very powerful way.”
“I felt humiliated and my heart took a hit that took about seventy-five minutes to land — leaving me prostrate,” wrote fringe blogger David MacDowell Blue. “‘My Sister’ is a gem not to be missed, one of the highlights of this year’s Hollywood Fringe,” wrote Mark Hein on his Theater Ghost website.
“It’s a play about perception,” explains the playwright. “What makes us see someone as less or different or different? Where this shift takes place fascinates me. The Nazis took this to the extreme. The disabled were the first group of people selected for extermination. It was easy to convince the public that it would end their suffering. Then gays – they don’t have “right” either. political dissidents. Jews. It was all connected, a slippery slope. Sometimes I wonder… what would it have cost me to join?”
Story adds, “This is such an important piece. The response from the audience at the Fringe was wonderful and I am delighted to be working with the Odyssey.”
Elizabeth and Emily Hinkler are from Chicago. Her long-form music video Silk Duck // “Purple” and new media film The Bags, Probably 1971 starring THISISYATES are currently showing at film festivals across the country. Other joint successes include the national tour of Out of Bounds (Working Group Theatre) and Martha Clarke’s In The Night (Iowa Partnership in the Arts). Emily appeared in The Bad Seed (Iowa Summer Repertory Theater) and Elizabeth appeared in The Moving Company’s Out of the Pan Into The Fire, where she originated the role of Clever Elsie. Like Matilde, Elizabeth is an avid writer.
Janet Schlapkohl received her M.F.A. in Drama from the University of Iowa. She also has an M.S. in Education from the University of Iowa and a B.S. in Biology with minors in English, Chemistry and Education from Iowa State University. Her plays have been produced in New York City, Los Angeles, Colorado and throughout Iowa. She is the founder of Combined Efforts Theatre, Iowa’s only theater company whose mission is to specifically include people with disabilities. Schlapkohl was selected as a 2014 Visionary Playwright by Theater Masters and has received the Isabelle Turner Human Rights Award, the Richard Maibaum Award and the Finkbine Award for Human Rights.
The original music for My Sister is by Christopher Gene Okiishi, with lyrics by Janet Schlapkohl. Background music is by Barbara Rottman, who accompanies the performances live, and choreography is by Maureen Robinson. Set design by Pete Hickok, lighting design by Derrick McDaniel, sound design by Christopher Moscatiello; Costume design is by Audrey Eisner; and prop design by Danielle DeMasters, who also serves as producer. Miranda Stewart is assistant director, and Ron Sossi and Sally Essex Lopresti are producing for the Odyssey Theater Ensemble.
My Sister shows on Fridays and Saturdays at 8pm. and Sundays at 2:00 p.m., January 16 to March 6. (On Sunday, January 17 only, the performance is at 5:00 p.m., with no matinee at 2:00 p.m.) Additional midweek performances are scheduled on Wednesdays at 8:00 p.m. on February 3rd and 24th and on Thursdays at 8pm on February 11th, February 18th and March 3rd. Three follow-up discussions will take place on Friday, January 29; Thursday, February 11; and Wednesday 24 February and are included in the ticket price. Tickets are $34 Saturday and Sunday; $30 Fridays; and $25 on Wednesdays and Thursdays, with tickets available for $20 for seniors and $15 for students and SAG/AFTRA/AEA members. There will be four “Tix for $10” performances on Friday, January 22nd; Saturday January 23; Friday February 19; Wednesday February 24th. The third Friday of the month is Wine Night at Odyssey: enjoy complimentary wine and snacks and mingle with the cast after the show. The Odyssey Theater is located at 2055 S. Sepulveda Blvd., West Los Angeles, 90025. For reservations and information, call (310) 477-2055 or go to http://www.OdysseyTheatre.com.
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A Story of Twins
“You know her.”
The words of Maria Vorhis, describing the University of Iowa’s Emily and Elizabeth Hinkler, apply to countless students on campus. A slight woman with short brown hair stumping around campus might not draw too much attention, but when accompanied by a twin and performing in front of hundreds on stage, they draw some attention.
The entire Iowa City area has a chance to see both Hinklers perform on Janet Schlapkohl’s new show My Sister this weekend at 8 p.m. Friday and Saturday in the theater building 172.
“It’s a story of two sisters who share the same dream and their journey to achieve that dream,” said Emily Hinkler.
The scenario suits the Hinkler sisters as both are studying theater and planning another acting career after graduating in May. The question that has hung around the couple all year has been will they go their separate ways next year to pursue their dreams?
“We stick together,” said Emily Hinkler.
No wonder, considering the two women date often and couldn’t finish this interview without completing each other’s sentences.
Elizabeth Hinkler shares her sister’s faith.
“It’s more marketable. We like each other,” she said, smiling over at her sister in their dorm room. “We work really well together.”
The only question that remains is where to go.
“We’re originally from Chicago and have wanted to go there our entire lives, but we spoke to people and they told us to go to LA,” Elizabeth Hinkler said. “We just want to work and pursue our dreams. We want to attack them.”
Before heading to the coast, Emily and Elizabeth Hinkler have work to do in Iowa City, including My Sister, their first project of the semester. The show is a workshop production, so it is still being revised and changed.
“Because we’re seniors, we were trying to find ways to integrate our learning, so we turned that into a workshop,” Elizabeth Hinkler said. “This year’s theme is human rights awareness, and that fits really well.”
Vorhis, the project leader, was also very enthusiastic about working on the original script.
“With a workshop, you’re not so involved in the production — you can focus on the script,” she said. “It’s a lot rawer. There is a lot more freedom.”
Removing many of the technical elements and focusing solely on the message and content of the show allowed for a deeper understanding of the work.
“It’s about Berlin in 1934, so it segues into the Holocaust,” said Elizabeth Hinkler. “A lot of people know about the Jewish side of the Holocaust, but there was a time before that when it was about accommodating people with disabilities.”
Elizabeth Hinkler refers to the Nazi practice of executing people with disabilities to “purify” the human gene pool. Her character Matilde has cause for concern as she has cerebral palsy and her twin sister Magda is perfectly healthy. Magda works in a cabaret and performs things that Matilde wrote.
“Emily’s character, while involved in the world, is very naive about the world and very ignorant of what’s going on, whereas my character challenges the world but never really faces it,” Elizabeth Hinkler said. “I can make up my own mind and fight the world, but only in private.”
While cerebral palsy seems to be a big aspect of Matilde’s character, Vorhis emphasizes that she never viewed this show as a message. While she notes that Matilde’s disability is an aspect of the show, she doesn’t feel that this defines her or the show.
“[Matilde’s cerebral palsy] is this prominent factor that everyone else sees, but once you get over it, it’s a very small factor,” Elizabeth Hinkler said.
Although Matilde is not defined by her disability, she is somewhat physically restricted and relies on Magda to take care of her. The Hinklers were able to retire from their own lives – Elizabeth Hinkler relied heavily on Emily Hinkler’s help after tearing her cruciate ligament in her sophomore year.
“It brought up a lot of our past when I tore my cruciate ligament and Emily was away a lot,” Elizabeth Hinkler said. “What do you do when you’re alone and how do you deal with it? In our relationship, in a way, we’re always there when we’re not together.”
The two have been together for 21 years and joke that their birthday is also their anniversary.
“We always think of each other,” Emily Hinkler said. “We describe our relationship to each other as married. Our relationship is like an old marriage without sex. If Elizabeth gets hurt, I’ll take care of her, make her food, do her laundry.”
Her own experiences of separation and trust made it relatively easy to connect with her characters and decide who should play which character.
“The experience I had of being alone, not being able to move, really connected me to [Matilde],” said Elizabeth Hinkler. “I feel like our relationship is like this because Emily took care of me while I wasn’t moving.”
“I’m like my character because she always has something to do,” Emily Hinkler said. “In the script, I have to take care of Matilde and be the breadwinner.”
The real-life parallels don’t end here. By their own standards, there are several personality traits that bind them to their characters.
“Magda is very logistical, like Emily in real life, she’s in charge of everything,” Elizabeth Hinkler said. “But like our real-life relationship, Matilde is responsible in a very different way in the script. I am responsible for making a connection on an emotional level. Magda is emotionally very naive.”
Despite their near-identical appearance, there are major differences between the two characters. After 21 years together, Emily and Elizabeth Hinkler can understand the experience of being viewed as the same person.
“People put up twins as a spectacle,” Elizabeth Hinkler said. “When I look in the mirror, I see my own individual. It’s not that one is worse than the other or one better than the other like people are always trying to compare us. They are similar but can be appreciated as individuals for the great qualities they possess.”
The sisters both hope audiences will understand this concept better after the show.
“I think one great thing that [audiences] can take away is a little bit of insight into what it’s like to be a twin, because people are always so curious about it,” said Emily Hinkler. “I don’t think we can ever really explain it because it’s normal for us.”
Vorhis certainly noticed differences between the two women as the show progressed.
“They’re both incredibly smart, but Emily is more outward looking and Elizabeth is more inward looking,” said the 2012 UI graduate. “They’re so on the same page it’s scary. It’s like Elizabeth is the yin and Emily is the yang.”
As Elizabeth and Emily Hinkler, two very different people, venture out into the world hoping to achieve the same goal, this script seems like a perfect parallel to end their college careers.
“It’s just about two sisters trying to live the dream,” Elizabeth Hinkler said. “Either that means one of them stepping back so the other can go after them, or trying to fit them both through that flimsy door.
What people do for each other when they love someone – what that means about pursuing your dreams and how close your relationship is at such a difficult time, even with twins who are so close.
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