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Big Mama is a professional Youtuber, streamer, and also gamer who very often uploads videos and other useful content relating to gaming. She is a very famous YouTuber and has more than 635K subscribers on YouTube. The real name of Big Mama Eternal is not revealed anywhere.Big Mama Eternal’s number of subscribers is 650.2K with 15.2K new subscribers in the last 30 days.Synopsis. The film follows 18 months in the life of Viola Dees (89 years old) as she tries to persuade Los Angeles authorities that she can care for her grandson, 9-year-old Walter.
| Big Mama Thornton | |
|---|---|
| Thornton in the mid-late 1950s | |
| Background information | |
| Birth name | Willie Mae Thornton |
| Born | December 11, 1926 Ariton, Alabama, U.S. |
The reveal of Big Mama Eternal’s face is a hot topic right now. Her fans are desperate to find out who she is.
Big Mama is a professional Youtuber, Streamer and Gamer who uploads animated and gaming videos.
She is very famous and has over 489,000 subscribers on Youtube.
Has Big Mama Eternal Done Face Reveal?
Big Mama Eternal hasn’t shown a face yet. She h her face quite well.
She uses her avatar on her various social media platforms to represent her.
She creates videos on various games such as Wolves Life, Dragons Life, Ponytown, Wildcraft, Roblox in general, Imvu and other RPGs.
People are so excited to see her face at all costs. But she has yet to share her natural looks.
According to some of her photos from Instagram, she has blonde hair but she has her face hden.
She could also be of white ethnicity. She has a white skin tone which we spotted from her Instagram account.
Big Mama Eternal Age: How old is she?
Big Mama Eternal has not revealed her age yet. There are no details about her age, real name and family history on the internet.
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When she hears her voice, she appears to be in her early 30s.
She is currently showing herself as an anonymous personality with a funny nature. In addition, she may or may not be married or have children.
But you can guess why she’s called Big Mama Eternal, maybe because she’s a mom. But we’re not sure.
Big Mama has managed to keep her data hden and inaccessible for the time being. But soon we’ll find out who she is, so stay tuned.
Big Mama Eternal Net worth
Big Mama Eternal’s estimated net worth is under the curtains. However, YouTubers earn a lot from their content.
But we’re not exactly sure of her exact net worth. She has a growing number of subscribers every day. To date, she has 489,000 subscribers on Youtube.
The average number of views over their 30-day period is approximately 398,000. So far it has 21 million views with a total of 75 videos.
The last video Big Mama Eternal uploaded to her channel was on October 10, 2021. It had 25,000 views.
The main content of Big Mama Eternal is mostly related to gaming. So she must be pa well for her content.
What is Big Mama Eternal real name?
| Big Mama Thornton | |
|---|---|
| Thornton in the mid-late 1950s | |
| Background information | |
| Birth name | Willie Mae Thornton |
| Born | December 11, 1926 Ariton, Alabama, U.S. |
How many subscribers does Big Mama Eternal have?
Big Mama Eternal’s number of subscribers is 650.2K with 15.2K new subscribers in the last 30 days.
How old was Walter in Big Mama eternal?
Synopsis. The film follows 18 months in the life of Viola Dees (89 years old) as she tries to persuade Los Angeles authorities that she can care for her grandson, 9-year-old Walter.
Where is Big Mama Thornton from?
What killed Big Mama Thornton?
Willie Mae Thornton died of a heart attack in Los Angeles on July 25, 1984, at the age of 57. The funeral was led by her old friend, now Reverend Johnny Otis, and many artists paid tribute.
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Big Mama is a professional Youtuber, streamer, and gamer who uploads animated and gaming veos. She is very famous and has over 489 thousand subscribers on …
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Date Published: 2/25/2021
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Has Big Mama Eternal Done A Face Reveal? Learn …
Here is all we know about her real name. Big Mama is a professional YouTuber. Big Mama is a streamer and also a gamer whose uploads consist mostly of games …
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Big Mama Eternal’s YouTube Stats and Analytics | HypeAuditor
Big Mama Eternal YouTube Statistics and Channel analytics report by HypeAuditor. … Youtube Stats & Analytics for Big Mama Eternal … Hey guys, what’s up?
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Date Published: 10/25/2021
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Big Mama Eternal (@bigmamaeternal) / Twitter
Showbiz Pizza Place youtube.com/bigmamaeternal Joined February 2019 … I made big mama eternals character in GACHA <33 hope u like it. @bigmamaeternal.
Source: twitter.com
Date Published: 1/24/2022
View: 7028
Big Mama Eternal Face Reveal, Biography, Youtube, Net Worth And More
Who is Big Mama Eternal?
Big Mama is a professional youtuber, streamer and also gamer who very often uploads videos and other useful content related to gaming. She is a very famous YouTuber and has more than 635,000 subscribers on YouTube. Big Mama Eternal’s real name is not revealed anywhere. She’s still a mysterious character and we haven’t been able to find out anything about her name, date of birth, or place of birth. However, her age is unknown; she is a woman in her mid-thirties. Big Mama Eternal’s net worth is estimated at several million dollars.
Yes! It’s me! I am real! Check the twitter in my about, on my channel if you don’t believe. Lmao pic.twitter.com/wk7N5dd8mj January 12, 2020
Big Mama Eternal Face Reveal
Until now, Big Mama Eternal hasn’t shown her face. She did a good job of hiding her face. She uses her avatar to represent herself on all of her social media channels.
She makes films for a variety of games including Wolves Life, Dragons Life, Ponytown, Wildcraft, Roblox in general, Imvu and other RPGs. People want to see her face at all costs. However, she has not yet revealed her natural appearance. Her hair appears to be blonde in several of her Instagram pictures, but she has her face hidden. She could also be of white descent. Her Instagram account revealed that she has a white complexion.
Big Mama Eternal Biography
Specs Details Profile Name Big Mama Eternal Real Name Unknown Date of Birth Unknown Place of Birth Unknown Age 30-40 years Occupation YouTuber, Streamer, Gamer Status Active Subscribers 635,000 Subscribers Genre Gaming Content Twitter Big Mama Eternal Big Mama Eternal YouTube Channel
Big Mama Eternal YouTube Channel
Big Mama Forever is known to be a famous Youtuber. Her official YouTube channel is Big Mama Eternal. The Youtube channel has around 635,000 subscribers and 99 uploaded videos. All videos are related to gaming. His most viewed video on YouTube is Gacha Life Tik Tok CRINGE: Return of the OWO CATS with 2.8 million views and counting. The video was uploaded on May 1st, 2021.
Big Mama Eternal Net Worth Big Mama is a strong woman. The true value of the estimated net worth is hidden behind closed doors. YouTubers, on the other hand, make a lot of money from their videos. However, we have no precise information about her net worth. Every day she gains a larger number of subscribers. She currently has 635,000 Youtube subscribers. Related Searches Big Mama Eternal Face Reveal
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Disclaimer: The above information is for general information purposes only. All information on the website is provided in good faith, however we make no representations or warranties of any kind, express or implied, as to the accuracy, adequacy, validity, reliability, availability or completeness of any information on the website.
Big Mama Thornton
American rhythm and blues singer and songwriter
musical artist
Willie Mae Thornton (December 11, 1926 – July 25, 1984), better known as Big Mama Thornton, was an American R&B singer and songwriter. She was the first to record Leiber and Stoller’s “Hound Dog” in 1952,[2] which became her biggest hit, staying at number one on the Billboard R&B chart for seven weeks in 1953[3] and selling nearly two million copies. 4] Thornton’s other recordings included the original version of “Ball and Chain,” which she wrote.
Their 1952 recording of “Hound Dog,” written by Jerry Leiber and Mike Stoller and later recorded by Elvis Presley, reached #1 on the Rhythm & Blues Records chart. According to Maureen Mahon, music professor at New York University, “The song is considered an important beginning of rock ‘n’ roll, particularly in relation to the use of the guitar as a key instrument”.[5]
Early life[edit]
Thornton’s birth certificate states that she was born in Ariton, Alabama,[6] but in an interview with Chris Strachwitz she gave Montgomery, Alabama as her place of birth, probably because Montgomery was better known than Ariton.[7]
She was introduced to music at a Baptist church where her father was a pastor and her mother was a singer. Thornton and her six siblings began singing at an early age.[8] Her mother died young, and Willie Mae dropped out of school and got a job washing and cleaning spittoons at a local tavern. In 1940 she left home and, with the help of Diamond Teeth Mary, joined Sammy Green’s Hot Harlem revue and was soon dubbed “New Bessie Smith”. Her musical training began in church but continued through her observation of rhythm and blues singers Bessie Smith and Memphis Minnie, whom she deeply admired.[9]
Career [edit]
Early career[edit]
Thornton’s career began when she moved to Houston in 1948. “A new breed of popular blues was emerging from the clubs of Texas and Los Angeles, full of brass, erratic rhythms and witty lyrics.”[10] In 1951 she signed a recording contract with Peacock Records and performed at the Apollo Theater in 1952. Also in 1952, while working with another Peacock artist, Johnny Otis, she recorded “Hound Dog”, the first record produced by writers Jerry Leiber and Mike Stoller. The pair were present at the recording,[11] with Leiber demonstrating the song in the vocal style they had in mind;[12][13] “We wanted her to growl it,” Stoller said, which she did. Otis played drums after the original drummer was unable to play a proper role. The record sold more than half a million copies and debuted at number one on the R&B charts,[14] helping to herald the beginnings of rock ‘n’ roll.[15] Although the record made Thornton a star, she reportedly saw little of the gains.
On Christmas Day 1954, in a theater in Houston, Texas, she witnessed her colleague Johnny Ace, also of the Duke and Peacock record labels, accidentally shoot and kill himself while playing with a .22 pistol .[17] Thornton continued recording for Peacock through 1957, performing on R&B packages with Junior Parker and Esther Phillips. Thornton’s success with “Hound Dog” was followed three years later by Elvis Presley’s recording of his hit version of the song.[11]
Its inclusion initially angered Leiber, who wrote, “I have no idea what these rabbit story copies are about, so few fans today know that ‘Hound Dog’ began as ‘an anthem to black girl power.’ “and although the label chose not to release the song…they held on to the copyright” – meaning Thornton missed out on publishing royalties when Janis Joplin recorded the song later in the decade. However, in a 1972 interview, Thornton admitted to giving Joplin permission to record the song and receiving royalties from its sales.
success [edit]
As her career began to fade in the late 1950s and early 1960s,[2] she left Houston and moved to the San Francisco Bay Area, notably “playing clubs in San Francisco and LA and recording for a number of labels.” the Berkeley-based Arhoolie Records. In 1965 she toured Europe with the American Folk Blues Festival,[19] where her success was notable “because very few female blues singers at that time were ever successful beyond the Atlantic.”[20]
While in England that year she recorded her first album for Arhoolie, Big Mama Thornton – In Europe. It was backed by blues veterans Buddy Guy (guitar), Fred Below (drums), Eddie Boyd (keyboards), Jimmy Lee Robinson (bass) and Walter “Shakey” Horton (harmonica), with the exception of three songs that Fred McDowell provided acoustic slide guitar. [citation required]
In 1966 Thornton recorded her second album for Arhoolie, Big Mama Thornton with the Muddy Waters Blues Band – 1966, featuring Muddy Waters (guitar), Sammy Lawhorn (guitar), James Cotton (harmonica), Otis Spann (piano), Luther Johnson ( bass guitar) and Francis Clay (drums). She performed at the Monterey Jazz Festival in 1966 and 1968. Their last album for Arhoolie, Ball n’ Chain, was released in 1968. It consisted of tracks from her two previous albums, as well as her composition “Ball and Chain” and the standard “Wade in the Water”. A small combo, including their frequent guitarist Edward “Bee” Houston, provided backing for the two songs. Janis Joplin and Big Brother and the Holding Company’s performance of “Ball ‘n’ Chain” at the Monterey Pop Festival in 1967 and the song’s release on their number-one album Cheap Thrills renewed interest in Thornton’s career.
By 1969, Thornton had signed to Mercury Records, who released their most successful album, Stronger Than Dirt, which reached #198 on the Billboard Top 200 Records chart. Thornton had now signed a contract with Pentagram Records and could finally fulfill one of her biggest dreams. A blueswoman and the daughter of a preacher, Thornton loved the blues and what she called the “good singing” of gospel artists like the Dixie Hummingbirds and Mahalia Jackson. She always wanted to record a gospel record and did so with the album Saved (PE 10005). The album includes the gospel classics “Oh, Happy Day”, “Down By The Riverside”, “Glory, Glory Hallelujah”, “He’s Got the Whole World in His Hands”, “Lord Save Me”, “Swing Low, Sweet chariot”. “, “One More River” and “Go Down Moses”.[7]
By this time, the American blues revival had come to an end. While the original blues acts like Thornton mostly played smaller venues, younger people played their versions of the blues in huge arenas for big bucks. As the blues had seeped into other genres of music, the bluesman no longer needed impoverishment or geography to justify; The style was enough. While the offers at home dwindled, things changed for good in 1972 when Thornton was asked to rejoin the American Folk Blues Festival Tour. She thought Europe was a good place for herself, and happily agreed given the lack of engagement in the United States. The tour, which began March 2, took Thornton to Germany, France, Switzerland, Austria, Italy, the Netherlands, Denmark, Norway, Finland and Sweden, ending in Stockholm on March 27. With her on the bill were Eddie Boyd, Big Joe Williams, Robert Pete Williams, T-Bone Walker, Paul Lenart, Hartley Severns, Edward Taylor and Vinton Johnson. As in 1965, they earned recognition and respect from other musicians who wanted to see them.[7]
Late career and death
In the 1970s, years of heavy drinking began to damage Thornton’s health. She was in a serious car accident but recovered to perform at the 1973 Newport Jazz Festival with Muddy Waters, B.B. King and Eddie “Cleanhead” Vinson (a recording of this performance, The Blues—A Real Summit Meeting, was released by Buddha Records). Thornton’s last albums were Jail and Sassy Mama for Vanguard Records in 1975. Other songs from the recording session were released in 2000 on Big Mama Swings. Jail recorded their performances during concerts in two Northwestern United States prisons in the mid-1970s.[7]
She was backed by a blues ensemble that featured sustained jams by George “Harmonica” Smith and included guitarists Doug MacLeod, Bee Houston and Steve Wachsman; drummer Todd Nelson; saxophonist Bill Potter; bassist Bruce Sieverson; and pianist J.D. Nicholson. She has toured extensively throughout the United States and Canada, playing at the Juneteenth Blues Fest in Houston and sharing the bill with John Lee Hooker.
She performed at the 1979 San Francisco Blues Festival and in 1980 at the Newport Jazz Festival. Big Mama also performed at the Blues Is a Woman concert that year, alongside classic blues legend Sippie Wallace, who wore a men’s three-piece suit, straw hat and gold watch. She was the center of attention, playing pieces she wanted to play that weren’t on the program.[22] Thornton competed in the Tribal Stomp at the Monterey Fairgrounds, the Third Annual Sacramento Blues Festival and the Los Angeles Bicentennial Blues with BB King and Muddy Waters. She was a guest on an ABC TV special hosted by actor Hal Holbrook and was joined by Aretha Franklin touring the club scene. She was also part of the award-winning PBS television special Three Generations of the Blues, starring Sippie Wallace and Jeannie Cheatham.[7]
Thornton was found dead on July 25, 1984 at the age of 57 by medical personnel in a Los Angeles boarding house [23]. She died of heart and liver disease as a result of her long-standing alcohol abuse. Due to illness, she had lost 161 kg in a short time, her weight dropped from 450 to 204-43 kg.[9]
style [edit]
Thornton’s performances were characterized by her deep, powerful voice and strong confidence. She was nicknamed “Big Mama” by Frank Schiffman, manager of the Apollo Theater in Harlem, because of her strong voice, height and personality. Thornton stated that she was louder than any mic and didn’t want a mic ever to be as loud as she was. Alice Echols, the author of a biography of Janis Joplin, said Thornton could sing in a “pretty voice” but didn’t want to. Thornton said, “My singing comes from my experience… my own experience. I’ve never had anyone teach me anything. I never went to school for music or anything like that, playing the drums by watching other people! I can’t read music, but I know what I’m singing! I don’t sing like nobody but myself.”[24][25]
Her style was heavily influenced by gospel music, which she listened to growing up in a preacher’s house, although her genre could be described as blues. Thornton was quoted in a 1980 New York Times article: “When I came up and heard Bessie Smith and all that, they were singing from their heart and soul and expressing themselves to someone, I have my own way of singing it.” Because I don’t want to be Jimmy Reed, I want to be me. I like to empathize with everything I do so that I can feel it”.[17]
Scholars such as Maureen Mahon have commended Thornton for subverting traditional roles for African American women.[21] She added a female voice to a field dominated by white males, and her strong personality defied stereotypes of what an African American woman should be. This transgression was an integral part of her performance and stage persona.[26]
legacy[ edit ]
Thornton has been nominated for the Blues Music Awards six times during her career.[21] In 1984 she was inducted into the Blues Hall of Fame. In addition to “Ball ‘n’ Chain” and “They Call Me Big Mama,” Thornton wrote twenty other blues songs. Her “Ball ‘n’ Chain” is included in the Rock and Roll Hall of Fame list of “500 Songs That Shaped Rock and Roll”.[14]
It wasn’t until Janis Joplin covered Thornton’s “Ball ‘n’ Chain” that it became a hit. Thornton received no compensation for her song, but Joplin gave her the credit she deserved by letting Thornton open for her. Joplin found her singing voice through Thornton, who praised Joplin’s version of “Ball ‘n’ Chain,” saying, “This girl feels like me.”[27]
Thornton later received greater recognition for her popular songs, but she’s still underestimated for her influence on blues, rock & roll, and soul music. Thornton’s music was also influential in shaping American popular music. The lack of acclaim she received for “Hound Dog” and “Ball ‘n’ Chain” as they became popular hits is representative of the lack of acclaim she received throughout her career.
Many critics argue that Thornton’s lack of recognition in the music industry reflects an era of racial segregation in the United States, both physically and in the music industry. Scholars suggest that Thornton’s lack of access to a wider audience (both white and black) may have been a barrier to her commercial success as both a singer and composer.
The first full biography of Thornton, Big Mama Thornton: The Life and Music, by Michael Spörke, was published in 2014.[7]
In 2004, the non-profit Willie Mae Rock Camp for Girls, named after Thornton, was established to provide a musical education to girls ages eight to eighteen.[21]
Discography[ edit ]
Studio and live albums [ edit ]
Year Title Label 1965 Big Mama Thornton – In Europe Arhoolie 1966 Big Mama Thornton with the Muddy Water Blues Band Arhoolie 1969 Stronger Than Dirt Mercury 1970 The Way It Is Mercury 1971 Saved Pentagram 1975 Jail (Live) Vanguard 1975 Sassy Mama! (Live) Avant-garde
Compilations[ edit ]
Year Title Label 1968 Ball n’ Chain Arhoolie 1970 She’s Back Backbeat/Peacock 1978 Mama’s Pride (compilation of tracks from Jail and Sassy Mama!) Vanguard
Source: Big Mama Thornton at AllMusic
See also[edit]
References[edit]
Bibliography[edit]
Big Mama Eternal’s YouTube Stats and Analytics
Hey guys whats up? Thanks for stopping by! My channel consists mostly of gameplay and some comments. I create videos for different games like Wolves’ Life, Dragons’ Life, Roblox in general, PonyTown, Wildcraft, Imvu and many more RPGs. I also do commentary and reaction videos on Gacha Life. I really appreciate you visiting my channel, thanks for reading! Channel credits: Profile picture by @ebbko_ on Instagram Intro animation and outro art by _pont on YouTube Old talk sprites by @insane_jellies_art on Instagram Intro and outro beat by prod. ttl on youtube
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