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Tash Sultana is engaged to her partner Jamie Englewood. Tash is an Australian singer and songwriter.
According to her available information, Tash Sultana is engaged to her partner Jamie Englewood.
This couple has been sharing pictures of themselves on various media platforms for a long time. In 2020, Tash proposed to Jaimie.
Who is Tash Sultana’s Partner?
Tash Sultana’s partner is Jamie Englewood and they have been happily together for some time.
They’ve been dating for a long time, and now these two lovebirds have finally gotten engaged.
In 2020, Tash had proposed to Jamie.
She wrote in an Instagram post, “You know when you know.” Jaimie was wearing her engagement ring in the picture.
What is Jamie Englewood Age And Height Details?
Unfortunately, Jamie’s age and height are not updated.
Tash Sultana is 5 feet 7 inches tall.
Does Jaimie Englewood have Wikipedia?
No, it is not mentioned on the official Wikipedia page.
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Tash is on Wikipedia. If you want to learn more about Tash, you can visit her Wikipedia page by clicking here.
Jaimie Englewood : Family
Unfortunately, there are no details about Jaimie’s family and siblings.
Jaimie’s family may be from Australia.
What is Jamie Englewood Net Worth?
Jamie’s net worth is not available to viewers as it has not been verified.
We don’t know Jaimie’s true source of income. The work she does is completely unknown to us.
Find her on Instagram and Twitter
It looks like Jamie doesn’t have an Instagram or Twitter. However, she previously had an Instagram account.
Previously, her account name was @bohemian_spirit_collective. Jaime even deleted her private account (@lemon.squashala).
As for her fiancé, Tash is on Twitter and Instagram. her on Instagram under the name @tashsultanaofficial. She has gained a million followers.
You can find the link to her Twitter here.
Who is Tash sultanas partner?
As we talk, Sultana’s fiancée Jaimie comes up in conversation many times. The pair live together in Melbourne, admittedly neglecting the vegetable garden on the 10-acre lot but skating on the half-pipe ramp when the mood takes them; and when it’s not in need of repair, like it is now.
Where did Tash Sultana grow up?
Sultana grew up in Melbourne, and has been playing guitar from the age of three, beginning a career in music through busking. An active musician on Bandcamp since 2013, Sultana’s recordings were viewed millions of times on YouTube in 2016.
How did Tash Sultana became famous?
Tash Sultana is an Australian indie musician known for their fiery, passionate vocals and command of multiple instruments and looping pedals. Sultana first found the spotlight in 2016 with live videos of one-person-band performances, playing multi-layered compositions informed by vintage hard rock and alternative rock.
What type of music is Tash Sultana?
What does Tash Sultana use?
Sultana has tons of gear—including multiple guitars, drum machines, a looper, other assorted instruments (including mandolin, flute, and trumpet), and a bevy of pedals—and manipulates those tools while also singing, self-harmonizing, beat-boxing, and layering drum patches.
Who is supporting Tash Sultana 2022?
Tash Sultana has announced a lengthy list of 2022 North American tour dates. The run of more than twenty dates in the U.S. and Canada comes amide a lengthy world tour for the Australian singer/songwriter/multi-instrumentalist is support of their 2021 sophomore LP, Terra Firma.
What drug was Tash Sultana addicted to?
“So when I was about 17… I actually got drug induced psychosis from eating a pizza with mushrooms on it, magic mushrooms. So I was at my friend’s house and I was already pretty depressed before this was happening,” Tash explained.
What is Tash sultanas real name?
Natasha “Tash” Sultana (born 15th June, 1995) is an Australian singer-songwriter and multi-instrumentalist.
Is Tash A Sultana man?
Tash Sultana is a 25-year-old singer-songwriter and multi-instrumentalist who hails from Australia, she specialises in the genres of alternative rock and psychedelic rock.
How many instruments does Tash play?
In being able to play over 15 instruments, Sultana owns the title of a multi-instrumentalist. Though they have mastered instruments like the guitar, saxophone, trumpet, flute, bass and drums, Sultana’s goal is to learn as many instruments as possible.
Live Session – Tash Sultana – Melbourne
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Tash Sultana is engaged to her accomplice Jamie Englewood. Tash is an Australian singer and songwriter. Tash Sultana is engaged to her …
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Who Is Tash Sultana Partner Jamie Englewood … – 44Bars.com
In 2020, Tash had proposed to Jamie. She wrote in an Instagram post: ‘You know when you know.’ Jaimie wore her engagement ring in the picture.
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Date Published: 1/6/2022
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Who Is Tash Sultana Partner Jamie Englewood … – Aembux
Tash Sultana is engaged to her accomplice Jamie Englewood. Tash is an Australian singer and songwriter. Tash Sultana is engaged to her …
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Who Is Tash Sultana? What Is Her Net Worth? – Vizaca
While Tash Sultana’s real net worth is not publicly known. It is estimated that … Tash Sultana is engaged to her partner Jamie Englewood.
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I AM TASH SULTANA
When Tash Sultana checks into a hotel on tour and fills out the necessary details, they tick “Dr” or “Professor”. They enjoy it when the staff addresses them like that, but they don’t do it for cheap thrills.
“I’ve always felt fluid,” Sultana says of her gender. “I find it really strange that we address people as Mr., Mrs. and Mrs. Why is female marital status important but male not? What’s the damn point? I do not get it.”
It’s the day after Sultana’s sold out show at Sydney’s Hordern Pavilion. The crowd would never have known that after five weeks of conditioning rehearsals – which lasted six hours straight – Sultana developed laryngitis and struggled to even speak. The management team’s discussions soon turned to cancellation strategies for breaking the news to the lucky 1,000 fans who snagged tickets to the November show. Tash Sultana is usually three times the size and the limited capacity COVID-19 restrictions have prompted some to rush across borders to attend.
Tash Sultana wore black pants and a long, baggy black T-shirt that night and didn’t reveal she was ill until well after the hour mark. Their long sandy hair fell down their backs as they raced across the stage. They launched effortlessly into the technical, multi-genre patchwork of psych rock and lo-fi blues that defines their music catalogue. Sultana weaved between the instruments as if holding back wasn’t an option, stopping at the four-channel loop pedals and leaping onto stage pedestals where the guitar solos looked as gigantic as they sounded.
The instruments flown in from Melbourne weighed a total of two tons and were placed with painstaking precision at Sultana’s loop station, which they had been building for the past two years. Four weeks before the show, Sultana had announced that it would be her last, as the now overused “one-man band” nickname went. 2021 would bring a new record and all-new stage performance, complete with three other touring Perth band members who will hop on stage for half of each set. It was the end of an era.
When Tash Sultana meets me at her co-manager David Ash’s in Coogee the next day, they enter the room with quiet efficiency. Her fiancee Jaimie takes a seat while Sultana rules the room without even trying. They are wearing a black Brixton Know Your Rights snapback and a Hard Rock Cafe Orlando cut-off singlet with long, light-colored denim shorts and white lace-up shoes. It’s a full 60 seconds before they pick up the next guitar — their co-manager Orange Fender Telecaster’s Capri.
Moments later, when the subject comes up, they begin an anecdote about the time their father fell backwards while bowling. Sultana throws her right arm forward and then up, pretending that it gets stuck in her fingertips.
It’s the end of a year marked by bushfires and a decade-long pandemic for the city, and now, as we sit outside on the patio behind the apartment building, a heatwave has gripped it. It’s the hottest November in Sydney on record, but Sultana seems completely unfazed. Right now they’re talking about how they’ve always been non-gendered.
“I don’t care if people say her and her. I just don’t like being called miss or ma’am or queen or mrs. Because I don’t feel that way, I just feel… “person.” That’s it,” they nod. “And when I look at other people, I look at them the same way. That we all have the same skills.”
“I don’t care if people say her and her. I just don’t like being called miss or ma’am or queen or madam.”
About five years ago, they actually shared their gender with their fans with a Facebook status update, but quickly deleted the post. The emotional armor needed for this discussion with your inner circle, let alone the entire world, takes time to build. “There are just a few things that don’t need to be posted if it can only be personal,” they say.
They affirm their identity in so many ways, from the way they dress to the way they only put on makeup when they feel like it — today isn’t one of those days. In 2019, they confirmed their authentic selves by officially changing their name to Taj Hendrix Sultana via deed poll; The name popped up on our Zoom call earlier this month.
“Society doesn’t really make people themselves.” Sultana offers short, sharp hand gestures to emphasize certain words. “[…] Whether it’s politics or religion, it drives people to have these arguments for falling off that spectrum. Which is really silly, because some people are born and don’t want to wear girls’ clothes, and they don’t want to wear boys’ clothes. But sometimes they might want to, and sometimes they might not want to wear clothes […] I just find it outdated and stupid.”
Tash Sultana addresses a logical point. More and more people are wondering if gender norms are archaic societal constructs that need to be revised. Many have questioned why these rigid roles must be maintained in our modern society, and have stressed how oppressive it can be when people are narrowly constrained by the conventions of the past.
In any case, external appearance is not important to Tash Sultana. Admittedly, they treat their bodies like a temple and embark on a three-hour ritual before each show: hydrotherapy, steam bath, light therapy, meditation, essential oils, drinking Chinese herbs… They even sip herbs from a reusable stainless steel bottle. steel bottle as we speak. Rather, bodies have no meaning to them outside of physical experience on Earth.
At the height of their success right now, having just surpassed one billion streams for their music, following sold-out dates around the world, and on the eve of being awarded two double platinum plaques for 2017’s breakout single “Jungle” and the Notion EP released in 2016, Sultana admits that sometimes they feel insecure. Even now, after a sold out show in Sydney the night before, they keep asking me if I think the fans liked it. They listen intently as I recall people jumping up and down in their COVID-safe seats.
Given that it was Sultana’s first show since February of last year — the longest they’d gone without performing since she was 13 — a few post-show validation nerves are natural. But Sultana has just emerged on the other side of months of COVID-induced uncertainty. You see, Sultana feels at home in a world of back-to-back touring and hustle and bustle. For the last four years, when they weren’t in the studio, their calendar was carefully put together, every other moment of their schedule was full. And then… nothing.
“I felt like I fell off the face of the earth after this massive tour where I was so burned out and just really, really sensitive and sad,” admits Sultana. “I just didn’t realize I’d spent so much time in my own head. I felt like I wasn’t believed anymore.”
“I felt like I wasn’t believed anymore.”
That vulnerable sense of obliteration was always to be catharized on their sophomore album, Terra Firma, released last month. Sultana’s unboxing can be heard on the track “Maybe You’ve Changed”. “Why don’t you believe in me anymore,” Sultana sings over a swelling melody that grows like the goosebumps you get. The song, which has since caught the eye of some sync execs, was a career-changing moment; Sultana realized it wasn’t really the fans who had stopped believing.
“I didn’t believe in myself anymore,” admits Sultana. “[…] I just felt this friction, like I couldn’t win and everything was against me. And that everyone hated me. And I just hated myself. And I was just resisting the inevitable change.”
Sultana still unpacks the insecurity and pain, sometimes consciously, sometimes unconsciously. “My grandfather was in my dream the other night,” Sultana sits back, and I’m not sure they’ll elaborate. “It was a strange dream. In my dream it was a scorpion, a white jaguar and a black jaguar. Scorpio is representative of self-loathing, you know, the dark things you feel about yourself. And the jaguars are the yin yang.
“[…] The white jaguar represented the need to treat oneself with more compassion, and the black jaguar was the opposite of that. This shows me that I felt very insecure and forgotten about the whole year. And my grandfather was in that dream too; that was before I woke up for the show yesterday.”
Sultana speaks in a very different tone than they sing. Her speaking voice bounces off the nearest object before reaching you, friendly and genuinely Australian. Sultana’s singing voice envelops you like water.
On paper, Tash Sultana’s music is not commercially driven. The 2018 single “Blackbird” is almost entirely instrumental, and the vocals on “Jungle” don’t kick in until after the two-minute mark. But a billion streams and a spot on Coachella suggest the mainstream has indeed taken hold. For Sultana, global ubiquity was never the goal, they are happy just making music and making a living from it, but feel like they always knew it was written in the stars. Even Sultana’s boyfriend, fellow artist Josh Cashman, picked it up when they first met.
“From the day I saw Tash perform at The Espy to this day I knew this was going to happen. That there would come a moment when the whole world would know about Tash.” Cashman speaks to me over Zoom from the Gippsland region of Victoria. “Tash knew that, I think, as did the people around her.”
Cashman first met Sultana in 2014 at one of her regular Tuesday night shows in St Kilda, Melbourne. It was The Espy’s regular night, “Brightside,” where five acts paid $20 each and the hotel offered half-price steaks. Cashman hugged Sultana after their set – “We didn’t even speak or anything,” he smiles. Cashman is a deep thinker, just like Sultana, and it didn’t take long for the two to become friends: they surfed, skated, jammed and even toured together. Not a week goes by that the two don’t speak.
“Over time, I’ve seen the opposite of what you would expect from someone when they’re successful,” Cashman says. “You’d think they’d get very selfish, like ‘my shit doesn’t stink’. In all honesty, Tash has done the complete opposite over time.”
Cashman and Sultana co-wrote a song, “More Than I Should,” in 2014 and posted it to YouTube. It’s about not falling in love with whoever you’re with. The track was reworked together in Sultana’s studio for Terra Firma – the pair stood face to face to record the harmonies, each holding a microphone. They decided to give their song a new name: “Dream My Life Away”.
Tash Sultana may have been only three years old when she picked up a gifted guitar from her late grandfather, but it was Lana Del Rey who, at the tender age of 13, inspired a business plan. Lana Del Rey started playing every single open mic night she would perform in America back when she was a teenage Lizzy Grant.
Sultana holds her hands up and stacks them with a big gap between them. “I wrote a long list with a Sunday through Saturday schedule for every damn place in Victoria that had open mics that night.”
Sultana’s father, a “your word is your bond” character who emigrated from Malta in the 1970s and dreamed of owning his own business and starting a family (he’s achieved both), carted his child to everyone open mic night on this list. As a child, Tash Sultana endlessly played and wrote music. They burned CDs on the family computer every day and sold them every night for $5 each. While still in high school, Sultana was a popular student and the class disruptor. They questioned everything from the uniform they wore to the way their music teacher wanted exact replicas of songs, not unique renditions.
“The music teacher at my high school really didn’t like me,” Sultana beams that 1,000-watt smile of brilliant white. “I think he could see something in me that was just needed… maybe a little more discipline and focus on the criteria. But I’ve always been against the flow of general direction. Why herd sheep? What the hell do these musical criteria get me? I’m just going to play like everyone else in this classroom.”
Sultana worked smart, not hard, in high school. They took the fewest subjects needed for a passing grade and didn’t even show up for the graduation ceremony – “I actually don’t even have my diploma.”
After high school, Sultana had no plans to join the stereotypical workforce, and they were in the midst of a four-year phase of dealing with drugs that would last until the age of 21. This period has been well covered and focused by the media over the years, a sticking point Sultana dislikes in recent years.
“They’re going to grab one thing and run around with it for damn years, and then every other journalist gets their information from that tiny seed,” Sultana speaks with lightning-fast truthfulness. “And then four years went by and it’s a good thing, this story doesn’t represent where we are right now, so stop the fuck asking me about magic mushrooms, you know what I mean?”
Back then, right out of high school, Sultana’s mother expressed concern about her child’s meager earnings on open mic night. “[She said], ‘You’re not going to sell four CDs for $5 and make $20, are you?’ And I was like, ‘Yeah, actually I am. I just need to play in front of more people.”
Sultana watched as Melbourne duo The Pierce Brothers took over Melbourne’s Bourke Street Mall one day with a busking set. They made the decision to get their hands on a crack acoustic guitar. “To be honest, no one really noticed; and I thought, well, that’s not good,” Sultana squares her shoulders. “That’s not gonna bring me my fucking dreams.”
On Tash Sultana’s 18th birthday, her father continued his annual ritual of saying “You can have one thing” in a music store. In the past it was things like a banjo, a black Fender Squire, even the used Maton 12-string acoustic guitar that Tash still uses on stage to this day. But this particular birthday triggered a change of pace. They ditched the new banjo they were considering and picked up a two-lane RC-30 Roland Loop station.
“[My dad said], ‘I guess you’re making a really bad decision if you buy this loop station, you’re not going to use it.'” Sultana disagreed. “I said, ‘I don’t think it’s me.'” The Loop station became a road stopper across Australia. Sultana took home thousands of dollars every time they busked and became financially independent by paying for broken strings, new instruments, plane tickets… Sultana had her people and her team at Lemon Tree Music and Sony for the World and Mom + Pop found North America.
Sultana speaks with a rap-like rhythm as they describe the DIY approach to their career. Spit out your past hustles into simple, compartmentalized beatboxes. “We planted all these little seeds along the way to play these gigs in front of 50 people, 100 people, 200 people, nobody… Canceled festivals, in the rain, in the hail, in the thunder, in the lightning, in the heat waves. Shit breaks down mid show. The sound sucks. I forgot the text. I had a too big night the night before. I fucking support that person, that person going to festivals,” they take a deep breath. “And then I think that one day I’m going to write this song called ‘Jungle’ in my bedroom. And I thought maybe I should record it on my phone.”
This iPhone 4 footage from Sultana’s living room in May 2016 went viral within a week. It got a million views in five days and now has 94 million views on YouTube. It inspired a flood of fans to text Triple J to request the song, placed third on the Triple J Hottest 100 for 2016, landed on the FIFA 18 video game soundtrack and helped launch their Notion EP Number 1 bringing eight on the ARIA chart.
Sultana is a spiritual being, there is no doubt about that. They are not religious, but their connection to earth, to mysticism, is written all over every artwork and publication title of Flow State, a psychological state of total immersion in Terra Firma, solid ground. “Sometimes I think I should probably relax on the deep meaning shit,” they laugh. “Not everything has to have a really deep symbolic meaning, it’s just who I am.” But Sultana is also business savvy and aware of the importance of building “Tash Sultana the brand”.
Whether it’s collaborating with Fender on their own signature guitar, or the partnerships with PlayStation and Commonwealth Bank – or the guitar awards they’ve given away to fans for unique musical renditions of Terra Firma singles – Sultana isn’t just at the boardroom table, they make the calls. In fact, Sultana tells me that their label and publishing deals are now fully paid back and that they are a “free agent”, meaning they are able to re-sign, re-sign elsewhere or even fully through their own label, Lonely Lands, to release records they launched in May 2019.
“Sometimes I think I should probably relax on the deep meaning shit.”
Sultana believes that passion, desire and sheer dedication are the three ingredients required to achieve any goal. “You can ultimately be whatever you want. […] I just wanted to acquire as much knowledge as possible about music,” they say. When it comes to self-taught multi-instrumentalists, Tash Sultana could rival world record holder Neil Nayyar.
Sultana plays over a dozen instruments, writes and records almost autonomously, and they’re not hit-chasers — with the exception of one song. After the release of Jungle, they felt the pressure to follow it up with another hit, another commercial radio acquisition. “They needed a single,” says Sultana dryly, speaking of the radio industry. “Otherwise you know you won’t go on the air. ‘Quick, make one.'”
Sultana wrote “Murder to The Mind” less than two months after “Jungle” hit the ARIA Top 30 in 2017, a melange of beat-laden soul with jaunty forays into jazz and rock ‘n’ roll territory. “That was kind of what this song was. ‘Record something quick and put it on the air,'” Sultana admits, before adding, “I’m still happy with it, don’t get me wrong.” You just won’t catch them performing the song live. “I’ve been trying to top [‘Jungle’] for many years, and then I thought, I’m not authentic, I’m just trying to make another jam that’s going to be like that.”
“I tried to top [Jungle] for many years after that, and then I thought I wasn’t authentic.”
Tash Sultana have poured their heart and soul into their latest record. Completed in 200 days in Sultana’s own bespoke Melbourne studio in mid-August last year, they worked tirelessly, sometimes six days a week, on Terra Firma. They hired Flow State engineer Richard Stolz as their right-hand man for mix engineering, along with just a handful of co-writers; Josh Cashman on the aforementioned “Dream My Life Away”, Dann Hume and Matt Corby on “Pretty Lady”, “Crop Circles”, “Beyond the Pine” and “Greed” and high school friend Jerome Farah on “Willow Tree”. .
It’s brand new territory for Sultana, who single-handedly composed, arranged, performed and executive produced every track on her debut album. “All I want to do is work with people,” they say, eyes sparkling. “I love it. It just opened this can of worms that I didn’t even know was a can of worms.”
As we talk, Sultana’s fiancé Jaimie often strikes up a conversation. The two live together in Melbourne, admittedly neglecting the vegetable garden on the 10-acre property, but skating the half-pipe ramp when they feel like it; and if it is not in need of repair as it is now. According to Sultana, Jaimie is her polar opposite when it comes to temperament. Orderly and a realist, Sultana is a dreamer and “a million miles an hour”.
“My life made perfect sense and the person I was meant to be came out when we met,” says Sultana. “[…] She just cuts the shit, you know. You can’t lie to her. Don’t even try. I’ve seen people try.”
There’s a lot of Jaimie on Terra Firma, particularly “Beyond the Pine” and “Let the Light In,” where Sultana reveals the couple’s personal set for each other. “When I first met her, we always used to joke that we were Sundays for each other. The best day of the week,” laughs Sultana. “And then it became Monday, Tuesday, Wednesday, Thursday, Friday, Saturday and forever.”
As we head back inside from the heat wave, Sultana catches Jaimie’s eyes on the couch and instinctively goes over to kiss her. Sultana’s hair falls over their faces like a privacy curtain.
It’s hard not to think of Tash Sultana as a person of integrity, a trait that perhaps along with those bright blue eyes was passed down from her father. Sultana seems in no hurry to become her final state; the way they study their dreams, their vulnerabilities, their identities. Growth is paramount to them, but each iteration of that growth is welcomed.
“I am me and I would never live a life that I truly am if I weren’t who I am, wholeheartedly and without apology.” Sultana takes another sip of the herbal mixture for her throat. “And I encourage everyone else to be like that. Because you will never live your fullest truth and desire and truly thrive if you are not honest with yourself. If I die tomorrow,” they pause. “I’m damn happy to be honest.”
Tash Sultana
Australian musician
musical artist
Tash Sultana (born 15 June 1995) is an Australian singer-songwriter, multi-instrumentalist, record producer and engineer,[1] who is described as a “one-man band”.[2] Sultana rose to international prominence with their 2016 single “Jungle”, which was ranked third in Triple J’s 2016 Hottest 100 Countdown.
The following year, three of Sultana’s songs were voted into Triple J’s Hottest 100 of 2017; “Mystik” at No. 28, “Murder to the Mind” at No. 43, and their “Like a Version” cover of MGMT’s “Electric Feel” at No. 78.[3]
Sultana grew up in Melbourne and has been playing guitar since she was three years old.[1] She started her music career as a street musician. An active musician with Bandcamp since 2013[4], Sultana’s recordings were viewed millions of times on YouTube in 2016. Sultana’s EP “Notion” was released on September 23, 2016, followed by a sold-out world tour in early 2017.
Early life
Australian of Maltese descent, Sultana was born and raised in Melbourne and received a guitar from her grandfather at the age of three. Sultana plays a variety of instruments including piano, keyboard, synth, bass, drums/percussion, beat making/sampling, beatboxing, trumpet, saxophone, flute, mandolin, oud, harmonica, lapsteel, panpipes; and arranges it into loop-style performances along with percussive and finger-tapping guitar playing. Sultana has a vocal range of 5 octaves.
Career
Sultana on stage at Oslo Spektrum 2022
Early career: “Jungle” and busking videos
By the age of 13, Sultana was performing up to 6 times a week at open mic nights across Victoria. Her refusal to conform to societal norms prompted the artist, unable to find regular employment at the time, to busk the streets of Melbourne to earn a living.[5] From 2008 to 2012, Sultana was the lead singer in the band Mindpilot, which featured Patrick O’Brien, Emily Daye and David Herbert. This band won several Battles of the Bands competitions in Melbourne. The band broke up in 2012.[6]
In 2016, Sultana shared a video of “Jungle” on social media, which received over a million views in five days and has since been viewed over 40 million times.[7] That same year, they won Triple J’s J Award for Unearthed Artist of the Year and were named to the Triple J Hottest 100 in 2016 with two tracks: “Jungle” (#3) and “Notion” (#32). Both are singles from their later released EP Notion. Sultana has performed at the Woodford Folk Festival in Southbound and at the St Jerome’s Laneway Festival. Sultana is managed by Lemon Tree Music, with whom they signed in June 2016.[9]
Sultana spent some time in the recording studio with producer Nikita Miltiadou and began work on the EP release Notion. In September 2016, they released the EP through their own independent record label, Lonely Lands Records. The EP peaked at #8 on the ARIA album chart.
2016–2017: Debut world tour and singles
Following the success of Notion, Sultana announced a world tour that included hundreds of live performances in Australia, Europe, New Zealand and the UK. Her father quit his job to become her roadie. As a result of sessions with Miltiadou in April 2017, Sultana released “Murder to the Mind”, the first single since the release of “Notion”. It peaked at number 59 on the ARIA Australian Singles Chart. Not long after the release of “Murder to the Mind”, Sultana was diagnosed with laryngitis and was forced to cancel and reschedule shows across Australia.[11]
In a June 2017 interview, Sultana Fairfax said that her debut album was due for release in April 2018, after which they had planned to tour, record a second album, tour again, and then take a break and return to normal life ] On April 25, 2018 July 2017 Sultana announced the Homecoming Tour, which will include performances in Adelaide (Entertainment Centre), Sydney (Hordern Pavilion), Fremantle (Arts Centre), Margaret River (3 Oceans Winery), Melbourne (Margaret Court Arena) and Noosa (Noosa Sporting Grounds) with Pierce Brothers and Willow Beats as support act.[13]
In October 2017, Sultana announced the premiere of a new single “Mystik” on Triple J.[14] Also in October, Sultana made her US late night television debut on Late Night With Seth Meyers, performing “Jungle.” That same year, Sultana was nominated for four ARIA Awards: Breakthrough Artist, Best Independent Release, Best Blues and Roots Album, and Best Australian Live Act.[16]
After the Homecoming Tour, Sultana continued work on her debut LP, Flow State.[17]
2018: Debut LP Flow State
On June 13, 2018, Sultana sent a private Facebook message to select fans with a video sneak peek of a new single titled “Salvation” accompanied by footage in the studio. [citation needed] That same month, Sultana announced that the new single would premiere on Triple J on June 21, and be released the following day, June 22.
On June 21, 2018, they announced the upcoming album release date of August 31, 2018 and made pre-orders available. Sultana also announced the album’s track listing, including previously released tracks “Mystik”, “Murder To The Mind”, “Harvest Love” and “Free Mind”.
The album was released on August 31, 2018 through Lonely Lands Records, distributed by Sony Music Australia in Australia and Mom + Pop Music in the rest of the world. Flow State reached #2 on the ARIA Albums Chart.[18]
2019: Flow State Tour, “Can’t Buy Happiness”, “Daydreaming” and “Talk It Out”
In February 2019 and in support of Flow State, Sultana played their biggest headlining shows to date in Australia, including a sold-out show at Melbourne’s Sidney Myer Music Bowl and Brisbane’s Riverstage. Sultana’s first release for 2019 was the standalone single “Can’t Buy Happiness”, released on April 4th. Then, on July 10th, Sultana released their first collaborative track “Talk It Out” with Australian singer Matt Corby. Sultana’s third and final single release for 2019 was the single “Daydreaming”, a collaboration with Milky Chance.
2020–present: Second album Terra Firma
In early 2020, Sultana announced they were recruiting live session musicians to round out their on-stage presence on social media, stating they “didn’t have enough hands” to play all the instruments on stage at once. On February 26, Sultana performed their final part-solo live show at the Sidney Myer Music Bowl in Melbourne as part of the one-day fundraising music festival Down To Earth. The event was designed to raise funds to help fight bushfires in the wake of Australia’s Black Summer bushfires and included performances by Gang of Youths, Angus & Julia Stone and others.[19]
In April 2020, Sultana announced they had found session band members to take on tour. They then released their first single of 2020, “Pretty Lady,” on April 9. The track premiered on Triple J Breakfast the same day. Shortly thereafter, Sultana released the music video “Pretty Lady” which features a selection of fans, friends and family members from around the world dancing.
In June 2020, Sultana announced the next single “Greed”, which was released on June 20, 2020. This was followed by a third single, “Beyond The Pine,” in September, and a fourth single, “Willow Tree,” in October, which featured Australian rapper Jerome Farah.
On the same day as the release of Willow Tree, Sultana announced that her new album Terra Firma will be released on February 19, 2021.
Written and recorded over a period of almost 2 years, between 2019 and 2021, Terra Firma saw Sultana direct the entire recording process. They recorded, engineered, performed, arranged and produced the album in its entirety.
On January 22, 2021, Sultana released Terra Firma’s fifth and final single, “Sweet & Dandy”.
Terra Firma was released on February 19, 2021 and received generally positive reviews from critics.[21]
In 2021, Sultana announced a tour of the UK and Europe in support of Terra Firma, set to take place from March 2022. They also announced a one-off performance at Red Rocks Amphitheater in Colorado, which sold 10,000 tickets in five minutes.
On February 1, 2022, Sultana announced her anticipated two-month tour of North America. The North American tour has dates from June 10 (Las Vegas) to July 23 (Los Angeles).[22]
On February 18, 2022, Sultana released “Coma”, the lead single from the album MTV Unplugged, Live in Melbourne, due for a May 2022 release.
discography
Awards and Nominations
APRA Awards
The APRA Awards have been presented annually by the Australasian Performing Right Association (APRA) since 1982 to “honor composers and songwriters”.[24]
Year Nomination / Work Award Result “Jungle” Song of the Year 2017[25] Shortlist “Murder to the Mind” Song of the Year 2018[26] Shortlist “Jungle” Blues & Roots Work of the Year Nominated 2019 Tash Sultana Songwriter of the Year[27] Nominated “Mystik” Blues & Roots Work of the Year 2020 Nominated 2020 “Blackbird” Most Performed Blues & Roots Work of the Year[28][29] Nominated 2021 “Pretty Lady” Most Performed Blues & Roots Work of the Year [30] Nominated
ARIA Music Awards
The ARIA Music Awards are annual awards recognizing excellence, innovation and achievement across all genres of Australian music. They began in 1987. Sultana has won one award from thirteen nominations.
J price
The J Awards are an annual series of Australian music awards created by the Australian Broadcasting Corporation’s youth-focused radio station Triple J. They started in 2005.
Music Victoria Awards
The Music Victoria Awards is an annual awards night celebrating Victorian music. They started in 2006.
National Live Music Awards
The National Live Music Awards (NLMAs) are a broad recognition of Australia’s diverse live industry and celebrate the success of Australia’s live scene. The awards started in 2016.
pop awards
The Pop Awards are presented annually by Pop Magazine and honor the best in pop music.[48] Tash Sultana has won two awards from two nominations and is the first artist to win multiple pop awards.
Year Nominees / Work Award Result Ref.-No. 2019 Flow State Album Of The Year Award Won [50] Tash Sultana Emerging Artist Of The Year Award Won
Rolling Stone Australia Awards
The Rolling Stone Australia Awards are presented annually in January or February by the Australian edition of Rolling Stone magazine for the previous year’s outstanding contribution to popular culture.[51]
Year Nominees / Work Award Result Ref.-No. 2021 “Pretty Lady” won Best Single [52] Tash Sultana Rolling Stone Global Award nominated 2022 Terra Firma nominated Best Record [53]
Travel
All tour dates and ticket information can be found at www.tashsultana.com
Gemini Tour: Australia (2016)
Notion World Tour: Germany, Great Britain, Netherlands, Australia, New Zealand (2016-17)
USA Tour 2017: United States (2017)
North American Tour: United States (2017)
Australia/New Zealand Tour: Australia, New Zealand (2017)
UK/Europe Tour: United Kingdom (2017)
Homecoming Tour: Australia (2017)
World Tour 2018: Europe, United States, Canada, New Zealand, United Kingdom (2018)
Flow State World Tour: Canada, USA, Europe, UK, Australia, New Zealand (2019)
Tash Sultana And Friends: Australia, New Zealand (2019)
Britain and Europe 2022: Britain, Europe (2022)
North America 2022: North America, United States (2022)
Tash Sultana Biography, Songs, & Albums
Tash Sultana is an Australian indie musician known for her fiery, passionate singing and mastery of multiple instruments and looping pedals. Sultana first burst into the limelight in 2016 with live videos of one-person band performances playing multi-layered compositions influenced by vintage hard rock and alternative rock. Sultana’s viral success led to international acclaim and the release of their debut album Flow State in 2018, on which they added a heavy R&B influence to their tunes. 2021’s Terra Firma was a more mature and thoughtful sophomore, with a relatively chilled vibe and soulful feel.
As a preschooler, Sultana was first given a guitar and learned brass, woodwind and percussion instruments among other things, always striving to learn more. You hit the streets of Melbourne as a teenager. Open to personal struggles with addiction at the time, Sultana suffered a drug-induced psychosis at the age of 17. After recovering with professional help, the musician started a Bandcamp page and began making videos of performances and uploading them to social media.
In the spring of 2016, when Sultana was 20, a live recording of the original song “Jungle” went viral on social media, racking up over a million plays in less than a week. Sultana released the six-track Notion EP in December, which featured the guitar-based reggae tune. Meanwhile, they accepted invitations to play music festivals and signed to Mom + Pop Music in New York in early 2017, who released their debut EP in multiple formats. This year also brought a busy touring schedule with shows booked in Australia and New Zealand, Europe, the US and Canada. Sultana rounded out the year with four Aria Award nominations, including Breakthrough Artist and Best Blues and Roots Album. Sultana’s first album “Flow State” was released in September 2018. After a brief turnaround, the single “Can’t Buy Happiness” was released in early 2019. , dedicate their time to reconnecting with family, surfing and gardening. Rested and refreshed, Sultana began work on their second album, and 2021’s Terra Firma reflected a more mature and grounded perspective, with a calmer feel and a more organic approach to composing and performing.
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