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Flawless Real Talk Girlfriend Net Worth Instagram Age Real Name :: Facts About Rapper Wife and Ks. Flawless Real Talk GF Birthday, Wikipedia, Also Read :-
Rapper Flawless Real Talk Net Worth: $500 Thousand to $1 Million
As of 2019, the rapper’s estimated net worth ranges from approximately $500,000 to $1 million.
2016
net worth
unknown
2017
net worth
unknown
2018
net worth
unknown
2019
net worth
$500,000 to $1 million.
2020
net worth
Under review
Who are the Parents of American Artist, <b>Flawless Real Talk -</b> Family & Children
As Alberto has been gaining popularity as an aspiring artist and rapper lately, no information about his parents is available. However, it is confirmed that he has two children with his girlfriend Kimberly Matlas. Again, the names of his children are checked.
Father
unknown
mother
unknown
Brothers
unknown
sister
unknown
ks, ks
two children
Although his children’s names are verified, he has a few posts of his adorable son on his Instagram account. https://www.instagram.com/p/B4N-2PPJSYK/?utm_source=ig_web_button_share_sheet
What is his exact Age as of 2019? – Wiki and Bio
As of 2019, Flawless Real Talk is 27 years old.
Age
27
birthday
1992, February 1st
Ethnicity/Nationality
American
Flawless Real Talk hails from Rhode Island, USA and was born on February 1, 1992. From the age of 16 he developed a passion for singing. He previously attended Mount Pleasant School for his undergraduate studies. Information about the university is missing.
<b>More on Height, Weight and Body Measurements</b>
Flawless Real Talk stands at an attractive 5ft 10in height. In addition, its approximate weight is 70 kg.
Height
M – 1.55cm – 155.4ft – 5ft 10in
weight
kg – 70 kg – 154.32 pounds
body measurements
In – n.a. cm – N/A
A talented 27-year-old rapper is handsome and has a sharp jawline.
Is Alberto Martinez Married? Who is his Wife?
Alberto Martinez has not been married since 2019. Despite this, the talented star has been dating girlfriend Kimberly Matlas since 2015. Although the couple share a beautiful bond, they are neither engaged nor married.
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Relationship History
Dating
Kimberly Matlas
Committed
N / A
Married
N / A
divorce
N / A
The rapper has no past relationship history other than Kimberly Matlas.
What is the Real Name of the Rapper – Flawless Real Talk
The real name of the rising American hip hop and rap star is Alberto Martinez. Later, when he got into the singing business, he came up with the name “Flawless Real Talk”.
Who is Flawless Real Talk?
Born Alberto Martinez, Flawless Real Talk, is an American rapper and performer. He burst into the limelight after emerging as the second finalist on Netflix reality singing show Rhythm and Flow. He is also a humble and talented personality. With his melodious voice, he is currently succeeding in conquering the hearts of thousands of people. His last appearance on the show was really emotional and a lot of people love his singing.
5 You Must Know Facts on Flawless Real Talk (Alberto Martinez)
Flawless Real Talk (Alberto Martinez) is not married. He has yet to marry his longtime partner Kimberly Matlas. Flawless Real Talk is 27 years old. (Alberto Martinez) is 1.75 m tall. Rapper Alberto Martinez has a net worth of over $1 million He has 527,000 Instagram followers. In addition, he has 22.8k followers on his Twitter account.
About Girlfriend and Partner – Relationships Summary
Flawless Real Talk (Alberto Martinez) is dating his longtime girlfriend Kimberly Matlas. The couple have been together since 2015. Although they have been together for a long time, no news confirms that they are getting married. However, they have adorable children together.
About Flawless Real Talk (Alberto Martinez)
Full name
Alberto Martinez
Age
27 years old
birthday
1992, February 1st
net worth
$100,000
salary
N / A
Spouse (husband/wife/partner)
Partners: Kimberly Matlas aka Kay Martinez
ks, ks
2
parents/family
N / A
Height / How tall
5 feet 10 inches
nationality
American
ethnicity
Peurto-rican
occupation/work
Rapper, performer, runner-up on the “Rhythm + Flow” show
measurements
N / A
gay/lesbian
Just
Married/Engaged/Divorced
N / A
What is Flawless Real Talk real name?
Rapping under the moniker Flawless Real Talk is self-explanatory, and real name Alberto Martinez is a student of the game. When it comes to his rapping ability, he embodies the definition of hip-hop: telling his story and inspiring the masses with his words.
Where is rapper flawless from?
Originally from Rhode Island, Flawless broke into the music industry as an Atlanta transplant in 2010, opening for the likes of Ludacris, Rick Ross, and Tech N9ne.
Who is flawless?
Rapper, producer, and entrepreneur Flawless Real Talk joined to talk about how he manages his rap career. He was the runner up on Netflix’s hip-hop competition show Rhythm & Flow, which boosted his career trajectory. But despite all the industry attention, Flawless is still an independent artist.
Who is Flawless Real Talk signed to?
What is TrOyMan real name?
TrOyMan, whose real name is Troy Earvin Curry, was born in San Francisco, California, grew up in Oakland, and then moved to Atlanta, Georgia, with his mother when he was just thirteen-years-old.
What is TrOyMan doing?
multitalented, independent hip hop artist Troyman continues to bring the heat and the hits with his latest single “Inevitability-FYM.” Produced by Tay Keith and released on March 4th, 2022, along with an accompanying video on YouTube, and if early reviews and fan excitement are any indication, this project may find …
Who is Londynn B signed to?
How much is Tip net worth?
| Name | Clifford Joseph Harris Jr. |
|---|---|
| Net Worth (2022) | $60 Million |
| Profession | Rapper, record executive, actor |
| Monthly Income And Salary | $0.5 Million + |
| Yearly Income And Salary | $5 Million + |
What is D Smoke birthday?
What episode was flawless on in rhythm and flow?
Episode 1 of the competition kicked off from October 9th 2019 and the talent came through thick and fast as soon as the show premiered. Let’s get to know Rhythm and Flow’s Flawless Real Talk.
How much did Cardi B get paid for rhythm and flow?
How much did Cardi B make on ‘Rhythm + Flow’ Cardi B has repeatedly told us that she’s all about making shmoney moves — and she means it. According to Variety, Cardi B made a whopping $500,000 per episode. If you’re doing the math, that means she made $5 million from the show.
Is rhythm and flow real?
Rhythm + Flow is a 2019 music reality television series on Netflix which premiered on October 9, 2019. It is Netflix’s first original music competition program. T.I. In the series, hip-hop artists Cardi B, Chance the Rapper, and T.I. critique and judge unsigned rappers, who are competing to win a US$250,000 prize.
How much is chance the rapper worth 2019?
Chance the Rapper net worth: Chance the Rapper is an American hip hop recording artist who has a net worth of $25 million.
D Smoke Stuns in the Finale with Last Supper | Rhythm + Flow | Netflix
Images related to the topicD Smoke Stuns in the Finale with Last Supper | Rhythm + Flow | Netflix
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(Rhythm and Flow) Flawless Real Talk Age, Wiki, Net Worth …
Flawless Real Talk, a rapper whose real name is Alberto Martinez … Flawless real talk bio, life, age, girlfriend, net worth then you are …
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Date Published: 8/17/2022
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“We Need To Fight Now With This Generation” — Flaunt Magazine
Flawless Real Talk is here to solidify its name in the music industry and create meaningful recordings that speak volumes on world current events. Rapping under the nickname Flawless Real Talk is self-explanatory, and the real name Alberto Martinez is a student of the game. When it comes to his rap skills, he embodies the definition of hip-hop: telling his story and wowing the masses with his words.
You may have seen him on the Netflix talent competition show Rhythm + Flow, but he’s actually so much more. With 768,000 followers on Instagram alone, the independent rapper and entrepreneur always has that drive and ambition to one day be someone big – and rapping would be his ticket there. At the age of 19, Flawless moved to Atlanta from his hometown of Providence, Rhode Island with no set game plan.
Fast forward to 2020, he releases his latest single titled “What A Time” which means and talks about social injustice without any embellishment. Flawless explains, “I’m talking about my perspective and what I’m feeling in my emotions. I felt it was important to release it so my fans know where I stand on social injustice. The world is in a dark place right now, releasing anything other than ‘What a Time’ would be an injustice to the people who really needed to hear it.”
Flawless also announced its partnership with LIVIT, a global live streaming app that will usher in the next generation of streaming for musicians around the world. Unlike other virtual shows, LIVIT focuses on interaction between fans and artists while giving back to charity. Flaunt caught up with Flawless Real Talk via Zoom, which was in his hometown of Providence. Read below as we talk about his Providence upbringing, falling in love with hip-hop, the underdog mentality, partnering with LIVIT and giving back, the perks of Rhythm + Flow, “What A Time” and more!
How are you?
It’s OK. It’s not that bad because it’s a small state. We’re not that bad in the COVID department, but we’re still there. Right next to New York, so we still feel it.
What was it like growing up in Rhode Island?
Growing up in Rhode Island was tough. As the smallest state in the country, there really are little to no options. For me it was really that underdog mentality growing up. A lot of people from here want to do better than someone from a big city or from a place that is more familiar with music. We grow up with this hunger and drive. I can credit my Rhode Island heritage for working so hard and for being so motivated. Right from the start we have the feeling that we have our backs to the wall because we are so small. I really appreciate Rhode Island and I really appreciate all the creators that are struggling in this town to get out because we really were built with that underdog mentality.
Talk about your journey in music, how did you start?
My journey with hip hop started at a young age. I had a stepfather who was a tour bus driver. When I was very young, he would take me on tour in the summer and allow me to get to know the inside of the industry: travel and touring. He tours with some of the biggest artists. I met Beyonce and Nelly when he was really big. Really the top artists. It really made me fall in love not only with music but with the opportunity to travel and see the world. Waking up in a different place every day, I knew I really wanted to do this. Growing into my teens, my trials and tribulations led me to put my feelings on paper and turned to hip-hop as therapy. I started making music and haven’t let go of it since.
When did you realize you could make music for a living?
When I started releasing music in my town and doing weekly shows. The more support I got, the bigger I got. Knowing that if I could get 100 people to show up, man, I’m wondering if I could get 200 people to show up. Or I wonder if I could get 300 people to show up. I knew this is something I really wanted to take seriously. That’s what led me to go down south to Atlanta in about 2011. I went there to continue my music career because there were more opportunities. It was a mecca for music back then, Trap was really big. I knew my style was a bit different and I could possibly stand out. It was a big risk going into a market where my music would be completely different, but it turned out to be a rewarding experience in the end. I’ll never forget it.
Was there a culture shock going to Atlanta?
Trap was really big down there, it was very different. It wasn’t as big of a culture shock and difference as it was in Rhode Island with the people. Everyone was very friendly as they are in my hometown. It was about how many opportunities there were versus where I came from. How many situations could I put myself in to actually move forward and become successful. I think I did. When I first got down there, I entered a Wendy’s contest. It was supposed to open for Ludacris and Rick Ross at Philips Arena, I won the competition. I was only in Atlanta for two months and left Rhode Island, doing shows for 200-300 people and two months later performing to 20,000 people in an arena. So those shows at home were really important, they shaped me and prepared me for this moment. If I hadn’t done those weekly shows at home and trained myself beforehand, I wouldn’t have been ready for it. So I’m grateful.
were you nervous How was it?
Absolutely. [laughs] On your first arena show, you try not to screw things up. I did everything I could to be prepared and it certainly went very well. After that I was able to get many jobs for big artists in the city. I was able to start touring independently and make a name for myself nationally, which is really cool.
Rapper Flawless Real Talk Hosts Second Season Of Talent Competition On Global Live Streaming App, LIVIT
Download images HERE
Auditions took place over a period of four weeks to become part of the line-up, offering potential candidates an innovative new platform to showcase their talents. The One Take competition, which kicked off last Wednesday’s episode one, featured thirteen acts in total, featuring a variety of talented singer/songwriters, musicians, DJs and more. Flawless Real Talk hosted the entire night which included highlights from streamers @enzosmusic and @siobhanmusicofficial who debuted their own original music during the show along with inspirational cover songs from streamers @paulexis, @ginamarieuk and @kalijah_wayne. Additionally, LIVIT hosted an in-app event to offer competitors a spot in the next round.
One Take Season 1 was a talent contest featuring six contestants who competed against each other for a grand prize of $2,500 plus in-app badges and coins. Two streamers were eliminated in each episode, leading to a finale pitting the final two against each other. A reunion followed the week after, with attendees sharing their experiences and giving fans a glimpse of their ups and downs during the events. Singer-songwriter xo.rowan, who streams live on the LIVIT app every Wednesday, took home the grand prize with her incredible talent until the finale, which aired on May 12.
Multi-genre music producer, engineer and educator Larry Ohh has joined the cast as guest judge for “One Take Season 2.” With over 200,000 followers on Instagram and a growing following on TikTok, Larry has been known for his accessible beats and creating tutorials for over 10 years; Widely recognized as a mentor to over 100,000 music producers worldwide. A native of Providence, Rhode Island, Larry has used his extensive knowledge of FL Studio to not only tutor his fellow producers, but also to work with industry heavyweights like French Montana, Cory Gunz and Jim Jones. His easy-to-follow and informative tutorials have helped him align with major manufacturing brands such as Captain Plugins, Cymatics, and Busy Works Beats.
Talent show host and rising hip-hop star Flawless Real Talk took second place in the Netflix competition show Rhythm + Flow, hosted by Chance the Rapper, Cardi B and T.I. Since then he has been using LIVIT to stream exclusive content and give his fans a behind-the-scenes look at his life. Flawless originally joined the LIVIT community because he wanted to connect with his fans worldwide on a more personal level and give back to the rising stars in the music industry. Following his Netflix success, he quickly realized that he wanted to give others the same opportunity LIVIT gave him by showcasing their skills to audiences everywhere, and looks forward to seeing who they can discover next.
LIVIT is an international live streaming app for emerging music artists, entertainers and influencers. Powered by Taiwan’s 17LIVE, a leading global social entertainment company, the live streaming app was launched in 2019 and has more than 45 million registered users worldwide. As the largest live streaming platform in Asia, the platform is expanding to multiple international markets. The company plans to turn its North American operations into a curated space where artists can collaborate, interact directly with fans, and advance their careers. No matter who you are or what corner of the world you live in, you can connect with anyone through LIVIT’s media platform to showcase your talents and passions.
LIVIT enables users to watch real, fun and live content 24/7 and create real connections with streamers and other viewers. They can peer into the lives of the hottest talent and most fascinating personalities, be part of the supporting community by commenting on streams, help their favorite streamers achieve their dreams, and attend exclusive events like virtual music concerts.
LIVIT is available HERE for free download for iOS and Android.
About 17LIVE:
17LIVE Inc. operates the largest live streaming platform in developed Asia. Anyone with a talent or passion to share can be an artist, and the company’s mission is to empower artists and entertain the world through its platforms. The company’s live interactive platforms include its flagship live entertainment streaming app 17LIVE (LIVIT in UK markets), Meme Live and live streaming shopping platforms HandsUP and FBBuy. For more information about 17LIVE, visit https://about.17.live/.
About Flawless Real Talk:
Alberto Martinez, also known as Flawless Real Talk, is a rapper, producer, performer and entrepreneur who gained international recognition after his success on the Netflix reality TV show Rhythm + Flow in 2019. Originally from Rhode Island, Flawless broke into the music industry as a transplant from Atlanta in 2010, opening to the likes of Ludacris, Rick Ross and Tech N9ne. For more information on Flawless, visit http://flawlessri.com/.
SOURCE LIVIT
similar links
https://www.letslivit.com
Flawless Real Talk on Netflix’s Rhythm + Flow, Life as an Indie Artist, and Building His Fanbase
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Rapper, producer and entrepreneur Flawless joined Real Talk to talk about how he’s managing his rap career. He came second in Netflix’s hip-hop competition show Rhythm & Flow, which boosted his career. But despite all the industry attention, Flawless is still an independent artist. He talks about that decision, the compromises he had to make and what his goals are as an artist. He recently hosted a livestream concert on LIVIT, which was attended by over 1 million fans.
If you’re interested in how artists tradeoffs between signing and indie, building a following and resilience, this is the episode for you.
Listen: Apple Podcasts | Spotify | SoundCloud | Stapler | Cloudy | RSS
Watch:
Hosted by Dan Runcie, @RuncieDan, trapital.co
Guest: Flawless Real Talk, @flawlessri, faultlessri.com
Hip-hop’s influence continues to grow. Find out how this affects your business. Join the executives, CEOs and moguls who read Trapital: trapital.co
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Dan Runcie
Hey, welcome to the Trapital podcast. I’m your host, Dan Runcie. Our guest today is the rapper, entrepreneur, producer. Flawless real conversation. Welcome to the podcast.
Flawless real conversation
Thanks for having me man. Appreciate you.
Dan Runcie
I’m glad you could come for a few reasons. First and foremost you are a New Englander who is dear to my heart and grew up just outside of Hartford. So it’s great to see people from Providence coming out in the rap game.
Flawless real conversation
That’s daft man being daft, New England, man, a lot of people don’t really know Rhode Island, and they know the New England area. But you know, I’m really proud to represent my city and my side. And to be one of the pioneers of this new generation, pushing the same kind of music that our coast is known for, you know?
Dan Runcie
Yes, exactly. I mean, I know you’ve talked about this a lot. People embrace as much as New York. And that’s true, but not too far off. They have all these other subcultures. And I have close friends. I live in Rhode Island and it’s definitely a different vibe. But there’s still that East Coast grits. I’m glad this is coming through.
Flawless real conversation
Absolutely man, like a little one in New York. You know, a lot of people from here have families in New York and vice versa. So you know we’re always back and forth. You know, I have a lot of family members who grew up in New York. So I spent a lot of time with their influences. Definitely from there, but we are definitely our own individual state. And therefore we are proud.
Dan Runcie
Yes, the same goes for Connecticut. Well, I want to go back to last year, of course you’ve been rapping for a minute now. But I think a lot of people were attracted to you after the Netflix show Rhythm + Flow. And I know that a lot has changed for you in the past year. But how was this experience? Take us with you on this journey.
Flawless real conversation
Man, the reality show was really amazing because it was a different kind of hip-hop competition. It was Netflix, it wasn’t like primetime television. It wasn’t live. And it was really idiosyncratic. And that’s something I really wanted to keep in mind throughout the contest: America was a vote for, this was a more idiosyncratic contest where three people would give their opinion and then the best person they thought would win. So I knew I wasn’t going to push myself too hard as long as I did my best and stayed focused throughout the competition and understood that not pushing myself too hard was a bossy thing, and I knew that I , if I did and did everything the way I usually did, it would turn out fine. And the result of that was incredible. There were many time-consuming challenges, with each challenge coming right after the other. The most remarkable thing about this competition was that we had very little time for each challenge. Other than that, it’s been very exciting, you know, and very beneficial to our careers. Certainly.
Dan Runcie
The three judges you had, T.I., Chance the Rapper and Cardi B. They’re all different. And they were all looking for certain things. And I’m sure that contributed a lot to how you and the other participants proceeded. Do you think you would have approached it differently if it was like American Idol where the fans voted on the result?
Flawless real conversation
That’s interesting to say, I think at one point in the competition, I think halfway through the competition when we got down to the nitty gritty, I was thinking about what the jury wants versus what an entire audience wants, you know , because like I said, it’s opinionated. The competition is judged very strictly. So maybe I’m thinking yes, maybe we would have accepted the finals, I think the finals, I definitely made it look like America was voting against what the three judges might want me to see. And that was important to my legacy of just going out and speaking my truth and not doing it. Sort of the cliché, great achievement, I kind of went deep into the hearts of the world. And I think if America had voted I would definitely have played to my advantage for the finals. But um, he certainly had that in mind, that the three judges were the ones who decided with certainty. So that’s a great question.
Dan Runcie
Because I remember looking at it I think all credit to D.Smoke London and everyone else who was in it, but I felt like a D.Smoke’s skills definitely suited the artists a little bit more , if you will, unlike you, you had a bit more of that mainstream vibe, which I think suits that mass audience a bit more.
Flawless real conversation
Absolutely. Before I went into the competition, I didn’t know if there would be a mass audience or if we would be standing in front of you, an audience that had an opinion about the winner. But I’ve always said if I’m going up against someone who’s a favorite and it’s deep in the competition, I know I can make a difference if I get personal and dig really deep. Even though I knew America wasn’t going to vote for that final. I knew that everyone watching the show would feel that impact at the end and would definitely have room for me, if not nothing, you know, even if I didn’t win they would definitely support me after the show. And the fact that it’s on Netflix and staying there is something people are rediscovering every day. So I still get messages now. I hope you win, I’m not finished. But I really hope you win. I think I’ll keep watching. It is great. You know, it’s really exciting to see people still discovering the show a year later, you know.
Dan Runcie
I love that. And I also want to talk about this final because it seemed that not only did de smoke get the grand prize but different deals were negotiated. And I know there were many business opportunities that came up that day, but also in the weeks that followed. How was it?
Flawless real conversation
That was an incredible experience. Because you know that your entire career you’ve fought for these meetings, you’ve fought to get into these buildings, you’ve fought to enable yourself to get to that level. And then the show ended and everyone reached out and so many different labels and companies and different things like that. And it was just a great feeling to finally be here, you know, we were ready to take the next step, we got the attention we were looking for, because there’s no talent, you could go on the show, and they say, you know, 190 countries are going to see this show.
But you could be bad. You could go on and I could just do horribly, you know, and some people did, some people went on and didn’t make it, you know, too far. The fact that we were so successful was just very, very grateful for that. And they get that attention and they can take advantage of those opportunities afterwards. It was really a great feeling to feel like we were finally getting some traction, you know, after being independent and ground for so long.
Dan Runcie
This independent piece is interesting because that was your journey. This is still the journey you are on. But I’m sure a lot of record labels probably came with the checks and advances. I know you can’t get into exactly who gave what, but what were some of those deals like were there tough decisions you had to make?
Flawless real conversation
We have to make tough decisions every day as an independent label about where we want to go, you know, every single day and whenever really scaling growth against a major label partnership, but the situation just has to be right. And after gaining notoriety, we felt like we could still remain independent. We went ahead and signed with the WWE William Morris Agency, one of the largest agencies in the world. So we could get her for touring and bookings, we were able to sign a management deal with Lauren at Patriot Management. You are an incredible management agency. You know, we thought with these parts we could definitely navigate independently and keep growing.
And right now, you know, a lot of artists are partying and getting out of their deals in the world today. And personal responsibility and independence are cool now. I’ve been independent since 2010. I was independent when it wasn’t cool. I toured independently, I booked my own tours, I shopped on tours, did whatever I could to keep on the road and build my fan base, knowing that social media matters and continues in the face of consumers. So you know, now that it’s cool. And it’s like what to do, we’re in the perfect space. So we decided to continue and be leaders in this area and be independent property, educate the youth about property, protect their property and everything they have because we are very valuable and everything we create .
And I think a lot of artists that come from the past are now learning those lessons in hindsight, after they’ve given up publishing and after you know you’re making a certain percentage of the money, you see artists that are famous that aren’t make as much money as artists who are not as famous but are independent because they make money and make the most money. So I’m grateful to be in this room. And as I said, if there is an argument against a partnership with a major label, the situation simply has to be right. And until then, we will continue to grow. And until the situation is right, you know.
Dan Runcie
So what would the ideal partnership or relationship look like?
Flawless real conversation
Man, for us we just want to find a label that is as dedicated as we are, you know, I like to say nobody cares more than you. As for me, I do the day-to-day and do everything that we done have, we have many relationships with hip hop artists who have signed deals. And we kind of saw how those were navigated and how things didn’t really work out for them and what was done for them. And then in that area we see if we can do these things on our own too, it really has to be something that a label can offer us, that in a way we can already do for ourselves, and do it passionately and also be fair in the splits and everything else.
And we still want to own the music, which is very important. A lot of people are now learning about residual income music from streaming, the residual income from streaming is incredible and now the digital world is coming in with music sales. You know it’s important to have that property and keep that residual income for your kids so it’s free for generations to come, rather than signing it to a label for limited success or temporary success, so it has to for me just being the right situation.
Dan Runcie
It seems like for most artists who have been on big labels, now one of them, there are a few things going on. As you said, that was what was popular, it was the trend at the time. But in many ways it was also one of the main ways to be able to break out so many of those deals in an era before someone like you could soar when social media soared, you’ve actually been independent since 2010.
In the last decade we’ve seen the rise of SoundCloud and all these other tools and the rise of Tunecore and Distrokid and all these other services that just make it easier. So much of it wasn’t previously available to the signed artists. So unless it’s some kind of unique deal that’s cash or unlimited where they can negotiate something pretty cheap because they have all that influence and support, it would have been a lot harder for someone like you can to be there this situation.
Flawless real conversation
No, absolutely, absolutely. Social media and the DSPs know, Spotify, Apple Music really changed the game. And I explained that to someone because when we sell a CD from the trunk of our car like we used to do, we used to have to go out on the street and actually sell that CD physically. Let’s say I sell you my CD, right, you love the CD, you get in your car, you carry the CD around town all summer long, and you’ve played number four, maybe 5000 times, now you’re supported me by spreading the music.
But with DSP and with streaming. Well, every time you play this song, we get a royalty, you know. So the more you play the song, the more you support the artists who are against it, if you play the song 5,000 times and I sell you the CD for $10, I get that $10. And that’s it. Here’s how to support it. Now it gives the consumer and fans the opportunity to continuously support. And you can subscribe to these DSPs. But they are also free. Just like Spotify has a free version where you can stream my music for free. And you support me without having to spend any money, which is another ball game here now that social media people can share your posts and share your videos. That costs nothing. Now consumer, fan and artist support has increased and I’m really grateful to be in this era and to be able to catch this wave. And I’m excited to see how it goes, because it can only get better, right?
Dan Runcie
The fact that we can now measure actual consumption is huge. I think of the albums that got stuck in your car for a whole year, like when Get Rich of Die Tryin’ came out, or even like Tha Carter III, it was a year plus that those were in the car.
Flawless real conversation
I’ve been playing Get Rich or Die Tryin’ for at least two years. No joke, this is supposed to have billions of streams.
Dan Runcie
I have a feeling he still only has a fraction of it because yes you know when it’s platinum so many times, but it makes the same amount of money whether I listened to it once and threw it away, or put it in my car has stayed for a while year. And that is the real advantage of this era. And that’s also why we’re seeing so many of these publishing deals now, where there’s all these big companies buying up all these huge catalogs. And a lot of that is because these publishers or these funds that invest in catalog publishing can look up the streaming numbers and analyze them and now they can see what songs people are playing over and over and over again.
Flawless real conversation
And they can identify the hits by seeing the number of streams on a given record, you put out an album. And three songs just ooze out of everything else. It gives you a perspective of what those three songs are, your songs are the songs, you push the radio, those are the songs that you released as singles, you know, so it gives us an understanding as well as independent artists, you know , before the labels went into these numbers, they only had these numbers. So now in a Linux we can see which cities are listening, but states are listening when it’s time for a tour. I look at my top 10 cities on Spotify and it tells me exactly which cities to go to. It’s own booking agent that tells you exactly that this city and that city is your best chance to sell at a venue. And it’s incredible. It’s amazing man.
Dan Runcie
What are your best cities? what are your tops
Flawless real conversation
I met a lot of big cities like Chicago. Houston is definitely a big city. I could check right now and tell you real quick. Top 10 Cities Chicago, la Dallas, Toronto, Atlanta, Sydney, Australia greet you Montreal, Canada, Houston, Texas, New York City and Denver, Colorado. let us love you
Dan Runcie
You have the big markets. There are sleepers too!
Flawless real conversation
I have sleepers! Like Toronto. Shoutout Toronto, man.
Dan Runcie
Talk to me about Sydney. Is there anything specific you did down there?
Flawless real conversation
no But Australia shows me a lot of love. I’ve gotten a lot of love from Australia for Rhythm and Flow over the last few years, but I definitely have some Australian fans. I was supposed to go there on the World Tour but it was postponed due to COVID. But we’re getting out of there, man. We will come to Sydney and Toronto. We’ll see you all soon. I can’t wait to hit the road. At the moment we are doing virtual shows which is still amazing. Being able to connect with the fans. I just attended the University of North Texas a few days ago, we did a zoom concert. And it was really cool. They did a Q&A afterwards, I think it’s really cool to try to connect as much as possible. What everyone right now in these times
Dan Runcie
How was the change over the past year for you? I know that we had met so many musicians many times. And you had plans, I’m sure you will hit all these cities. As it was, I know live streaming is the wave now. And there are many ways you should be doing and what it sounds like to work towards connecting. But I’m sure it was still very tough because you probably had big plans, especially right after rhythm and flow and what you expected to be able to do on the road in 2020.
Flawless real conversation
In 2020 our plans were huge, we had an album preparing for release and were really pushing for the world tour right now. We had a great January in February and then the COVID that showed up through March. And it kind of left me in a no man’s land world where I was encouraged not to release music because you couldn’t tour, we couldn’t tour, we really couldn’t do anything in that moment. It was really hard trying to navigate.
But I think understanding the space we’re in, understanding how long we’re going to be in that space, and adapting to the times is always something you have to do as an independent artist. So we’re just adapting to the times that many people praise us for how we’ve adapted. But I don’t think it’s really groundbreaking or anything. We’re just literally adjusting to the times as you know it’s easy to see right now you have nowhere to go. Well, live stream, we’re like, you know, it’s kind of a one plus one equation here. You know we decided to just start with live streaming and really start with it worked incredibly well.
Dan Runcie
How did you go about navigating the live stream? Because there are so many platforms out there there are so many different options whether you want to hop on it live or partner with some of these more established platforms that I know you’ve done? How did you go about finding the best way to deal with it?
Flawless real conversation
I think what was important to me was the algorithm, the UI, just a lot of different things. And I didn’t just want to join a platform either, I wanted a platform that would work with me. So we started looking for our live stream platform to work with us for a concert series. So we started to establish them, just do gigs every month and just build them on one platform.
And we ended up actually partnering with LIVIT, a global streaming platform, and what really was the icebreaker at LIVIT. And really, the reason I decided to work with them over other platforms was because they were committed to getting my message across, which is what I was trying to achieve during my live streams. They were willing to give back with me just as I wanted to make it a charitable cause where we can give back and find ways to give back to charity. And not only did they support that they wanted to match my efforts. So that was huge.
And we also fight so much for algorithms and visibility as artists and Instagram, on Twitter, Tik Tok, you know I wanted a platform that would work with me and say hey we got your back. We know we’re trying to achieve something here, we’re going to open it up for you, we’re not going to restrict you. And that was the key. So it was incredible. And we had our first concert on November 13th, our first interactive live stream concert ever, the first interactive hip hop console where I interacted with the concert goers, we had 1.2 million viewers at the live stream Concert. And it was incredible. I mean it was just a stupid experience, I almost felt people’s energy in a weird way, through the emoji hands, through all the comments, seeing everything. It worked incredibly.
Dan Runcie
That’s great. I feel like if you are able to work with a platform that has your partnership and support then you are not just one of many who either succumb to the algorithm as you mentioned or you have to play this game . They are with you and the ability to connect with the audience is a key thing. And I think that’s probably one of the biggest differentiators of live streaming platforms. It’s a one-to-many experience, regardless. But if you can actually feel those connections, I think that’s what sets the strong platforms apart.
Flawless real conversation
And we offer things that we don’t offer on any other platform like I did my first song live on LIVIT. Now my first song I wrote my first live stream song because we agree that we will make music with the fans. We went in there and created a song live with the fans. We just put it out, the song is called Everything. It’s about empowering women and empowering our women today. You know, our industry and our culture never taught us to value our women. And I think it’s important for people like me to spread that message and tell people and tell our younger generation that it’s okay to appreciate our women. You know our women are incredible, they are queens. And this song is really just proof of that, and I’ve let it live on. And we don’t do that anywhere else.
today is wednesday every wednesday night we have a talent show in the app where we allow fans to show their talent spread love i did one last week i found two artists i will work with like , You know what I mean, I’m actually going to get into their music and make music with them and help them get known. So with this app we’re spotting talent, we’re doing live stream concerts, we’re doing live music on the app, we’re also doing between line segments where we’re breaking down some of the most historic hip hop songs in history.
And we’re navigating and explaining exactly what the artist was thinking during that time and just breaking things up and things that we don’t offer anywhere else. So it’s a really interactive, connected experience that they’re going to have with me. I look forward to all the fans coming, we’ve been voting every day and more and more people are coming and participating in live streams and it’s going to be a building process, you know, so we’re just going to build it, man, he’s got it built.
Dan Runcie
What does monetization on LIVIT look like for you? Was there an initial upfront payment they offered? Or in addition to that? Do the fans pay for their sponsorship or in some other way? How about you?
Flawless real conversation
There is a concept of giving to live it properly. So let’s say you’re watching my stream. If you choose not to pay money, you will receive a free gift every five minutes. So you can give me this gift every five minutes, after 30 minutes you will get a 10 pack of gifts. Or you can also buy coins through the app and donate coins, small animations that you want to make come true. It’s all fun, interactive stuff. And what we do is that a portion of those proceeds go to charity.
So right now we’re doing a toy drive for Hasbro Children’s Hospital and Boston Children’s Hospital. And we have already received about 150,000 coins for this charity. And we’ll probably score a million coins for this charity today. And then, you know, we’re going to livestream each other to the hospitals, bring these toys for the kids, show our combined efforts throughout the month while we’re having fun, while we’re doing concerts. You know, we also raise money for charity. And then at the end of the month we do these charitable donations, we stream live, and everyone feels good because they’re part of something special.
While we’re all having fun and there’s no compulsion to donate as the app is completely free, you can come and just enjoy the show. You don’t have to donate anything, it costs nothing to watch. It’s just that if you choose to do so and want to be a part of the giving then you are more than welcome. But either way, we do this tradition every year to donate, we have toy rides for the children’s hospitals every year. So now it’s just one way to give back on a larger scale.
Dan Runcie
That’s great. You can truly serve those who need it. And I love it when platforms find a way to have at least some of the money coming through to serve the purposes for all of you that you need most. And you mentioned earlier that they bring all the posts together, that’s bullshit.
Flawless real conversation
Each month we choose a different charity. So we will simply have other causes. And then, if you care deeply about the special cause we are donating this month and feel free to donate, if not, you are more than welcome to just come in and be a part of the show and connect with me on that level associate. And it’s totally free.
Dan Runcie
You’ve talked a few times about algorithms and some of the challenges, be it Instagram or the digital streaming providers and the ability to reach your fans and also your potential fans. What other direct ways do you use to get in direct contact with your fans?
Flawless real conversation
I think the best way is to try to get your fans out of social media, connecting with them via text, phone numbers and emails to know that Instagram is down tomorrow, many people won’t know what to do . So we don’t own Instagram, right? So we have no control over what happens. Damit wir eine Fangemeinde aufbauen können, können Sie Folgendes aufbauen, um eine Plattform aufzubauen. Aber wenn diese Plattform verschwindet, müssen Sie eine Art Datenbank Ihrer Unterstützer haben.
Also haben wir uns einen Song namens „New Phone“ ausgedacht, gleich nachdem „Rhythm and Flow“ herauskam, mit Troy Man, der auch in der Show ist. Schrei Troy Man, ich habe tatsächlich eine Telefonnummer in meinen Vers eingefügt. Und wir hatten das Osterei der Telefonnummer überall in den Videos, die Leute sagten, ist das wirklich deine Nummer? Also rufen sie eine Reihe von SMS-Leuten zurück, ich schreibe ein paar Fans. Und wir bekommen weiterhin neue Nummern und neue Leute, die diese Nummer anrufen, weil die Videos auf YouTube jeden Tag aufgerufen werden, die Songs auf Spotify oder Apple Music. Also nutze ich das als Möglichkeit, eine Telefonnummer preiszugeben, unter der sie mich erreichen und sich auch auf dieser Ebene mit ihnen in Verbindung setzen können. Für mich geht die Verbindung also über die sozialen Medien hinaus, in gewisser Weise über E-Mail oder Text. Wir haben eine neue Art von Technologie. Ich kann noch nicht darüber sprechen, aber es steht kurz davor, bahnbrechend zu werden, und wir werden auch dabei an vorderster Front stehen. Und wir werden in der Lage sein, auf diese Weise mit ihnen in Kontakt zu treten. Es ist also wirklich erstaunlich zu sehen, wie Technologie und der Einsatz von KI eins zu eins zusammenkommen und was Sie alles zu unseren Gunsten nutzen können.
Dan Runcie
Welche Plattform verwendest du für die SMS?
Makelloses echtes Gespräch
Ich kann mich nicht genau erinnern, was mein Team verwendet. Aber sie haben gesagt, dass sie mir nur die Nummer gegeben haben und das Telefon kommt direkt durch. Aber sie haben das alles hochgeschickt. Aber ja, das kann ich dir in dieser Sekunde nicht sagen.
Dan Runcie
Als ich das hörte, erinnerte ich mich an die SuperPhone-Geschichte von Ryan Leslie, weil er bei der Plattenfirma unterschrieben war, hatte er nicht das Gefühl, dass die Plattenfirma dieses Album für sein zweites Album unterstützte. Dann sagt er: Okay, ich brauche trotzdem einen direkten Weg, um das Publikum zu erreichen, und er sammelt dann die Telefonnummern. Und es war nur so, dass 15.000 Menschen, die er erreicht hatte, ihnen das Album direkt verkaufen konnten, die sich an sie wandten, um auch die Konzertkarten zu verkaufen. Und das klingt nach der gleichen Art von Dingen, die Sie auch bauen. Und selbst wenn man die Telefonnummer so in den Song einfügt, ist das Mike Jones, Soulja Boy, das, was wirklich gut für sie funktioniert hat. Die Leute kennen diese Zahlen immer noch auswendig.
Makelloses echtes Gespräch
Ja, weil es im Rap war, weißt du, sodass sie jetzt die Nummer kennen. Wir schrecken nie vor Taktiken zurück, von denen wir in der Vergangenheit gesehen haben, dass sie funktionieren, richtig. Es ist also so, wir haben diese Arbeit in der Vergangenheit gesehen, warum sollten wir das nicht in unser Ding implementieren. Nun, diese Ideen sind nie eine falsche Idee, Sie könnten es tun und Sie können 500 Telefonnummern sammeln, und es war kein Fehlschlag, Sie können diese Dinge nicht scheitern, Sie können nur versuchen, es weiter auszubauen. Du weisst. Also, selbst mit diesem Limit-Ding, wir haben 900.000 Leute auf Instagram, man kann nicht erwarten, dass 900.000 Leute die App am ersten Tag herunterladen, man muss ihnen zeigen, was ihnen fehlt. Also machen wir jetzt das Konzert. 1,2 Millionen Menschen aus der ganzen Welt schalten ein. Und jede Menge Leute meinten, ich habe das vermisst. So now we’re gonna have 5 million people next concert, because it’s a growth process, and it just continues to grow. So for anybody out there that does something and it doesn’t generate you numbers or the money you want or the attention you want right away, it’s never gonna happen that way, or it’s never worth it, it has to be a building process. So always continue to build and set that tone from the first one, always just make it build, and think one day at a time, and you’ll be successful for sure.
Dan Runcie
And it’s really about understanding where all the platforms sit in the ecosystem, because we talk a lot about the importance of email and the importance of text message, and those stuff matters. But in order to get those numbers in the first place, you still need something at the top, and you have a 900,000 Instagram followers helps to do that. So yes, you’re fully aware that if Instagram shuts down, that doesn’t work out well for you. But you also know that there’s a value of still focusing on that, but still wanting to ultimately have that direct relationship in the end.
Flawless Real Talk
And that direct relation like Ryan Leslie, he got it, obviously was after he was already in a label, but he understood it after the fact when he did that, because he’s like, if I’m independent, which I think he is now, he’s second, I only sell 40,000 Records, to the industry standard 40,000 Records is not a lot of records, right? The labels not happy with that. That’s because the label is making the money. But if you’re an independent artist, and you’re making 100% of your money, and you’re selling albums, or you know, let’s just say $10 standard at 40,000 people buy your album. That’s almost half a million dollars for that artists to reinvest into his career.
I don’t think a lot of people understand that, as an independent artist, you don’t need to sell millions of records. To be successful, I dropped the album right after rhythm and flow, we came in number four on the iTunes hip hop charts. And we didn’t sell a ton ton of records. But we were super successful, because we’re independent, in stand. So it’s like, we don’t have to sell millions of records to be successful, you just have to just really connect with a certain amount of fans that are going to really support you. And even with the only fans thing a lot of artists are going on there now and offer an exclusive content. Because of the way social media has changed the algorithm. The people that hit the Follow button, still don’t see your posts. That’s insane to me. I build a following and I have to fight for these people. I could see if I want outside eyes, then you charge me a pet. But you’re telling me in order for me to reach the people that themselves hit follow because they were interested in my content, and they can’t see my content. That’s insanity. You know what I mean?
Dan Runcie
It’s crazy. As someone that’s also working in this same game, trying to build my own media company up it is one of the most frustrating things and similar Yeah, I’m trying to do the same type of thing. But what I like about what you’re highlighting is that yes, you have a smaller pie as a independent artists relative to what you may have as a signed artist. However, you own that pie. That is a much larger share of that pie from an economics perspective, you don’t need to do the same things that the artists on Republic Records or Columbia need to do in order to be a success.
Flawless Real Talk
That’s why it’s important to connect with the core fans that are really going to support you. The only fans aspect is like, fans aren’t gonna subscribe to you for $10 a month, if they don’t really rock with you. And sometimes I rather have 40,000 diehard fans that are gonna just be there with me on this journey, then 900,000 fly by fans who are really interested who might have hit follow because they saw the show, and then they never saw another post from me because the algorithm is horrible. It’s really tricky, you know, with how you do it. But their connection with the fans is extremely important. It’s the number one thing,
Dan Runcie
Who are you following right now in the game? From an independent perspective? Are there anyone that you’re looking at? Like, oh, I really like what they’re doing. Because I think for Meteor perspective, people are always looking at chance, or Russ, who you with that?
Flawless Real Talk
I was gonna say Russ. Russ, I don’t think it’s no longer independent. But his story is a lot similar to mine in the sense of continuously putting your head down and working, and then using like a tunecore, to distribute your music, and then watching that money grow every month. And what I loved about him is a lot of people looked at him as cocky. And I think his choice of wording might have not always been the best. But his message when he came in and was like I did this myself, can’t tell me nothing. Was everything for an artist like me, because I’m like, Yes, we do. Yes, we did. Because he’s just like me, he’s doing it. He’s pushing it. He’s gotten to that point. And he’s not shying away from the process. He’s telling you look, I started on Tunecore. He’s showing his receipts, you know what I mean? I started making this much. And then I built it built to build it by continuously releasing music and continuing to be at that.
Flawless Real Talk
I don’t model anything I do after him. But seeing someone like him make it in that space that he’s in being radio being mainstream. It’s like, yo, we don’t have to really sign a deal just to get there. We can push this thing all the way through. Because sometimes it’s like, you push the independent level to a certain point, can you take the deal, and then you go over the top. But after seeing that, it’s like, you really might be able to take it over the top with the independence. You know what I mean? Like you really can’t. And he took a distribution I think or situation after the fact but he was already monumental independent. And chances are another example as well. Tec nine as an independent artists. You know, I did my first tour with Tech N9ne, 48 city tour. He’s the one that showed me that I didn’t need to be famous, famous, famous to be touring and making money. I could build this thing from the ground up. It was my first tour 48 cities, and I watched 1000s of people go crazy for a guy that I did not know, or my city did not know who this guy was. And I was like, Whoa, I have the wrong perspective here, what this business is?
So I started doing it my way, whoever rocks or what I’m doing, I don’t swear my music. I don’t troll. And what you see is what you get, there’s no gimmicks, it’s positive music, I got party stuff, I got stories. If you rock with it, you rock with it. If you don’t, there’s 1000s of other artists that you can listen to. And being able to do that now in this space is amazing, because I’m not thirsty for nothing.
Dan Runcie
It really allows you to have that ownership and control of your career in a way where you don’t have to sacrifice this. You don’t have to do things that you don’t want to do. It’s a very powerful position to be in. Yeah, absolutely. Where you mentioned Russ, I saw he recently posted his Tunecore screenshot. He was clearing $100,000 a week. That’s legit. And I still remember one of my friends that texted me it was a couple years ago when Russ had sold out the Staples Center. And I think for a lot of people,people were just like, Whoa, we were not expecting this. I had at least a few friends text me because they know I cover this stuff. They’re like, should I know who this is? Like, Who is that? And I mean, at that point, I was following it for a while. But that speaks to what we’re saying the fact that someone can be that successful and you don’t know who they are, speaks a lot to what their game is and what they’re not trying to do. Like he hasn’t spent time trying to convince you to be his fan. There’s power in that as well.
Flawless Real Talk
And I think people that grow with you too, they see it. So I got so many people that were following me in 2014, 15 that came to my shows. And now see me now and say Yo we’re proud of you man. You didn’t start doing this and this and this like even when on the show a cardi b we didn’t know what to expect. And then you know you did everything we expected you to you stay true. And that is goes a long way with the connection. With the fans because they smell you being phony, you could lose a lot of people that were with you in the beginning. And those people that would do in the beginning, I’m the first people to buy your album, trust me. I’ve got fans I met in 2011. That downloaded live it and we’re watching the live stream concert, took a nine years of support here, that they haven’t seen something that make them say, I’m not rocking with this guy no more. I take pride in that. And building and growing with my fan base. And then seeing over the years and seeing us get to BET Cyphers and Netflix and so many Plex we’re on TRL. And then they see me and it’s the same guy. And I take so much pride in that man.
Dan Runcie
It definitely is powerful. And being able to keep that over time is key.
Flawless Real Talk
Yeah, for sure.
Dan Runcie
I’m curious, what is your take on some of the more popular trends that have been happening the past few years, and specifically about gaming? I know a lot of this has been what the signed artists have been doing, whether it’s Travis Scott, or little NAS X on Fortnite, or Roblox but what are your thoughts on gaming and hip hop? And do you see that as a potential for you?
Flawless Real Talk
Man, it’s amazing because we got to think about my hip hop was created in New York and it wasn’t even accepted. And now it runs the world. Think about it, you know, hip hop, you see and Snoop Dogg doing Corona commercials you see in the car commercials with the gerbils, and they got the hat on with the boombox and everything around us as hip hop influenced everything. And now we’ve got gaming, and we’ve got Travis Scott, people doing concerts on Fortnite and on games. That’s a whole world. I don’t know how many people are on that game. But think about it. It’s millions, right? So now they’re all listening to Travis Scott, in that one shot.
And it goes back to the old ways of distribution. We’re in the trunk, where we’re trying to please buy the CD, listen to the CD, this is one person, you know how much effort it took to get one person to listen. Now you press a button, and you come up as a giant on this game. Millions of people can watch you in this exact moment. It’s incredible, man. It’s incredible. And it’s cool for the gamers because now it shows that the gaming companies are in tune with the culture. And they got Travis Scott concert happening on Fortnite, like what does that even mean? It means they know that the culture is important. They’re also now supporting the culture by putting somebody like Travis Scott, they’re also paying for that. So it’s putting money in the pockets back into hip hop is putting money back into hip hop back into the families that are doing hip hop. It’s just a cycle of influence.
And the more people use hip-hop as influence, the more powerful we become, you know, as artists as voices how many artists stepped in now for this voting man? You know, I mean, I did a bt cipher. And I did the political cypher with Jack Harlow and Rapsody. And it was about the presidential election and about social injustice. We have a voice. We’re powerful now. I just got a call yesterday from the Governor, like I just got the key to my city. were powerful. Now. The governor is like, Can you help me, please, I need help talking to these kids. They’re calling me bro. Because I am a hip hop artist, you understand. And I also represent with a certain class, but hip hop is doing that the governor is calling me she need to hip hop influence is crazy.
Dan Runcie
That’s dope, too. And it goes back to where we started things. You can put Rhode Island on the map as a hip hop artist in a way that others can. That’s dope. Are there specific things you have in place with the governor?
Flawless Real Talk
Not right now. But you know, we’re working on stuff. Like I said, I just got the key to the city last year, I was a great shout out to Mayor Elorza for that. I think now it’s about just being careful with how we speak to the younger generation and who we choose speak to the young generation, I think they’re starting to see that and now they’re bringing people that can relate to these kids.
You know, I mean, like when I was in school, I’m not gonna lie, like I couldn’t relate to my teachers. There was nobody there that I could relate to, if they would have brought somebody like me in and I could see somebody that looks like me, that’s from where I’m from that overcame a lot of the obstacles I’m dealing with, and that might have gave me more hope early on. So I’ll take full pride in being that person, I get what you need. I got you, whatever the city needs from me, you know, especially giving me the recognition that they did. I appreciate it. So like, I’m all for it, man. I’m all for being that example, for the youth, for sure. And that’s why I stopped swearing to my music. There’s no profanity in my music. It’s not corny, and just choose not to swear. So now you can play it around the kids. You can play any way you are not in that I take pride in that.
Dan Runcie
What do you think 2021 will look like for you. I feel like there’s a lot of unknown right now in terms of touring, but you’re already planning A lot of this, when do you think you’ll be able to get back on the road?
Flawless Real Talk
Well, you know, we can never tell with the pandemic right now. You know, it’s back and forth, I think we’re about to get locked down again, for me focus right now on living, you know, I’m focused right now on continuing to connect with the fans, continuing to use my platform to make a difference, figuring out how I can make a difference with this charitable causes and having living match my donations. And using my platform in a time where I can easily say up, there’s nothing we could do, I could easily just say that I could say, you know, what, kick back on financially not hurting, I’m fine. She has a wash. But that doesn’t feel right. Like, you know, I could be making a difference somehow, while I connect with my fans and keep that connection, that’s important.
So this is the perfect thing, we’re going to continue to focus on charitable causes every single month, we’re going to see who needs what, at that moment, something could happen tomorrow. But we need to shift our attention. And we focus there, you know, we just want to make a difference. But we’re also just having fun on LIVIT connecting with the fans having concerts, like I said, 1.2 million views the first time, we’re looking at 5 million viewers this time, you know, I mean, it was so much fun, interacting with the people doing these weekly shows, you know, the talent show every Wednesday, seeing new talent come in, we’re really just having fun, man, but we’re also making a difference at the same time. So until the world opens up, whether that be in the spring, in a year from now, we’re gonna continue to do this live thing we’re going to continue to push on there make a difference with these charitable causes. And then when the world opens up, man are common with that world. So I’m willing to just shut it down. And everybody’s gonna be so excited to be out for sure. So anybody coming out for sure.
Dan Runcie
Yeah, definitely. Good. Well, before we let you go, do you have anything that you want to plug or that you want to let the Trapital audience know about? And there’s a lot of people listening, not just artists, but people that are creators themselves, and understanding how to navigate things from an indie perspective, and you’ve clearly been doing that, and the advice for them.
Flawless Real Talk
First and foremost, I want to say to take things one day at a time, the moment that I stopped looking at the overall picture of being like this, big artists that like being number one, and having that Grammy and doing all it begins to frustrate you because you start to see where you are and where you want to be. It makes you impatient and makes you more frustrated, as opposed to thinking one day at a time. Like what are we going to do today to help us get to that next step? Not only what can we do right now, because if you’re not working towards it right now, you’re just daydreaming, you continuously daydreaming and getting frustrated about it.
So every day you have to work towards your dream, take it one day at a time. And then you’re going to look up one day, and you’re gonna see how far you’ve come. And it’s gonna be like, it doesn’t even feel like that. You know what I mean? Like, I feel like I have so much more to go. I remember back in 2010, I was like, crying in tears, because I was a finalist in a contest to be in the BET cipher. And I didn’t win. And I was like, so distraught, and I was like, I’m gonna work hard, and I’m going to make it there one day, you know, it’s 10 years later, and I’ve already done to BET cyphers, Netflix, so many things. And it doesn’t feel I feel like I have so much more to go. Just because I started really taking it one day at a time. So just take it one day at a time and work every day. What are you going to do today to get to that next level?
As far as plugging anything? You know, all my music is on on Spotify, Apple Music, everything just search flows for talk. You can follow me on all social media platforms at @FlawlessRI. If my city of Rhode Island I always read. And yeah, I appreciate the love just dropped a new single court everything for our queens, letting them know that we appreciate you. And yeah, man, we’re good.
Dan Runcie
You just motivated me with that speech that you gave. I don’t know if you’ve done this, but you might got a little side hustle as a motivational speaker!
Flawless Real Talk
You know what, once the job is done, I would love to do that. But right now, I think the job’s not done. So we’re going to continue to just stay focused, and just push forward. But I appreciate that man. Maybe a little a couple years from now down the line. We could definitely motivate and tell people about our story for sure.
Dan Runcie
Definitely. Flawless Real Talk. It’s been a pleasure, bro.
Flawless Real Talk
Appreciate you king, man. Thank you so much for having me.
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